Perfect exhibit
Tạo video exhibit chuyên nghiệp với chất lượng broadcast. Template tối ưu hóa cho lĩnh vực phim truyền hình và trưng bày sử dụng các mô hình AI tiên tiến.
- By
- Rachel Walker
- Steps
- 52
- Connections
- 60
- Updated
- 7 Jun 2026
Inside this workflow
30 of 31 runs
Each run is the workflow’s own record: the model it called, the prompt it was given, and what came out.
- 01
Image generator
Image generatorNano Banana Pro- Input
ChatGPT Image May 6, 2026 09_30_09
PromptChange {{Image 1}} poster to 3:4 ratio
- 02
Image generator
Image generatorNano Banana ProPromptCharacter concept art sheet of an 8-year-old boy, the only emotional and un-disciplined human in a cold world. Layout includes one full-body pose, 3-view portrait (front, side, 3/4 profile), and isolated props. He wears a neat, miniature upper-class adult outfit: a tailored dark navy blazer, tailored gray shorts, knee-high socks, and leather shoes. His hair is slightly messy from struggling. Props include a small dropped sketchbook and a single bright red crayon. Distressed, empathetic, and urge
- 03
Image generator
Image generatorNano Banana Pro- Input
02Go to run 02
ChatGPT Image May 8, 2026 10_34_24
socialite
cleaner
Mother
Prompt{{Image 1}} An art critic and a {{Image 2}} socialite, standing together, {{Image 1}} one arm around {{Image 2}}'s waist, the other pointing to the leftmost painting in {{Portrait 7}}, {{Image 3}} A cleaner wiping the floor in the central enclosure of {{Portrait 7}}. {{Image 5}} The security guard stands at the junction of the corridor in the distance. {{Image 6}} Mother holding hands with {{Image 4}} child, facing the painting on the far right of {{Portrait 7}}. In addition, {{Image 7}} there are 5 other visitors in formal attire, looking at paintings, walking and talking. Randomly distributed in different locations in the scene
- 04
Video generator
Video generatorveo3-1-reference-to-video- Input
art critic
PromptShot on an ARRI Alexa camera, Cooke anamorphic lenses, 35mm film photography, Kodak Portra 400 film, heavy film grain, dystopian futuristic film. Scene: {{Portrait 1}} The art critic and the {{Portrait 2}} socialite stand together, commenting on the leftmost painting of {{Portrait 7}}. The scene starts with a close-up of {{Portrait 1}}'s mouth while drinking red wine. While looking at the painting in front of him, he pretends to be serious and says: "The use of emptiness is almost irresponsibly bold." At the same time, his other hand slowly reaches behind the waist of {{Portrait 2}}'s socialite and gently hugs her. {{Portrait 2}} The socialite was stunned for a moment, then smiled politely at {{Portrait 1}} without refusing. {{Portrait 1}} Seeing that the socialite did not refuse, her tone became more arrogant and excited, as if she was reciting poetry, and then said: "Meaning itself is left with nowhere to reside." After saying this, he closed his eyes, as if he was reflecting on his artistic taste. After hearing this, the socialite kept a polite smile and complimented: "Sir, I can
Output1 output — open the canvas to view
- 05
Image generator
Image generatorNano Banana ProPromptCharacter concept art sheet of an 8-year-old boy, the only emotional and un-disciplined human in a cold world. Layout includes one full-body pose, 3-view portrait (front, side, 3/4 profile), and isolated props. He wears a neat, miniature upper-class adult outfit: a tailored dark navy blazer, tailored gray shorts, knee-high socks, and leather shoes. His hair is slightly messy from struggling. Props include a small dropped sketchbook and a single bright red crayon. Distressed, empathetic, and urge
- 06
Image generator
Image generatorNano Banana ProPromptThe art critic and the socialite stood together, one arm around her waist, the other pointing to the leftmost painting in the center, while the cleaner wiped the floor in the central fence. Security guards stood at the far end of the corridor. The mother holds her child by the hand, facing the painting on the far right. In addition, there are 5 other formally dressed visitors in the scene, looking at paintings, walking and talking. Randomly distributed in different locations in the scene
- 07
Image generator
Image generatorNano Banana Pro- Input
PromptClose-up shot, {{Portrait 1}} is standing next to {{Portrait 2}}, holding red wine in one hand, and the side close to {{Portrait 2}} is naturally raised, {{Portrait 1}} is the painting on the far left of the screen in the review {{Portrait 3}}. In the background of the picture are five formally dressed museum visitors, some walking around and some talking. Shot on ARRI Alexa 65, Zeiss Master Prime 35mm lens, deep depth of field, f/8 aperture, locked-off camera, static shot, perfect symmetrical composition, muted color palette, sterile white, cool gray, stark red accent, clinical lighting, shadowless even lighting, diffused fluorescent light, Cinematic film still, visual style of Ruben Ostlund's T
- 08
Image generator
Image generatorNano Banana Pro- Input
07Go to run 07
PromptClose shot. {{Portrait 1}} is the mother, {{Portrait 2}} is the child. {{Portrait 1}} is holding {{Portrait 2}} by the hand, standing in front of the painting on the far right of {{Portrait 3}}, {{Portrait 1}} is explaining something to {{Portrait 2}}. In the background of the picture are five formally dressed museum visitors, some walking around and some talking. Background characters refer to the background characters in {{Portrait 4}}. Shot on ARRI Alexa 65, Zeiss Master Prime 35mm lens, deep depth of field, f/8 aperture, locked-off camera, static shot, perfect symmetrical composition, muted color palette, sterile white, cool gray, stark red accent, clinical lighting, shadowless even lighting, diffused fluorescent lig
- 09
Video generator
Video generatorveo-3-1-fast- Input
06Go to run 06
Prompt{{Portrait 1}} is mopping the floor in the central enclosure of the {{Portrait 2}} art gallery. Suddenly, his heart hurt sharply. He clutched his chest, his expression was distorted by the pain, he had difficulty breathing, and he made slight sounds of uh and ah. Then he fell to the ground and struggled. Then he took out the medicine bottle from his pocket with a trembling hand, but because his hand had no strength, the medicine bottle rolled from his hand to the ground. He struggled to get the medicine bottle that had rolled down, and he made a weak sound: "My medicine...medicine..." The camera begins with a low angle close to the ground and moves forward to a close-up of the mop, with other people walking past the camera as it progresses. Properly arrange the character's movements, expressions, close-up shots such as the medicine bottle falling, and other shots to express the character's struggle and pain. Only sound effects, no BGM. No subtitles.
Output1 output — open the canvas to view
- 10
Video generator
Video generatorseedance-2Output1 output — open the canvas to view
- 11
Video generator
Video generatorseedance-2Output1 output — open the canvas to view
- 12
Video generator
Video generatorseedance-2Output1 output — open the canvas to view
- 13
Video generator
Video generatorveo3-1-reference-to-video- Input
- 12Go to run 12
PromptShot on ARRI Alexa 65, Zeiss Master Prime 35mm lens, deep depth of field, f/8 aperture, locked-off camera, static shot, perfect symmetrical composition, muted color palette, sterile white, cool gray, stark red accent, clinical lighting, shadowless even lighting, diffused fluorescent light, Cinematic film still, visual style of Ruben Ostlund's The Square 2017, sterile and freezing cold atmosphere, hyper-realistic, extremely detailed. The video continues with {{Mixed 7}} footage. {{Portrait 3}} and {{Portrait 4}} approached the fence, {{Port
Output1 output — open the canvas to view
- 14
Image generator
Image generatorNano Banana ProPromptChange the poster to 3:4 ratio
- 15
Video generator
Video generatorveo3-1-reference-to-video- Input
08Go to run 08
PromptShot on an ARRI Alexa camera, Cooke anamorphic lenses, 35mm film photography, Kodak Portra 400 film, heavy film grain, dystopian futuristic film. Mother {{Portrait 1}} holds hands with child {{Portrait 2}} and looks at the painting. Scene reference {{Portrait 3}}. {{Portrait 2}} The child innocently whispered: "Mom, this is kind of boring. I can’t tell what it’s supposed to be." {{Portrait 1}} The mother replied indifferently: "That's precisely why you need to keep looking." Then she squatted down, turned to look at {{Portrait 2}} and then said: "Taste is something one must be trained into." The child nodded without answering, his brows furrowed in confusion. The camera starts with a close-up of the painting on the wall, and rationally arranges different shots and scenes such as forward and reverse dialogues, close-ups of the contrasting expressions of the mother and child, and close-ups of hand movements. Only sound effects, no BGM. No subtitles.
Output1 output — open the canvas to view
- 16
Video generator
Video generatorveo3-1-reference-to-video- Input
PromptReference {{Portrait 3}} scene. {{Portrait 1}} The critic shifted the glass from his hand to his other hand. At this time, a man in a suit walked past {{Portrait 1}} and bumped into {{Portrait 1}}'s shoulder. Due to the collision, {{Portrait 1}} did not hold the wine glass firmly, and some of the wine in the glass spilled onto the ground. It starts with a close-up of the camera hitting the shoulder, and the different shots and scenes of the wine spilling out of the glass, wine spilling on the ground, etc. are reasonably arranged. Only sound effects, no BGM. No subtitles.
Output1 output — open the canvas to view
- 17
Video generator
Video generatorseedance-2Output1 output — open the canvas to view
- 18
Video generator
Video generatorveo3-1-reference-to-video- Input
PromptShot on an ARRI Alexa camera, Cooke anamorphic lenses, 35mm film photography, Kodak Portra 400 film, heavy film grain, dystopian futuristic film. Scene: {{Portrait 1}} The art critic and the {{Portrait 2}} socialite stand together, commenting on the painting on the far left. The characters are located in scene reference {{Portrait 3}} , with their backs to the other side in scene reference {{Portrait 4}} . The scene starts with a close-up of {{Portrait 1}}'s mouth while drinking red wine. While looking at the painting in front of him, he pretends to be serious and says: "The use of emptiness is almost irresponsibly bold." At the same time, his other hand slowly reaches behind the waist of {{Portrait 2}}'s socialite and gently hugs her. {{Portrait 2}} The socialite was stunned for a moment, then smiled politely at {{Portrait 1}} without refusing. {{Portrait 1}} The tone was more arrogant and excited, like reciting poetry, and then said: "Meaning itself is left with nowhere to reside." After saying this, he closed his eyes, as if he was reflecting on his artistic taste.
Output1 output — open the canvas to view
- 19
Video generator
Video generatorveo3-1-reference-to-video- Input
PromptFixed shot, close-up of a character. {{Portrait 2}} and {{Portrait 3}} were attracted by the sound of falling to the ground and looked to the left of the painting.
Output1 output — open the canvas to view
- 20
Video generator
Video generatorveo3-1-reference-to-video- Input
PromptFixed shot, side close-up. {{Portrait 1}} and {{Portrait 2}} were admiring the painting on the far left of {{Portrait 3}} when they were suddenly attracted by the sound of falling to the ground. They both turned their heads and looked behind them at the same time. Only sound effects, no BGM. No subtitles.
Output1 output — open the canvas to view
- 21
Video generator
Video generatorseedance-2Output1 output — open the canvas to view
- 22
Image generator
Image generatorNano Banana Pro- Input
PromptCinematic film still, an exterior shot of a monumental ultra-modern avant-garde art museum entrance, minimalist brutalist concrete and glass architecture. Dead-on flat elevation perspective, perfect symmetrical composition. By the entrance doors, there is a prominent minimalist exhibition poster. In the foreground, a few small, well-dressed pedestrians are casually walking past the building, looking indifferent and cold, alienated from each other. Shot on ARRI Alexa 65, Zeiss Master Prime 35mm
- 23
Video generator
Video generatorveo3-1-reference-to-video- Input
- 12Go to run 12
Security - Copy
PromptShot on ARRI Alexa 65, Zeiss Master Prime 35mm lens, deep depth of field, f/8 aperture, locked-off camera, static shot, perfect symmetrical composition, muted color palette, sterile white, cool gray, stark red accent, clinical lighting, shadowless even lighting, diffused fluorescent light, Cinematic film still, visual style of Ruben Ostlund's The Square 2017, sterile and freezing cold atmosphere, hyper-realistic, extremely detailed. Video follows {{Mixed 3}} The scene begins with a close-up of {{Portrait 2}}'s feet walking, and the camera stops outside the fence, {{Port
Output1 output — open the canvas to view
- 24
Video generator
Video generatorseedance-2Output1 output — open the canvas to view
- 25
Video generator
Video generatorseedance-2Output1 output — open the canvas to view
- 26
Video generator
Video generatorseedance-2PromptVideo follows screen. He walked towards the fence and looked at the cleaner who fell to the ground while holding his glasses. He led the dog closer to the fence, frowning and worried. After looking at it twice, he said deeply: "Remarkable." As soon as he finished speaking, everyone else in the picture looked at him in confusion. Then he explained: "This is a work of art." He paused and then said: "The laboring body, in collapse, violently intervenes upon institutional space." The tone became more and more passionate, as if he had seen a rare work of art, and then he said firmly: "Its undesigned convulsions make it all the purer." While speaking, people around him expressed surprise in agreement, and at the same time, the cleaner kept struggling, trying to pick up the medicine bottle that fell on the ground.
Output1 output — open the canvas to view
- 27
Video generator
Video generatorveo3-1-reference-to-video- Input
screenshot
PromptSee {{Portrait 4}}. {{Portrait 2}} The child wanted to step forward, but was held back by {{Portrait 1}}'s mother. The child turned to his mother and said, "Mom! he's hurting!" {{Portrait 1}} made a shushing gesture and whispered coldly: "Come back. Don't touch the exhibit." {{Portrait 2}} The child frowned and hesitated: "But..." {{Portrait 1}} Interrupting: "Quiet."
Output1 output — open the canvas to view
- 28
Video generator
Video generatorveo3-1-reference-to-video- Input
ChatGPT Image May 8, 2026 10_35_48 - Copy
Curator - Copy
PromptShot on ARRI Alexa 65, Zeiss Master Prime 35mm lens, deep depth of field, f/8 aperture, locked-off camera, static shot, perfect symmetrical composition, muted color palette, sterile white, cool gray, stark red accent, clinical lighting, shadowless even lighting, diffused fluorescent light, Cinematic film still, visual style of Ruben Ostlund's The Square 2017, sterile and freezing cold atmosphere, hyper-realistic, extremely detailed. {{Portrait 1}} is the director of the art gallery. {{Portrait 3}} The security guard stood at the door, {{Portrait 1}} opened the door and came out.
Output1 output — open the canvas to view
- 29
Video generator
Video generatorseedance-2Output1 output — open the canvas to view
- 30
Video generator
Video generatorseedance-2Output1 output — open the canvas to view
The remaining 1 runs are on the canvas in CinAI Studio.