THE FACELESS
THE FACELESS
- By
- 李伟
- Steps
- 84
- Connections
- 80
- Updated
- 20 Sept 2026
Inside this workflow
18 runs
Each run is the workflow’s own record: the model it called, the prompt it was given, and what came out.
- 01
text node 1
TextInputPrompt# **Discounts are available for accessing 2 seconds of black screen or 2 seconds of video at the end of the previous material in SD2.5! ! ! ! ! ! ! ! ! ! ! A 2-second video with a black screen or the last frame of the previous material connected to SD2.5 can be discounted! ! ! ! ! ! ! ! ! ! ! ** # **Discounts are available for 2 seconds of video connected to a black screen or the last frame of the previous material in SD2.5! ! ! ! ! ! ! ! ! ! ! **
- 02
Text Node 1 - Copy
TextInputPrompt# **Compare the effects of SD2.5 720P and 2.0 1080P by yourself**
- 03
Video generator
Video generatorSeedance 2.0Prompt\[STYLE LOCK\]\ A completely realistic live-action movie, all 3D images are prohibited. 35mm film texture, realistic documentary texture under natural light, with slight film grains in the picture. , David Fincher's "Love Death Robot"-style alien epic image, with low saturation and cold cyan tones, fine grains, and a strong sense of atmospheric perspective. The fog is thick, the giant objects cast hard shadows, the light ratio is clear, and the side light is cold. The camera movements are calm and controlled, following the action, and the camera position is not fixed. CAMERA: ARRI ALEXA Mini LF LENS: Panavision H series, Panavision Ultra Vista FILM STOCK / RESOLUTION: ARRIRAW (4.5K) LIGHTING: Soft light, low contrast Strictly use the colors in as visual anchors ** As the visual anchor of Captain Vance’s image** **Thorne’s image visual anchor,** ** Nyx’s image visual anchor ** ** As the visual anchor of the image of the monster "Faceless", there is a cluster of huge radiating green leaves, a round torso that is grayish white and almost pink and covered with dense velvet. The body has no forelimbs, the face has no facial features and only two glowing eyes remain. The body is like a group of suspended forest shrubs. It is similar in size to a squirrel and can move very quickly with only its slender legs.
Output1 output — open the canvas to view
- 04
Video generator
Video generatorSeedance 2.0Prompt> **\[STYLE LOCK\]100% Photorealistic live-action cinema, NO 3D. Shot on ARRI ALEXA Mini LF, Panavision H series / Ultra Vista lenses. ARRIRAW (4.5K). Film grain, apocalyptic documentary feel, Denis Villeneuve / Roger Deakins epic sci-fi style. High contrast, intense warm fiery orange and yellow tones, thick dark smoke, strong atmospheric perspective. Epic backlight, burning wasteland, a vast field of scattered fires. action-following camera, wide shot.** Delicate film grain, strong atmospheric perspective, and a battlefield filled with smoke and flames of war **Strictly used as the color anchor for the entire film
Output1 output — open the canvas to view
- 05
Video generator
Video generatorSeedance 2.0Prompt**\[STYLE LOCK\]100% Photorealistic live-action cinema, NO 3D. Shot on ARRI ALEXA Mini LF, Panavision H series / Ultra Vista lenses. ARRIRAW (4.5K). Film grain, natural light documentary feel, David Fincher / *Love, Death & Robots* epic alien sci-fi style. Low saturation, cool cyan tones, fine grain, strong atmospheric perspective. Mist, hard shadows from giant objects, clear light ratio, cool side lighting. Calm, restrained, action-following camera, non-fixed. **Characters must hold the exact s
Output1 output — open the canvas to view
- 06
Video generator
Video generatorSeedance 2.0Prompt\[STYLE LOCK\]\ A completely realistic live-action movie, all 3D images are prohibited. 35mm film texture, realistic documentary texture under natural light, with slight film grains in the picture. , David Fincher's "Love Death Robot"-style alien epic image, with low saturation and cold cyan tones, fine grains, and a strong sense of atmospheric perspective. The fog is thick, the giant objects cast hard shadows, the light ratio is clear, and the side light is cold. The camera movements are calm and controlled, following the action, and the camera position is not fixed. CAMERA: ARRI ALEXA Mini LF LENS: Panavision H series, Panavision Ultra Vista FILM STOCK / RESOLUTION: ARRIRAW (4.5K) LIGHTING: Soft light, low contrast Strictly use the colors in as visual anchors ** As a visual anchor for Captain Vance’s image, use @ as Vance’s voice ** ** As the visual anchor of the image of the monster "Faceless", there is a cluster of huge radiating green leaves, a round torso that is grayish white and almost pink and covered with dense velvet. The body has no forelimbs, the face has no facial features and only two glowing eyes remain. The body is like a group of suspended forest shrubs. It is similar in size to a squirrel and can move very quickly with only its slender legs. No forelimbs** @The same firearm throughout the film sound
Output1 output — open the canvas to view
- 07
text node 4
TextInputPromptPlease analyze the reference picture I provided in depth and generate a "Color Card Reference Picture" prompt that can be directly used in AI painting. Our goal is to extract the color aesthetics of the original image into a Minimalist and rigorous 2D pure digital visual reference map. Please be sure to discard any photography, physical objects or artistic illustrations. The overall style must be highly aligned with the Ul design draft (such as Figma), brand visual guide (VI), or visual development set set (Visual Development) in the film and television industry. The prompt word please strictly button to build from the following frame\ The screen is set to a 16:9 horizontal aspect ratio. Implement Qiaozhi’s pure flat design aesthetics without removing any shadows. The background must be paved with a solid color with zero texture, and the color tone must match the atmosphere of the original image. Neutral colors with very low saturation (such as cool gray, off-white or warm white) are preferred. The background is strictly prohibited from showing material particles, undulations of light and shadow, desktop perspective or paper texture. It must be an absolute, basic setting and 2D plane. \ 2. Screen core module\ Top title group: Centered typesetting right above the screen. The main title uses a very dark sans serif font\ It is necessary to combine the theme and artistic conception of the reference pictures to formulate a film and television worldview or project setting. The name, reference format: "Project code\]\[Scene or chapter\]\[Color system\]. Below the main title is a light leather-colored subtitle in small font, using short sentences to refine the color emotion\ Reference style: "\[Core atmosphere description\]·Extract color block salt number\]Color Pal
- 08
Text generator
Text generatorChat gpt-5.5- Input
- 07Go to run 07
Image Node 6 (8) - Copy
Prompt{{Text 1}}
Output1 output — open the canvas to view
- 09
Video generator
Video generatorSeedance 2.0- Input
Not glowing
- team leader
Go to spaceship
Image Node 19 (1)
Prompt\[STYLE LOCK\]\ A completely realistic live-action movie, all 3D images are prohibited. 35mm film texture, realistic documentary texture under natural light, with slight film grains in the picture. , David Fincher's "Love Death Robot"-style alien epic image, with low saturation and cold cyan tones, fine grains, and a strong sense of atmospheric perspective. The fog is thick, the giant objects cast hard shadows, the light ratio is clear, and the side light is cold. The camera movements are calm and controlled, following the action, and the camera position is not fixed. CAMERA: ARRI ALEXA Mini LF LENS: Panavision H series, Panavision Ultra Vista FILM STOCK / RESOLUTION: ARRIRAW (4.5K) LIGHTING: Soft light, low contrast Strictly use the colors in {{Mixed 1}} as visual anchors ** {{Mixed 2}} serves as the visual anchor for Captain Vance, using @{{Mixed 7}} as Vance’s voice** ** {{Mixed 3}} As the visual anchor of the monster's "faceless" image, it has a cluster of huge radiating green leaves, a grayish-white to pinkish round torso covered with dense velvet, the body has no forelimbs, the face has no facial features, and only two glowing eyes remain, and the body is like a ball of suspension.
Output1 output — open the canvas to view
- 10
Image generator
Image generatorNano Banana Pro- Input
- 08Go to run 08
Prompt{{Text 1}}
- 11
Video generator
Video generatorSeedance 2.0- Input
- NYX
instrument
VANCE
Prompt\[STYLE LOCK\]\ A completely realistic live-action movie, all 3D images are prohibited. 35mm film texture, realistic documentary texture under natural light, with slight film grains in the picture. , David Fincher's "Love Death Robot"-style alien epic image, with low saturation and cold cyan tones, fine grains, and a strong sense of atmospheric perspective. The fog is thick, the giant objects cast hard shadows, the light ratio is clear, and the side light is cold. The camera movements are calm and controlled, following the action, and the camera position is not fixed. CAMERA: ARRI ALEXA Mini LF LENS: Panavision H series, Panavision Ultra Vista FILM STOCK / RESOLUTION: ARRIRAW (4.5K) LIGHTING: Soft light, low contrast Strictly use the colors in {{Mixed 1}} as visual anchors ** {{Mixed 2}} serves as the visual anchor of Captain Vance’s image** ** {{Mixed 4}} Thorne’s image visual anchor, ** ** {{Mixed 3}} Nyx’s image visual anchor ** ** As the visual anchor of the monster "faceless", it has a cluster of huge radiating green leaves, a round torso that is grayish white and almost pink and covered with dense velvet, and the body has hidden forelimbs and face.
Output1 output — open the canvas to view
- 12
Video generator
Video generatorSeedance 2.0- Input
jimeng-2026-08-05-4725-Unnamed Project_Picture Node 4 - Copy(14)
NYX
- NYX
Brother NC
Prompt> **\[STYLE LOCK\]100% Photorealistic live-action cinema, NO 3D. Shot on ARRI ALEXA Mini LF, Panavision H series / Ultra Vista lenses. ARRIRAW (4.5K). Film grain, apocalyptic documentary feel, Denis Villeneuve / Roger Deakins epic sci-fi style. High contrast, intense warm fiery orange and yellow tones, thick dark smoke, strong atmospheric perspective. Epic backlight, burning wasteland, a vast field of scattered fires. action-following camera, wide shot.** Delicate film grain, strong atmospheric perspective, and a battlefield filled with smoke and flames of war **Strictly use {{Mixed 6
Output1 output — open the canvas to view
- 13
Video generator
Video generatorSeedance 2.0- Input
- thomne
- August 1
- NYX
Prompt\[STYLE LOCK\]\ A completely realistic live-action movie, all 3D images are prohibited. 35mm film texture, realistic documentary texture under natural light, with slight film grains in the picture. , David Fincher's "Love Death Robot"-style alien epic image, with low saturation and cold cyan tones, fine grains, and a strong sense of atmospheric perspective. The fog is thick, the giant objects cast hard shadows, the light ratio is clear, and the side light is cold. The camera movements are calm and controlled, following the action, and the camera position is not fixed. CAMERA: ARRI ALEXA Mini LF LENS: Panavision H series, Panavision Ultra Vista FILM STOCK / RESOLUTION: ARRIRAW (4.5K) LIGHTING: Soft light, low contrast Strictly use the colors in {{Mixed 1}} as visual anchors ** {{Mixed 2}} serves as the visual anchor for Captain Vance, using @{{Mixed 8}} as Vance’s voice** **{{Mixed 4}} Thorne's image visual anchor, using @{{Mixed 6}} ** ** {{Mixed 3}} Nyx's image visual anchor, using {{Mixed 7}} **
Output1 output — open the canvas to view
- 14
Video generator
Video generatorSeedance 2.0- Input
scanner
Prompt\[STYLE LOCK\]\ A completely realistic live-action movie, all 3D images are prohibited. 35mm film texture, realistic documentary texture under natural light, with slight film grains in the picture. , David Fincher's "Love Death Robot"-style alien epic image, with low saturation and cold cyan tones, fine grains, and a strong sense of atmospheric perspective. The fog is thick, the giant objects cast hard shadows, the light ratio is clear, and the side light is cold. The camera movements are calm and controlled, following the action, and the camera position is not fixed. CAMERA: ARRI ALEXA Mini LF LENS: Panavision H series, Panavision Ultra Vista FILM STOCK / RESOLUTION: ARRIRAW (4.5K) LIGHTING: Soft light, low contrast Strictly use the colors in {{Mixed 1}} as visual anchors ** {{Mixed 2}} serves as the visual anchor of Captain Vance’s image** ** {{Mixed 4}} Thorne’s image visual anchor ** ** {{Mixed 3}} Nyx’s image as visual anchor, using {{Mixed 10}} as NYX’s voice ** ** {{Mixed 5}} As the visual anchor of the monster "faceless", life has
Output1 output — open the canvas to view
- 15
Video generator
Video generatorSeedance 2.0- Input
- Video node 1
monster 1
- NYX
Prompt**\[STYLE LOCK\]100% Photorealistic live-action cinema, NO 3D. Shot on ARRI ALEXA Mini LF, Panavision H series / Ultra Vista lenses. ARRIRAW (4.5K). Film grain, natural light documentary feel, David Fincher / *Love, Death & Robots* epic alien sci-fi style. Low saturation, fine grain, strong atmospheric perspective. Mist, hard shadows from giant objects, clear light ratio, cool side lighting. Calm, restrained, action-following camera, non-fixed. **Characters must hold the exact same heavy sci-fi
Output1 output — open the canvas to view
- 16
Video generator
Video generatorSeedance 2.0- Input
- Video node 1
Prompt**\[STYLE LOCK\]100% Photorealistic live-action cinema, NO 3D. Shot on ARRI ALEXA Mini LF, Panavision H series / Ultra Vista lenses. ARRIRAW (4.5K). Film grain, natural light documentary feel, David Fincher / *Love, Death & Robots* epic alien sci-fi style. Low saturation, fine grain, strong atmospheric perspective. Mist, hard shadows from giant objects, clear light ratio, cool side lighting. Calm, restrained, action-following camera, non-fixed. **Characters must hold the exact same heavy sci-fi
Output1 output — open the canvas to view
- 17
Video generator
Video generatorSeedance 2.0- Input
- thomne
Faceless
ruin monster
thomne
Prompt**\[STYLE LOCK\] ** 100% Photorealistic live-action cinema, NO 3D. Shot on ARRI ALEXA Mini LF, Panavision H series / Ultra Vista lenses. ARRIRAW (4.5K). Film grain, natural light documentary feel, David Fincher / *Love, Death & Robots* epic alien sci-fi style. Low saturation, cool cyan tones, fine grain, strong atmospheric perspective. Mist, hard shadows from giant objects, clear light ratio, cool side lighting. Calm, restrained, action-following camera, non-fixed. **Characters must hold the exa
Output1 output — open the canvas to view
- 18
Video generator
Video generatorSeedance 2.0- Input
- August 1
big bald head
Prompt**\[STYLE LOCK\]100% Photorealistic live-action cinema, NO 3D. Shot on ARRI ALEXA Mini LF, Panavision H series / Ultra Vista lenses. ARRIRAW (4.5K). Film grain, natural light documentary feel, David Fincher / *Love, Death & Robots* epic alien sci-fi style. Low saturation, cool cyan tones, fine grain, strong atmospheric perspective. Mist, hard shadows from giant objects, clear light ratio, cool side lighting. Calm, restrained, action-following camera, non-fixed. **Characters must hold the exact s
Output1 output — open the canvas to view