Film Darama 3D
Film Darama 3D
- Steps
- 41
- Connections
- 80
- Updated
- 25 Sept 2026
Inside this workflow
30 of 41 runs
Each run is the workflow’s own record: the model it called, the prompt it was given, and what came out.
- 01
Kịch bản 13 cảnh — "Người Nhà Cả Mà"
Text generatorclaude-opus-5 - 02
Bối cảnh: Quán ăn vỉa hè
Image generatornano-banana-pro-testPromptStylized 3D CG animation still, Pixar-adjacent warm domestic realism, vertical 9:16 framing. Outdoor Vietnamese pavement eatery at street level — a low stainless-steel table with a scuffed top, three red plastic stools around it, one steaming bowl of phở with fresh green herbs, bean sprouts and lime wedge, wooden chopsticks resting on the rim, a tall glass of iced tea with condensation beading down the side. Overhead a faded blue-and-white fabric awning and a small dangling fluorescent tube; behind it a blurred Northern Vietnamese street with parked motorbikes and a tiled shophouse wall. No people in frame — clean empty location plate. Soft global illumination, warm amber tungsten pools mixed with pale daylight bounce, tactile plastic and metal textures, visible steam curl, shallow depth of field f/2.2 with creamy circular bokeh, tonal separation between pale background, warm mid-tones and hot specular highlights.
- 03
Đạo cụ: Máy trộn bê tông màu cam
Image generatornano-banana-pro-testPromptClean single-subject reference sheet, stylized 3D CG animation render, Pixar-adjacent warm domestic realism, soft global illumination. Subject: a portable drum cement mixer painted faded orange, sturdy steel frame on two black rubber wheels, tilting drum caked with dried grey concrete splatter and streaks, small electric motor housing, worn paint chips and rust spots along the frame edges, handle bar for tipping the drum. Standing idle at three-quarter front angle, full object visible, slight contact shadow on the ground. Neutral soft pale grey studio background, no environment, no people, no text. Tactile metal and dried-concrete textures, warm key light with gentle fill, subtle specular highlights, clear tonal separation between pale background, mid-tone orange body and hot highlights.
- 04
Đạo cụ: Bó thép cây hoen gỉ
Image generatornano-banana-pro-testPromptStylized 3D CG animation still, Pixar-adjacent warm domestic realism render, single subject product-style reference sheet. Bundles of thin reinforcing steel rebar bars tied together with twisted wire, surfaces oxidised to a rich orange-brown rust bloom with flaking texture, stacked in two untidy heaps with several bars jutting out at angles, fine dried dirt and concrete dust clinging to the steel. Neutral soft pale grey seamless background, soft global illumination, tactile metallic and rust micro-texture, subtle warm key light with cool fill, shallow depth of field f/2.8 with creamy bokeh falloff, clean three-quarter angle, no people, no text.
- 05
Lồng tiếng Scene 1 · Nam
Audio generatorgemini-3-1-flash-ttsPromptSao... sao lại thành ra thế này?
Output1 output — open the canvas to view
- 06
Nhạc nền — Người Nhà Cả Mà
Audio generatorlyria-3-proPromptInstrumental cinematic score for a 75-second Vietnamese family drama about blind trust between relatives on a construction site that ends in total loss. No vocals, no lyrics. Structure as one continuous dynamic arc: 0-15s warm intimate opening — solo đàn bầu and soft nylon-string guitar over sustained warm strings, hopeful and domestic, gentle tempo around 70 BPM; 15-35s quiet unease creeping in — low cello drone enters under the đàn bầu, sparse piano notes, the melody turning minor; 35-55s rising tension — pulsing low strings, muted taiko-like heartbeat percussion, tremolo violins building pressure without resolving; 55-68s emotional break — full string section swell, aching minor theme, single piano line carrying the melody, the peak of betrayal and grief; 68-75s hollow aftermath — everything strips away to one lonely đàn bầu note and a fading room-tone drone, unresolved, empty. Intimate chamber ensemble, Vietnamese traditional instrument colour blended with modern film strings, restrained and melancholic, never triumphant. Clean mix with headroom for dialogue in the mid range.
Output1 output — open the canvas to view
- 07
Thumbnail 9:16 — Tập 1 (đủ 4 nhân vật)
Image generatorgpt-image-2-img2imgPromptVertical 9:16 YouTube thumbnail for a Vietnamese family drama series, Episode 1. ALL FOUR main characters must appear clearly in one single composed frame, faces fully visible, identity locked to the four supplied reference portraits. Layout: a dramatic four-person poster collage on the raw grey concrete shell of an unfinished house at golden hour. FOREGROUND LEFT, largest: Nam (young Vietnamese man, short black hair, plain shirt) standing three-quarter turned toward camera, jaw tight, holding a rolled house blueprint against his chest. FOREGROUND RIGHT, facing him at slight angle: Lan (young Vietnamese woman, long dark hair) arms folded, worried resolute expression, dust light catching her hair. MID-GROUND UPPER LEFT, slightly smaller and higher: Ông Hùng (elderly Vietnamese father, thinning grey hair, brown traditional shirt) seated posture, stern disappointed gaze directed down at Nam. MID-GROUND UPPER RIGHT, same tier: Chú Tuấn (middle-aged Vietnamese man, yellow hard hat, weathered work shirt) smirking with arms crossed, half in shadow. Clear separation between all four heads, no overlapping faces, each face lit and readable at small size. Lighting: warm low sun raking from the right through open concrete window frames, dust motes in the air, deep teal-blue shadow on the left for contrast. Cinematic contrast, shallow depth of field on the background rebar and scaffolding. Graphic: bold thick Vietnamese-language title text 'TẬP 1' in heavy condensed sans-serif with strong drop shadow, placed in the lower third, high contrast against the concrete, not covering any face. Leave clean headroom at the very top. Style lock: photoreal cinematic film still, 35mm look, natural Vietnamese skin tones, no cartoon, no CGI plastic sheen, high saturation poster grade, sharp focus on all four faces.
- 08
Người Nhà Cả Mà
Storyboard generatorstoryboard-opus-5- Input
PromptBOARD BRIEF (locked): TITLE: Người Nhà Cả Mà FORMAT: 9:16 · 75s · 13 shots THEME: Sự tin tưởng mù quáng vào người nhà trong xây dựng dẫn đến mất trắng — không hợp đồng, không bảo vệ LOOK LOCK: Stylized 3D CG animation render, Pixar-adjacent warm domestic realism; soft global illumination with tactile fabric, lacquered wood and raw concrete textures; expressive subsurface-scattering facial acting; shallow depth of field f/1.8–f/2.8 with creamy circular bokeh; vertical 9:16 framing; locked-off static holds and slow linear push-ins only; dual palette — cozy amber tungsten and golden morning sun for trust beats, harsh high-noon glare for the money beat, flat desaturated grey-blue for ruin; consistent tonal separation between pale background, warm mid-tone figures and hot specular highlights LIGHT ARC: Shot 1 cold desaturated grey-blue overcast (flash-forward ruin) → Shots 2–7 golden morning sun and cozy amber tungsten interior warmth (trust and persuasion) → Shots 8–9 warm tungsten string-bulb pools against deep royal-blue moonlight (intimate foreboding) → Shots 10–11 harsh direct high-noon glare with warm dusty ground bounce (the money beat) → Shot 12 sun-dappled golden-hour through foliage… ARC: A young Vietnamese couple trusts a contractor relative on the strength of family alone, transfers 250 million đồng without any contract, and is left kneeling in an unfinished concrete shell. CAST: Nam, Lan, Ông Hùng, Chú Tuấn LOCATIONS: Unfinished concrete house shell, Traditional living room, Moonlit jasmine patio, Construction site, Street eatery PROPS: House blueprint, Ceramic tea set, Yellow hard hat, Smartphone transfer screen, Orange cement mixer, Rusted rebar bundles SCRIPT: {{Text 1}} References: {{Image 1}}
- 09
Scene 7 · Shot 12
Video generatoromni-flash- Input
Prompt### Scene 7 — Shot 12 Locked-off static medium shot with a very slight settle, no reframing. Chú Tuấn tilts the phone toward himself, taps the screen with a knuckle, then leans back and laughs — gloating, easy triumph, chopsticks loose in his other hand. Steam rises and curls across the frame; leaf shadows shift slowly across the table; a scooter blurs past far behind him. LOOK LOCK (from the board, verbatim — this overrides any style, palette or medium wording above): Stylized 3D CG animation render, Pixar-adjacent warm domestic realism; soft global illumination with tactile fabric, lacquered wood and raw concrete textures; expressive subsurface-scattering facial acting; shallow depth of field f/1.8–f/2.8 with creamy circular bokeh; vertical 9:16 framing; locked-off static holds and slow linear push-ins only; dual palette — cozy amber tungsten and golden morning sun for trust beats, harsh high-noon glare for the money beat, flat desaturated grey-blue for ruin; consistent tonal separation between pale background, warm mid-tone figures and hot specular highlights Performance (from the board — this is what MOVES; animate it, never re-draw the frame): - Shot 12 (5.5s): Tuấn tilts the phone toward himself, taps the screen with a knuckle, laughs and leans back, chopsticks in his other hand. — gloating, easy triumph Spoken lines (the board's own dialogue — the character says EXACTLY these words, in the language they are written in, and nothing else; no narrator, no invented lines, no subtitles burned into the frame): - Shot 12 (5.5s): Chú Tuấn (hả hê, cười khẩy): "Đã nhận hai trăm năm mươi triệu rồi nhé! Việc này coi như xong." Camera (from the board — ONE move per shot, verbatim; the clip performs exactly this move and no other): - Shot 12 (5.5s): static — Locked-off static medium shot with a very slight settle. Steam rises and curls across the frame; Tuấn taps the screen with a knuckle, leans back and laughs; leaf shadows shift across the table; a scooter blurs past far behind him. Identity lock — the reference frames reach the model in this order: @Image 1 = the keyframe of this scene: framing, palette, wardrobe and light are already correct — animate this exact frame, do not re-draw it or re-stage it. @Image 2 = Chú Tuấn, supplied as a MULTI-ANGLE CHARACTER SHEET (several views of the same person laid out on one canvas). Read the face, the hair and the costume from it and hold them for the whole clip. Never reproduce the sheet itself: no grid, no panels … (shortened)
- 10
Lan
Image generatornano-banana-pro-test- Input
Prompt### Character Lan Stylized 3D CG character sheet, Pixar-adjacent warm domestic realism, single character turnaround on a clean neutral warm-grey studio backdrop: three views of the SAME woman side by side — front full-body, three-quarter, and profile. Lan: Vietnamese woman, 32 years old, rural Northern Vietnam. Soft oval face with slightly rounded cheeks, warm brown almond eyes with a faint permanent worry in the brow, small straight nose, gentle mouth held in a careful half-smile. Long black hair pulled into a low practical bun with a few loose strands at the temples. Modest build, slightly stooped posture from work. Wears a simple floral-print cotton blouse in faded rose and dusty blue, dark loose trousers, plain rubber sandals. A thin gold wedding band, no other jewelry. Hands slightly work-roughened, often clasped at her waist — the gesture of someone who holds her opinion back. Rendering: soft global illumination, warm key light from camera left with cool ambient fill, tactile cotton fabric weave and subtle skin translucency, expressive but non-caricatured proportions, clean readable silhouette. Neutral A-pose for the front view, relaxed natural stance for the others. No text, no logos, no props in hand. IDENTITY LOCK (from the script, verbatim — this is who the character IS; keep every anchor below: face, hair, wardrobe, hero prop): 29-year-old woman, heart-shaped face, large expressive dark-brown eyes, thin arched brows, small mouth; black hair gathered in a low loose bun with one loose strand at the temple; cream floral-print short-sleeve blouse with small blue blossoms, dark green ankle-length skirt, small gold stud earrings, soft plastic house slippers. Voice style: soft alto, cautious, low-volume worry. Sheet rules: plain neutral light-grey background, not white (white burns the face edge); ONE face — the head study and every full-body view show the same face, no alternate faces, no expression grid, no second character; costume colours identical in every view; no printed text beyond short pencil annotations naming a view or a part — no prompt labels (SUBJECT/PIGMENT/VIEWS…), no paragraphs, no captions, no watermark. LOOK LOCK (from the board, verbatim — render the character EXACTLY in this medium and palette): Stylized 3D CG animation render, Pixar-adjacent warm domestic realism; soft global illumination with tactile fabric, lacquered wood and raw concrete textures; expressive subsurface-scattering facial acting; shallow depth of field f/1 … (shortened)
- 11
Nam
Image generatornano-banana-pro-test- Input
Prompt### Character Nam Character reference sheet for a stylized 3D CG animated film. Three-quarter front full-body turnaround pose, neutral studio backdrop in warm cream gradient, soft global illumination, clean character-sheet lighting. Nam: Vietnamese man, 32 years old, rural Northern Vietnam. Lean build, slightly sun-darkened skin, short black hair neatly combed but a little overgrown, thick eyebrows, warm hopeful eyes with faint tired shadows beneath. Simple short-sleeve pale blue button shirt tucked into worn dark trousers, cheap plastic sandals, a folded tape measure clipped at his waist. Posture earnest and open-handed, the look of a man who trusts easily. IDENTITY LOCK (from the script, verbatim — this is who the character IS; keep every anchor below: face, hair, wardrobe, hero prop): 32-year-old Northern Vietnamese man, oval face with soft jawline, warm brown almond eyes, thin straight nose, short black side-parted hair, faint stubble, matte skin with subtle cheek texture; navy-and-white checked plaid short-sleeve shirt worn open over a plain white undershirt, dark grey cotton trousers, brown leather sandals. Voice style: gentle mid-tenor, Northern Vietnamese accent, weary sincerity. Sheet rules: plain neutral light-grey background, not white (white burns the face edge); ONE face — the head study and every full-body view show the same face, no alternate faces, no expression grid, no second character; costume colours identical in every view; no printed text beyond short pencil annotations naming a view or a part — no prompt labels (SUBJECT/PIGMENT/VIEWS…), no paragraphs, no captions, no watermark. LOOK LOCK (from the board, verbatim — render the character EXACTLY in this medium and palette): Stylized 3D CG animation render, Pixar-adjacent warm domestic realism; soft global illumination with tactile fabric, lacquered wood and raw concrete textures; expressive subsurface-scattering facial acting; shallow depth of field f/1.8–f/2.8 with creamy circular bokeh; vertical 9:16 framing; locked-off static holds and slow linear push-ins only; dual palette — cozy amber tungsten and golden morning sun for trust beats, harsh high-noon glare for the money beat, flat desaturated grey-blue for ruin; consistent tonal separation between pale background, warm mid-tone figures and hot specular highlights Character design sheet: in the center, show full-body standing front, side, and back views, strictly preserving the character and style described above. Around the m … (shortened)
- 12
Ông Hùng
Image generatornano-banana-pro-test- Input
Prompt### Character Ông Hùng Character reference sheet, stylized 3D CG animation, Pixar-adjacent warm domestic realism. Full-body turnaround (front three-quarter, profile, back) of ÔNG HÙNG — a Northern Vietnamese rural patriarch in his late 60s, Nam's father: compact and wiry, slightly stooped shoulders, weathered sun-browned skin, deep crow's feet, short cropped silver hair thinning at the crown, sparse grey moustache, heavy-lidded eyes that carry old authority and quiet worry. Wardrobe: faded olive-green military-style jacket worn over a plain white undershirt, loose dark brown trousers, plastic sandals. Props of character: a bamboo walking cane and a small enamel tea cup. Stylized proportions — slightly enlarged hands and head, simplified but expressive facial topology, tactile fabric weave and skin pore detail, soft global illumination, neutral warm studio backdrop, clean separated poses, subtle rim light, no text labels except none, high detail, cinematic animation production art. IDENTITY LOCK (from the script, verbatim — this is who the character IS; keep every anchor below: face, hair, wardrobe, hero prop): 68-year-old elder, square weathered face, deep laugh lines, heavy grey brows, silver hair combed straight back, thin silver moustache; brown traditional Vietnamese áo dài the over a white mandarin-collar inner shirt, black cloth trousers, dark wooden-bead wrist bracelet, brown leather slippers. Voice style: gravelly warm baritone, authoritative and fond. Sheet rules: plain neutral light-grey background, not white (white burns the face edge); ONE face — the head study and every full-body view show the same face, no alternate faces, no expression grid, no second character; costume colours identical in every view; no printed text beyond short pencil annotations naming a view or a part — no prompt labels (SUBJECT/PIGMENT/VIEWS…), no paragraphs, no captions, no watermark. LOOK LOCK (from the board, verbatim — render the character EXACTLY in this medium and palette): Stylized 3D CG animation render, Pixar-adjacent warm domestic realism; soft global illumination with tactile fabric, lacquered wood and raw concrete textures; expressive subsurface-scattering facial acting; shallow depth of field f/1.8–f/2.8 with creamy circular bokeh; vertical 9:16 framing; locked-off static holds and slow linear push-ins only; dual palette — cozy amber tungsten and golden morning sun for trust beats, harsh high-noon glare for the money beat, flat desaturated grey-blue fo … (shortened)
- 13
Ceramic tea set
Image generatornano-banana-pro-testPrompt### Prop Ceramic tea set · of Ông Hùng Prop sheet in stylized 3D CG animation style, Pixar-adjacent warm domestic realism. A traditional Northern Vietnamese ceramic tea set belonging to the elderly patriarch Ông Hùng: a small round celadon-glazed teapot with fine crackle glaze, four tiny matching cups, a shallow bamboo tray with worn lacquer, a dented aluminium thermos beside it. Slight chip on the teapot lid and faint tea stains inside the cups tell of decades of daily use. Clean neutral warm-grey studio backdrop, soft global illumination with a single warm key light from upper left, gentle contact shadows. Multi-angle prop sheet layout: large three-quarter hero view, plus smaller top-down view and side silhouette. Tactile ceramic and bamboo textures, subtle subsurface glaze sheen, no text, no watermark, production reference art. Prop reference sheet — the object alone on a plain neutral light-grey background: one large three-quarter hero view plus front and side views, material, colour, wear and scale exactly as described; no people, no hands, no text, no seal stamps, no logo, no watermark; every detail visible so later shots can copy it. Owner: Ông Hùng. When a character sheet is supplied as reference it is this character's — match the prop exactly to what they carry or wear on it (material, colour, scale, wear); draw the object, not the person. LOOK LOCK (from the board, verbatim — this overrides any style wording above): Stylized 3D CG animation render, Pixar-adjacent warm domestic realism; soft global illumination with tactile fabric, lacquered wood and raw concrete textures; expressive subsurface-scattering facial acting; shallow depth of field f/1.8–f/2.8 with creamy circular bokeh; vertical 9:16 framing; locked-off static holds and slow linear push-ins only; dual palette — cozy amber tungsten and golden morning sun for trust beats, harsh high-noon glare for the money beat, flat desaturated grey-blue for ruin; consistent tonal separation between pale background, warm mid-tone figures and hot specular highlights
- 14
Chú Tuấn
Image generatornano-banana-pro-test- Input
Prompt### Character Chú Tuấn Stylized 3D CG character sheet, Pixar-adjacent warm domestic realism, full-body turnaround (front three-quarter view, large) plus a smaller side view and a head close-up with two expression insets (a broad disarming grin and a cold evasive glance). Character: Chú Tuấn, Vietnamese man, late 40s, a distant uncle who works as an informal village building contractor. Stocky solid build, thick neck, slightly protruding belly straining a faded olive polo shirt tucked into dusty dark work trousers, cheap imitation-leather belt, plastic sandals. Sun-darkened skin with reddish weathered cheeks, broad flat nose, heavy jaw with faint stubble, small shrewd eyes under thick brows, receding close-cropped hair. A gold-toned metal watch on the wrist and a pack of cigarettes in the chest pocket — small signals of a man who wants to look successful. Body language: expansive, backslapping, always half-turned toward the exit. Rendering: soft global illumination, warm afternoon key light, tactile cotton and dust textures, clean neutral grey backdrop, subtle contact shadows, expressive stylized proportions with believable human anatomy. Vertical 9:16 sheet layout, no text labels, no watermark. IDENTITY LOCK (from the script, verbatim — this is who the character IS; keep every anchor below: face, hair, wardrobe, hero prop): 45-year-old contractor relative, broad square jaw, tanned skin, thick black hair, wide grin with one gold tooth; olive-green work shirt with sleeves rolled to the elbow, brown canvas tool belt, dark jeans, scuffed brown work boots, thin gold neck chain, yellow hard hat carried under the arm. Voice style: loud breezy baritone, over-familiar laughter. Sheet rules: plain neutral light-grey background, not white (white burns the face edge); ONE face — the head study and every full-body view show the same face, no alternate faces, no expression grid, no second character; costume colours identical in every view; no printed text beyond short pencil annotations naming a view or a part — no prompt labels (SUBJECT/PIGMENT/VIEWS…), no paragraphs, no captions, no watermark. LOOK LOCK (from the board, verbatim — render the character EXACTLY in this medium and palette): Stylized 3D CG animation render, Pixar-adjacent warm domestic realism; soft global illumination with tactile fabric, lacquered wood and raw concrete textures; expressive subsurface-scattering facial acting; shallow depth of field f/1.8–f/2.8 with creamy circular bokeh; vertical … (shortened)
- 15
Unfinished concrete house shell
Image generatornano-banana-pro-test- Input
Prompt### Location Unfinished concrete house shell Stylized 3D CG animation location plate, Pixar-adjacent warm domestic realism, soft global illumination, tactile concrete and brick textures. An unfinished two-storey rural Northern Vietnamese house: raw grey concrete frame, exposed red brick walls, rebar stubs sprouting from unfinished columns, no windows or doors — just dark empty openings. Cracked concrete floor slab with puddles reflecting a pale overcast sky. Scaffolding of bamboo poles leaning against one wall, a cement mixer silent in the corner, sand and gravel piles half covered by a blue tarp. Weeds already growing through the floor cracks, hinting at months of abandonment. Cold desaturated daylight, grey-blue palette, heavy melancholy emptiness. No people in frame. Vertical composition with strong vertical pillars framing a deep void in the centre. Cinematic wide establishing shot, clean render, no text. Location plate — the whole set from its default angle at eye level, empty of people and animals, no text, no seal stamps, no logo, no watermark; every landmark of the description visible so later shots can be re-framed from this image. LOOK LOCK (from the board, verbatim — this overrides any style wording above): Stylized 3D CG animation render, Pixar-adjacent warm domestic realism; soft global illumination with tactile fabric, lacquered wood and raw concrete textures; expressive subsurface-scattering facial acting; shallow depth of field f/1.8–f/2.8 with creamy circular bokeh; vertical 9:16 framing; locked-off static holds and slow linear push-ins only; dual palette — cozy amber tungsten and golden morning sun for trust beats, harsh high-noon glare for the money beat, flat desaturated grey-blue for ruin; consistent tonal separation between pale background, warm mid-tone figures and hot specular highlights
- 16
Traditional living room
Image generatornano-banana-pro-test- Input
Prompt### Location Traditional living room Stylized 3D CG animation environment plate, Pixar-adjacent warm domestic realism. Interior of a traditional Northern Vietnamese rural living room (nhà ba gian): dark hardwood ancestral altar at the back wall with brass incense burner, framed black-and-white portrait, small offering of fruit; a low polished wooden table (bàn uống nước) with rattan stools in the center; whitewashed lime walls with faint damp stains; tiled red-clay floor; an old wall calendar and a wedding photo hung slightly crooked; open wooden doors at frame left letting in a shaft of warm afternoon sun full of drifting dust motes. Soft global illumination, warm amber key light from the doorway, cool bounce from the tiled floor, tactile textures on wood grain, worn lacquer and cotton cushions. No people in frame. Cinematic vertical composition, deep staging with the altar as the moral center of the room, shallow depth of field on the foreground table edge. Location plate — the whole set from its default angle at eye level, empty of people and animals, no text, no seal stamps, no logo, no watermark; every landmark of the description visible so later shots can be re-framed from this image. LOOK LOCK (from the board, verbatim — this overrides any style wording above): Stylized 3D CG animation render, Pixar-adjacent warm domestic realism; soft global illumination with tactile fabric, lacquered wood and raw concrete textures; expressive subsurface-scattering facial acting; shallow depth of field f/1.8–f/2.8 with creamy circular bokeh; vertical 9:16 framing; locked-off static holds and slow linear push-ins only; dual palette — cozy amber tungsten and golden morning sun for trust beats, harsh high-noon glare for the money beat, flat desaturated grey-blue for ruin; consistent tonal separation between pale background, warm mid-tone figures and hot specular highlights
- 17
Moonlit jasmine patio
Image generatornano-banana-pro-test- Input
Prompt### Location Moonlit jasmine patio Stylized 3D CG animation environment plate, Pixar-adjacent warm domestic realism, rural Northern Vietnam. A small tiled patio in front of a traditional single-storey house at night: worn red-clay floor tiles, a low whitewashed wall, a potted jasmine bush in bloom with tiny white flowers catching cool moonlight, a weathered wooden stool and an enamel basin beside it. Background: silhouette of banana leaves and a bamboo hedge, distant rice paddy fading into blue night haze. Lighting: cool silver-blue moonlight as key, one warm amber spill of household lamplight leaking from an open doorway on the right, soft global illumination, gentle volumetric mist near the ground. Mood: quiet, intimate, faintly melancholic — a place for whispered family conversations. No characters, no text. Tactile concrete and fabric textures, soft rounded stylized shapes, cinematic vertical composition with clear empty staging space in the mid-ground for actors. Location plate — the whole set from its default angle at eye level, empty of people and animals, no text, no seal stamps, no logo, no watermark; every landmark of the description visible so later shots can be re-framed from this image. LOOK LOCK (from the board, verbatim — this overrides any style wording above): Stylized 3D CG animation render, Pixar-adjacent warm domestic realism; soft global illumination with tactile fabric, lacquered wood and raw concrete textures; expressive subsurface-scattering facial acting; shallow depth of field f/1.8–f/2.8 with creamy circular bokeh; vertical 9:16 framing; locked-off static holds and slow linear push-ins only; dual palette — cozy amber tungsten and golden morning sun for trust beats, harsh high-noon glare for the money beat, flat desaturated grey-blue for ruin; consistent tonal separation between pale background, warm mid-tone figures and hot specular highlights
- 18
Construction site
Image generatornano-banana-pro-test- Input
Prompt### Location Construction site Stylized 3D CG animation environment plate, Pixar-adjacent warm domestic realism, soft global illumination, tactile concrete and rusted steel textures, gentle depth of field. A rural Northern Vietnamese residential construction site in mid-afternoon. A half-built two-storey house frame of grey concrete columns and unrendered red brick walls, bamboo and steel scaffolding lashed along one facade, corrugated metal sheets leaning against a wall. Foreground: a stack of reinforcing steel rebar bundles tied with wire, some bars visibly thinner and lighter than they should be, a cement mixer crusted with dried mortar, sacks of cement stacked under a blue tarpaulin, a wheelbarrow tipped on its side. Scattered timber offcuts, a coil of hose, puddles of grey slurry reflecting the sky. Background: banana leaves and a low brick boundary wall, a village lane, hazy hills. Dusty golden-warm daylight raking across the raw concrete, long soft shadows, fine construction dust suspended in the light beams, creating a mood of ambition tinged with unease. No people in frame, no text, no watermark. Clean production reference plate framing for a vertical short film. Location plate — the whole set from its default angle at eye level, empty of people and animals, no text, no seal stamps, no logo, no watermark; every landmark of the description visible so later shots can be re-framed from this image. LOOK LOCK (from the board, verbatim — this overrides any style wording above): Stylized 3D CG animation render, Pixar-adjacent warm domestic realism; soft global illumination with tactile fabric, lacquered wood and raw concrete textures; expressive subsurface-scattering facial acting; shallow depth of field f/1.8–f/2.8 with creamy circular bokeh; vertical 9:16 framing; locked-off static holds and slow linear push-ins only; dual palette — cozy amber tungsten and golden morning sun for trust beats, harsh high-noon glare for the money beat, flat desaturated grey-blue for ruin; consistent tonal separation between pale background, warm mid-tone figures and hot specular highlights
- 19
House blueprint
Image generatornano-banana-pro-testPrompt### Prop House blueprint · of Nam Stylized 3D CG prop sheet, Pixar-adjacent warm domestic realism, single hero prop isolated on a soft neutral warm-grey studio backdrop with gentle global illumination and a soft contact shadow. Subject: a rolled-and-partly-unfurled Vietnamese rural house blueprint — thin off-white draft paper, faint blue-grey line work of a modest two-storey village house floor plan, hand-written Vietnamese-looking annotations rendered as soft illegible pen strokes, a few red pencil corrections, one curled corner, slight paper grain, fingerprint smudges and a faint crease where it has been folded and carried many times. A thin rubber band sits loose near the roll. Tactile paper texture, warm honey key light from upper left, soft fill, shallow depth of field, clean product-style three-quarter view plus the paper's natural curl. No text that reads as real language, no people, no logos. Consistent with the film's warm ochre and dusty jade palette. Prop reference sheet — the object alone on a plain neutral light-grey background: one large three-quarter hero view plus front and side views, material, colour, wear and scale exactly as described; no people, no hands, no text, no seal stamps, no logo, no watermark; every detail visible so later shots can copy it. Owner: Nam. When a character sheet is supplied as reference it is this character's — match the prop exactly to what they carry or wear on it (material, colour, scale, wear); draw the object, not the person. LOOK LOCK (from the board, verbatim — this overrides any style wording above): Stylized 3D CG animation render, Pixar-adjacent warm domestic realism; soft global illumination with tactile fabric, lacquered wood and raw concrete textures; expressive subsurface-scattering facial acting; shallow depth of field f/1.8–f/2.8 with creamy circular bokeh; vertical 9:16 framing; locked-off static holds and slow linear push-ins only; dual palette — cozy amber tungsten and golden morning sun for trust beats, harsh high-noon glare for the money beat, flat desaturated grey-blue for ruin; consistent tonal separation between pale background, warm mid-tone figures and hot specular highlights
- 20
Yellow hard hat
Image generatornano-banana-pro-testPrompt### Prop Yellow hard hat · of Chú Tuấn Stylized 3D CG prop sheet, Pixar-adjacent warm domestic realism, single hero object centered on a clean neutral warm-grey studio backdrop with soft global illumination and gentle contact shadow. Subject: a well-worn bright yellow construction hard hat belonging to Chú Tuấn, the middle-aged Northern Vietnamese contractor uncle. Chunky stylized silhouette with slightly exaggerated brim, scuffed matte plastic shell with fine scratches, faded grey cement dust smudges and a dried splash of concrete slurry on one side, a small red-and-white sticker peeling at the edge, frayed adjustable nylon chin strap hanging loose, interior webbing stained dark with sweat at the brow band. Three-quarter hero angle as the main large view, with two smaller secondary orthographic views (front and top) arranged at the bottom of the frame as a reference sheet layout. Tactile plastic and fabric textures, subtle subsurface warmth in the yellow shell, filmic soft key light from upper left with warm bounce fill. Muted earthy production palette, no text labels, no people, no hands. Prop reference sheet — the object alone on a plain neutral light-grey background: one large three-quarter hero view plus front and side views, material, colour, wear and scale exactly as described; no people, no hands, no text, no seal stamps, no logo, no watermark; every detail visible so later shots can copy it. Owner: Chú Tuấn. When a character sheet is supplied as reference it is this character's — match the prop exactly to what they carry or wear on it (material, colour, scale, wear); draw the object, not the person. LOOK LOCK (from the board, verbatim — this overrides any style wording above): Stylized 3D CG animation render, Pixar-adjacent warm domestic realism; soft global illumination with tactile fabric, lacquered wood and raw concrete textures; expressive subsurface-scattering facial acting; shallow depth of field f/1.8–f/2.8 with creamy circular bokeh; vertical 9:16 framing; locked-off static holds and slow linear push-ins only; dual palette — cozy amber tungsten and golden morning sun for trust beats, harsh high-noon glare for the money beat, flat desaturated grey-blue for ruin; consistent tonal separation between pale background, warm mid-tone figures and hot specular highlights
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Smartphone transfer screen
Image generatornano-banana-pro-testPrompt### Prop Smartphone transfer screen · of Nam Stylized 3D CG prop sheet, Pixar-adjacent warm domestic realism, soft global illumination, tactile material shading. Clean neutral studio backdrop with subtle warm gradient, prop presented as a hero object study. Subject: a modern smartphone held upright, screen facing camera, belonging to Nam — a young rural Vietnamese man, so the phone is slightly worn: hairline scratches on the aluminum frame, a cheap clear silicone case gone faintly yellow at the edges, a tiny chip on the bottom corner, a faded charm loop. Screen shows a banking app money-transfer confirmation in Vietnamese: a large amount figure '250.000.000 đ', a recipient line, a green check badge and a 'Chuyển tiền thành công' style confirmation state — text rendered as believable stylized UI, crisp but softly glowing. Supporting insets around the main view: three-quarter back view showing the case and camera bump, a close macro of the screen's confirmation badge, and the phone lying face-down on a dusty concrete surface with construction grit on it. Prop reference sheet — the object alone on a plain neutral light-grey background: one large three-quarter hero view plus front and side views, material, colour, wear and scale exactly as described; no people, no hands, no text, no seal stamps, no logo, no watermark; every detail visible so later shots can copy it. Owner: Nam. When a character sheet is supplied as reference it is this character's — match the prop exactly to what they carry or wear on it (material, colour, scale, wear); draw the object, not the person. LOOK LOCK (from the board, verbatim — this overrides any style wording above): Stylized 3D CG animation render, Pixar-adjacent warm domestic realism; soft global illumination with tactile fabric, lacquered wood and raw concrete textures; expressive subsurface-scattering facial acting; shallow depth of field f/1.8–f/2.8 with creamy circular bokeh; vertical 9:16 framing; locked-off static holds and slow linear push-ins only; dual palette — cozy amber tungsten and golden morning sun for trust beats, harsh high-noon glare for the money beat, flat desaturated grey-blue for ruin; consistent tonal separation between pale background, warm mid-tone figures and hot specular highlights
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Scene 3 · Traditional living room
Image generatornano-banana-pro-testPrompt### Scene 3 · Traditional living room — Lan's doubt SINGLE FRAME — the decisive beat of this scene: a tight close-up reaction of LAN voicing her worry that there is no paperwork. One continuous frame only, never a grid or multi-panel. CHARACTER LOCK — LAN: 29-year-old Northern Vietnamese woman, heart-shaped face, large expressive dark-brown eyes, thin arched brows, small mouth, black hair gathered in a low loose bun with one loose strand at the temple, cream floral-print short-sleeve blouse with small blue blossoms, small gold stud earrings. She sits on the right third of the frame, head turned slightly off toward the left frame edge, eyes lifted with a worried micro-expression, brows faintly drawn, lips just parted mid-sentence. CHARACTER LOCK — NAM (edge only): 32-year-old man in a navy-and-white checked plaid short-sleeve shirt over a white undershirt; only his shoulder and forearm intrude at the extreme left frame edge, heavily defocused. Northern Vietnamese traditional living room behind her — varnished dark wood sofa set with carved backs, low wooden coffee table, carved display cabinet, sheer curtains — rendered entirely as creamy amber bokeh. LOOK LOCK (from the board, verbatim — this overrides any style, palette or medium wording above): Stylized 3D CG animation render, Pixar-adjacent warm domestic realism; soft global illumination with tactile fabric, lacquered wood and raw concrete textures; expressive subsurface-scattering facial acting; shallow depth of field f/1.8–f/2.8 with creamy circular bokeh; vertical 9:16 framing; locked-off static holds and slow linear push-ins only; dual palette — cozy amber tungsten and golden morning sun for trust beats, harsh high-noon glare for the money beat, flat desaturated grey-blue for ruin; consistent tonal separation between pale background, warm mid-tone figures and hot specular highlights No text, no labels, no captions, no watermark, no signature or seal anywhere in the image.
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Scene 4
Image generatornano-banana-pro-testPrompt### Scene 4 Stylized 3D animation still, vertical 9:16, Pixar-adjacent warm domestic realism render, soft global illumination, tactile fabric and lacquered wood textures, expressive subsurface-scattering facial acting, shallow depth of field f/1.8–f/2.8 with creamy circular bokeh. Medium shot inside the Northern Vietnamese traditional living room — varnished dark wood sofa set with carved backs, low wooden coffee table, carved display cabinet, sheer curtains glowing behind. CHÚ TUẤN — 45-year-old Vietnamese contractor, broad square jaw, tanned skin, thick black hair, wide grin showing one gold tooth, olive-green work shirt with sleeves rolled to the elbow, brown canvas tool belt, dark jeans, thin gold neck chain — leans forward over the low table onto the unrolled blue-white technical house blueprint, one thick hand splayed flat on the paper, its corner curling up; a scuffed bright-yellow polymer hard hat with black chin strap rests upturned on the table in the foreground. NAM's navy-and-white checked plaid shoulder enters the left frame edge, LAN's cream floral-print blouse blurred at the right frame edge. Honey-toned golden morning sunlight filtered through sheer curtains, soft warm rim light on his shoulders, gentle dust haze, diagonal dynamic composition, tonal separation between pale curtain background, warm mid-tone figures and hot specular highlights. Layout: ONE SINGLE FRAME. This scene groups 2 shots (shot 6 = 6.5s, shot 7 = 6s), but the keyframe is still one frame — compose the DECISIVE moment of the scene, the one the clip opens on. No grid, no panels, no split screen, no contact sheet, no text or labels on the frame. LOOK LOCK (from the board, verbatim — this overrides any style, palette or medium wording above): Stylized 3D CG animation render, Pixar-adjacent warm domestic realism; soft global illumination with tactile fabric, lacquered wood and raw concrete textures; expressive subsurface-scattering facial acting; shallow depth of field f/1.8–f/2.8 with creamy circular bokeh; vertical 9:16 framing; locked-off static holds and slow linear push-ins only; dual palette — cozy amber tungsten and golden morning sun for trust beats, harsh high-noon glare for the money beat, flat desaturated grey-blue for ruin; consistent tonal separation between pale background, warm mid-tone figures and hot specular highlights Cast without a reference frame — Ông Hùng appears in this scene, but the model takes only a few reference images, so they reach this fram … (shortened)
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Scene 1 · Interior
Image generatornano-banana-pro-testPrompt### Scene 1 - Interior, unfinished concrete house shell (flash-forward ruin) SINGLE FRAME ONLY. One continuous frame — no panels, no grid, no split, no contact sheet. 32-year-old Northern Vietnamese man, oval face with soft jawline, warm brown almond eyes, thin straight nose, short black side-parted hair, faint stubble, matte skin with subtle cheek texture; navy-and-white checked plaid short-sleeve shirt worn open over a plain white undershirt, dark grey cotton trousers, brown leather sandals. 29-year-old woman, heart-shaped face, large expressive dark-brown eyes, thin arched brows, small mouth; black hair gathered in a low loose bun with one loose strand at the temple; cream floral-print short-sleeve blouse with small blue blossoms, dark green ankle-length skirt, small gold stud earrings, soft plastic house slippers. Wide locked-off shot inside the shell of an unfinished Vietnamese house — bare grey structural pillars, one fractured red-brick column, exposed rusted rebar sprouting from a half-poured beam, cracked floor slab with a long crack running toward camera, a loose plastic sheet hanging at the right frame edge. NAM kneels center-left on the cold cracked concrete before the fractured brick pillar, head bowed, both palms flat on the floor, shoulders slumped in devastation. LAN stands in the deeper background on the right, frozen mid half-step, one hand clutched to her chest, watching him helplessly. LOOK LOCK (from the board, verbatim — this overrides any style, palette or medium wording above): Stylized 3D CG animation render, Pixar-adjacent warm domestic realism; soft global illumination with tactile fabric, lacquered wood and raw concrete textures; expressive subsurface-scattering facial acting; shallow depth of field f/1.8–f/2.8 with creamy circular bokeh; vertical 9:16 framing; locked-off static holds and slow linear push-ins only; dual palette — cozy amber tungsten and golden morning sun for trust beats, harsh high-noon glare for the money beat, flat desaturated grey-blue for ruin; consistent tonal separation between pale background, warm mid-tone figures and hot specular highlights LOCATION LOCK (@Unfinished concrete house shell, from the board, verbatim — same ground, same landmarks, same left/right order in every shot set here): Interior of an abandoned Vietnamese house under construction — bare grey structural pillars, one fractured red-brick column, exposed rusted rebar sprouting from unfinished beams, cracked floor slab with a long f … (shortened)
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Scene 2 · Keyframe (single frame
Image generatornano-banana-pro-testPrompt### Scene 2 — Keyframe (single frame, no panels) NAM — 32-year-old Northern Vietnamese man, oval face with soft jawline, warm brown almond eyes, thin straight nose, short black side-parted hair, faint stubble; navy-and-white checked plaid short-sleeve shirt worn open over a plain white undershirt, dark grey cotton trousers. LAN — 29-year-old woman, heart-shaped face, large expressive dark-brown eyes, thin arched brows, black hair in a low loose bun with one loose strand at the temple; cream floral-print short-sleeve blouse with small blue blossoms, dark green ankle-length skirt, small gold stud earrings. ÔNG HÙNG — 68-year-old elder, square weathered face, deep laugh lines, heavy grey brows, silver hair combed straight back, thin silver moustache; brown traditional Vietnamese áo dài the over a white mandarin-collar inner shirt, black cloth trousers, dark wooden-bead wrist bracelet. Sunlit Northern Vietnamese traditional living room — varnished dark wood sofa set with carved backs, low wooden coffee table, carved wooden display cabinet, sheer curtains. A large unrolled blue-white technical house blueprint lies across the coffee table; a white-and-blue ceramic tea set rests on a dark red lacquered tray beside it. Nam and Lan sit together on the sofa, leaning forward over the blueprint — Nam smoothing the paper flat with both palms, Lan pointing at a room on the plan. Ông Hùng steps in through an open sunlit doorway at frame right, smiling broadly, arms beginning to open in greeting. Wide shot, eye-level, locked-off static framing. LOOK LOCK (from the board, verbatim — this overrides any style, palette or medium wording above): Stylized 3D CG animation render, Pixar-adjacent warm domestic realism; soft global illumination with tactile fabric, lacquered wood and raw concrete textures; expressive subsurface-scattering facial acting; shallow depth of field f/1.8–f/2.8 with creamy circular bokeh; vertical 9:16 framing; locked-off static holds and slow linear push-ins only; dual palette — cozy amber tungsten and golden morning sun for trust beats, harsh high-noon glare for the money beat, flat desaturated grey-blue for ruin; consistent tonal separation between pale background, warm mid-tone figures and hot specular highlights LOCATION LOCK (@Traditional living room, from the board, verbatim — same ground, same landmarks, same left/right order in every shot set here): Northern Vietnamese traditional living room — varnished dark wood sofa set with carved backs, … (shortened)
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Scene 8 · Abandoned construction site
Image generatornano-banana-pro-testPrompt### Scene 8 · Abandoned construction site ONE single continuous frame — the decisive wide shot of the film's final beat (shot 13). Not a grid, not a collage, not multiple panels: one photographic frame only. SET LOCK (same construction site established earlier in the film, now deserted): completely empty Vietnamese residential construction site with NO people anywhere in frame — half-poured grey concrete pillars with exposed rusted rebar sprouting from their tops, deep open rectangular foundation trenches cutting diagonally through churned red-brown earth and half filled with stagnant rainwater, the same faded orange drum cement mixer standing idle with its drum caked in dried grey concrete, a scattered collapsed pile of red bricks, untidy heaps of wire-tied rust-bloomed rebar bundles, a torn blue plastic tarp snagged on a rebar spike, first weeds pushing up through the churned soil. wide locked-off eye-level framing, the fractured pillar line running across the middle third, empty flat rural horizon low in the frame beneath a vast washed-out barren sky filling the upper half of the vertical frame. LOOK LOCK (from the board, verbatim — this overrides any style, palette or medium wording above): Stylized 3D CG animation render, Pixar-adjacent warm domestic realism; soft global illumination with tactile fabric, lacquered wood and raw concrete textures; expressive subsurface-scattering facial acting; shallow depth of field f/1.8–f/2.8 with creamy circular bokeh; vertical 9:16 framing; locked-off static holds and slow linear push-ins only; dual palette — cozy amber tungsten and golden morning sun for trust beats, harsh high-noon glare for the money beat, flat desaturated grey-blue for ruin; consistent tonal separation between pale background, warm mid-tone figures and hot specular highlights LOCATION LOCK (@Construction site, from the board, verbatim — same ground, same landmarks, same left/right order in every shot set here): Dusty Vietnamese residential construction site — deep rectangular foundation trenches cutting diagonally through churned red-brown earth, bundles of rusted rebar, stacked red bricks, half-poured concrete pillars, an orange cement mixer, torn blue plastic tarps, open flat horizon. A plate image of this location is attached as a reference: match its geography, landmarks and materials, re-frame to this shot, never paste the plate as-is. No text, no labels, no captions, no watermark, no signature or seal anywhere in the image.
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Scene 7 · Street eatery
Image generatornano-banana-pro-testPrompt### Scene 7 - Street eatery, sun-dappled golden hour Stylized 3D animation still, vertical 9:16, Pixar-adjacent render, soft global illumination, tactile fabric textures, expressive subsurface-scattering facial acting, shallow depth of field f/1.8-f/2.8 with creamy bokeh. Outdoor Vietnamese pavement eatery — low metal table, red plastic stools, a steaming bowl of pho with fresh herbs, chopsticks and a glass of iced tea. CHU TUAN (same identity as reference: 45-year-old contractor, broad square jaw, tanned skin, thick black hair, wide grin with one gold tooth, olive-green work shirt with sleeves rolled to the elbow, brown canvas tool belt, dark jeans, thin gold neck chain) sits centered on a red plastic stool, leaning back, tilting a dark-bezel smartphone toward himself; the glowing screen clearly displays a Vietnamese banking app credit notification reading +250.000.000 d. Sun-dappled golden-hour light filtering through overhead foliage, warm leafy shadow patterns across the table, steam haze rising from the bowl, street background softly blurred with a distant scooter. Consistent tonal separation between pale blurred background, warm mid-tone figure and hot specular highlights. LOOK LOCK (from the board, verbatim — this overrides any style, palette or medium wording above): Stylized 3D CG animation render, Pixar-adjacent warm domestic realism; soft global illumination with tactile fabric, lacquered wood and raw concrete textures; expressive subsurface-scattering facial acting; shallow depth of field f/1.8–f/2.8 with creamy circular bokeh; vertical 9:16 framing; locked-off static holds and slow linear push-ins only; dual palette — cozy amber tungsten and golden morning sun for trust beats, harsh high-noon glare for the money beat, flat desaturated grey-blue for ruin; consistent tonal separation between pale background, warm mid-tone figures and hot specular highlights LOCATION LOCK (@Street eatery, from the board, verbatim — same ground, same landmarks, same left/right order in every shot set here): Outdoor Vietnamese pavement eatery — low metal table, red plastic stools, steaming bowl of phở with fresh herbs, chopsticks and a glass of iced tea, overhead foliage casting dappled golden-hour leaf shadows, softly blurred street traffic behind. A plate image of this location is attached as a reference: match its geography, landmarks and materials, re-frame to this shot, never paste the plate as-is. No text, no labels, no captions, no watermark, no signatur … (shortened)
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Thumbnail 9:16 — Tập 1
Image generatorgpt-image-2-img2imgPromptVertical 9:16 YouTube thumbnail for a Vietnamese family drama series, Episode 1. ALL FOUR main characters must appear clearly in one single composed frame, faces fully visible, identity locked to the four supplied reference portraits.Layout: a dramatic four-person poster collage on the raw grey concrete shell of an unfinished house at golden hour. FOREGROUND LEFT, largest: Nam (young Vietnamese man, short black hair, plain shirt) standing three-quarter turned toward camera, jaw tight, holding a rolled house blueprint against his chest. FOREGROUND RIGHT, facing him at slight angle: Lan (young Vietnamese woman, long dark hair) arms folded, worried resolute expression, dust light catching her hair. MID-GROUND UPPER LEFT, slightly smaller and higher: Ông Hùng (elderly Vietnamese father, thinning grey hair, brown traditional shirt) seated posture, stern disappointed gaze directed down at Nam. MID-GROUND UPPER RIGHT, same tier: Chú Tuấn (middle-aged Vietnamese man, yellow hard hat, weathered work shirt) smirking with arms crossed, half in shadow. Clear separation between all four heads, no overlapping faces, each face lit and readable at small size.Lighting: warm low sun raking from the right through open concrete window frames, dust motes in the air, deep teal-blue shadow on the left for contrast. Cinematic contrast, shallow depth of field on the background rebar and scaffolding.Graphic: bold thick Vietnamese-language title text 'TẬP 1' in heavy condensed sans-serif with strong drop shadow, placed in the lower third, high contrast against the concrete, not covering any face. Leave clean headroom at the very top.Style lock: photoreal cinematic film still, 35mm look, natural Vietnamese skin tones, no cartoon, no CGI plastic sheen, high saturation poster grade, sharp focus on all four faces.
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Scene 5 · Hiên trăng hoa nhài
Image generatornano-banana-pro-testPrompt### Scene 5 · Hiên trăng hoa nhài Stylized 3D animation still, vertical 9:16, Pixar-adjacent render, soft global illumination, tactile fabric and lacquered wood textures, expressive subsurface-scattering facial acting. Night exterior of an ornate wooden Vietnamese patio: carved wooden bench, low tea table with a white-and-blue ceramic teapot and cups on a dark red lacquered tray, hanging jasmine pergola overhead heavy with white blossoms, warm glowing string bulbs and a paper lantern, crescent moon high in the deep royal-blue night sky at frame left. NAM — 32-year-old Northern Vietnamese man, oval face with soft jawline, warm brown almond eyes, thin straight nose, short black side-parted hair, faint stubble, navy-and-white checked plaid short-sleeve shirt open over a plain white undershirt, dark grey cotton trousers, brown leather sandals — and LAN — 29-year-old woman, heart-shaped face, large expressive dark-brown eyes, black hair in a low loose bun with one loose temple strand, cream floral-print blouse with small blue blossoms, dark green ankle-length skirt — sit close together on the bench, centrally framed; Lan leans gently toward Nam's shoulder, Nam looks down at the tea table. Warm tungsten pools of light on their faces and shoulders contrasted against cool blue moonlight ambient, shallow depth of field f/1.8-f/2.8, creamy circular bokeh from the string bulbs, clear tonal separation between deep royal-blue background, warm mid-tone figures, glowing practical bulbs and hot specular highlights. Locked-off static wide framing. Layout: ONE SINGLE FRAME. This scene groups 2 shots (shot 8 = 5.5s, shot 9 = 6s), but the keyframe is still one frame — compose the DECISIVE moment of the scene, the one the clip opens on. No grid, no panels, no split screen, no contact sheet, no text or labels on the frame. LOOK LOCK (from the board, verbatim — this overrides any style, palette or medium wording above): Stylized 3D CG animation render, Pixar-adjacent warm domestic realism; soft global illumination with tactile fabric, lacquered wood and raw concrete textures; expressive subsurface-scattering facial acting; shallow depth of field f/1.8–f/2.8 with creamy circular bokeh; vertical 9:16 framing; locked-off static holds and slow linear push-ins only; dual palette — cozy amber tungsten and golden morning sun for trust beats, harsh high-noon glare for the money beat, flat desaturated grey-blue for ruin; consistent tonal separation between pale background, warm mid-to … (shortened)
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Scene 6 · Construction site
Image generatornano-banana-pro-testPrompt### Scene 6 · Construction site — high noon Single decisive keyframe of Scene 6, one continuous frame (not a grid, not a tile of shots), vertical 9:16. CHARACTER LOCK — NAM: 32-year-old Northern Vietnamese man, oval face with soft jawline, warm brown almond eyes, thin straight nose, short black side-parted hair, faint stubble, matte skin with subtle cheek texture; navy-and-white checked plaid short-sleeve shirt worn open over a plain white undershirt, dark grey cotton trousers, brown leather sandals. Dusty Vietnamese residential construction site at high noon — deep rectangular foundation trenches cutting diagonally through churned red-brown earth, bundles of rusted rebar, stacked red bricks, a faded orange drum cement mixer standing idle in the mid-ground. NAM stands isolated among the trench lines in a wide framing, a smartphone pressed to his ear, a rolled blue-white technical blueprint tucked under his other arm, free hand lifting in a questioning gesture, brow creased with unease. Layout: ONE SINGLE FRAME. This scene groups 2 shots (shot 10 = 6s, shot 11 = 5s), but the keyframe is still one frame — compose the DECISIVE moment of the scene, the one the clip opens on. No grid, no panels, no split screen, no contact sheet, no text or labels on the frame. LOOK LOCK (from the board, verbatim — this overrides any style, palette or medium wording above): Stylized 3D CG animation render, Pixar-adjacent warm domestic realism; soft global illumination with tactile fabric, lacquered wood and raw concrete textures; expressive subsurface-scattering facial acting; shallow depth of field f/1.8–f/2.8 with creamy circular bokeh; vertical 9:16 framing; locked-off static holds and slow linear push-ins only; dual palette — cozy amber tungsten and golden morning sun for trust beats, harsh high-noon glare for the money beat, flat desaturated grey-blue for ruin; consistent tonal separation between pale background, warm mid-tone figures and hot specular highlights LOCATION LOCK (@Construction site, from the board, verbatim — same ground, same landmarks, same left/right order in every shot set here): Dusty Vietnamese residential construction site — deep rectangular foundation trenches cutting diagonally through churned red-brown earth, bundles of rusted rebar, stacked red bricks, half-poured concrete pillars, an orange cement mixer, torn blue plastic tarps, open flat horizon. A plate image of this location is attached as a reference: match its geography, landmarks and m … (shortened)
The remaining 11 runs are on the canvas in CinAI Studio.