CinAISkills
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2D ANIMATED FILM

2D ANIMATED FILM

Steps
32
Connections
76
Updated
25 Sept 2026
Image generator23StoryboardGrid3Video generator3Audio generator1Storyboard generator1TextInput1

Inside this workflow

29 runs

Each run is the workflow’s own record: the model it called, the prompt it was given, and what came out.

  1. 01

    Kịch bản 3 cảnh · 12 shot — "Sáng ở nhà bà" (30s, 9:16)

    TextInput
    Prompt

    Kịch bản 3 cảnh · 12 shot — "Sáng ở nhà bà" (30s, 9:16) # "SÁNG Ở NHÀ BÀ" — Nostalgic 2D Heritage Vignette **Style:** Ghibli-inspired hand-painted 2D watercolor animation, paper-grain texture, soft filmic grain, warm amber golden-hour morning palette, rural Northern Vietnam (Bắc Bộ) village — timber house with tiled roof, red-brick courtyard. **Aspect ratio:** 9:16 vertical · **Total duration:** 30.00s · **Scenes:** 3 · **Shots:** 12 · **Dialogue language:** Vietnamese **Tonal bands (anti-flatten):** background = mossy watercolor green in shade · subject = warm tan + cream · practical light = honey-gold door shaft · highlights = white-hot sun bloom with drifting dust motes. --- ## CAST — MASTER IDENTITY BLOCKS (copy verbatim into every shot) **BÀ NỘI (Grandmother, 72)** — round weathered tan face, high cheekbones, deep smile lines at eye corners, warm dark-brown eyes, silver hair pulled into a tight low bun with a thin black hairnet; brown small-floral cotton áo bà ba tunic, black wide-leg trousers, jade stud earrings, bare feet with worn wooden slippers; matte watercolor skin finish. **Hero prop: woven palm-leaf hand fan (quạt nan), bamboo-rib edge, honey-straw color — present in EVERY shot she appears in.** *Voice: gentle, doting, slightly hoarse, unhurried.* **TÝ (Grandson, 8)** — round face, rosy blushed cheeks, black bowl-cut hair, big dark eyes, small gap-tooth grin, tan skin. *Sleepwear (Scene 1):* cream-white sleeveless undershirt, blue checked shorts, bare feet. *Uniform (Scenes 2–3):* white short-sleeve school shirt, red neckerchief, navy shorts, brown leather satchel. *Voice: bright, giggling, loud with delight.* **NA (Granddaughter, 6)** — heart-shaped face, rosy cheeks, black hair in two short pigtails tied with red ribbons, round dark eyes, tan skin. *Sleepwear (Scene 1):* butter-yellow cotton tee, blue shorts, bare feet. *Uniform (Scenes 2–3):* white school blouse, red neckerchief, navy pleated skirt, brown leather satchel. *Voice: small, sweet, affectionate.* **CHA (Father, 35)** — lean, sun-tanned, short black hair, kind tired eyes; olive-green short-sleeve shirt rolled at the elbows, dark-grey trousers, brown sandals. **Prop: black vintage commuter bicycle with rear rack and chrome bell.** *Voice: warm, brisk, practical.* *Scripted wardrobe change: children move from sleepwear to school uniform between Scene 1 and Scene 2 — this is the only wardrobe change allowed in the piece.* --- ## SCENE 1 — RUSTIC BEDROOM · 0.00–10.00 (CAL … (shortened)

  2. 02

    Lyria 3 Pro

    Audio generatorlyria-3-pro
    Prompt

    A nostalgic, warm, gentle acoustic instrumental score evocative of a peaceful morning in a rural Northern Vietnamese village. Fingerpicked acoustic guitar, subtle bamboo flute (sáo trúc), soft warm piano chords, and ambient natural morning calm, slow tempo, peaceful, emotional, cinematic Hirokazu Koreeda style

    Output

    1 output — open the canvas to view

  3. 03

    SÁNG Ở NHÀ BÀ

    Storyboard generatorstoryboard-opus-5
    Prompt

    BOARD BRIEF (locked): TITLE: SÁNG Ở NHÀ BÀ FORMAT: 9:16 · 30s · 12 shots THEME: Một buổi sáng bình dị ở nhà bà nơi làng quê Bắc Bộ: tiếng quạt nan, bát phở nóng và cái vẫy tay tiễn cháu đi học — ký ức tuổi thơ ấm áp và man mác. LOOK LOCK: Hand-painted 2D watercolor cel animation with visible paper grain and soft filmic grain; warm amber golden-hour morning palette locked for all 12 shots. Tonal bands: background = mossy watercolor green in shade; subject = warm tan + cream; practical light = honey-gold door/roof shaft; highlights = white-hot sun bloom with drifting dust motes. Line work soft-edged with watercolor bleed, no hard vector outlines, no photoreal texture, no cold or desaturated grade, no lens flare. Vertical 9:16 framing throughout, eye-level unless specified. LIGHT ARC: Scene 1 (0–10s): enclosed interior, single honey-gold sun shaft from screen-left doorway, deep golden shadow, dust motes — intimate and contained. Scene 2 (10–22s): dappled golden morning light filtered through foliage onto a lime-washed veranda wall, backlit steam, ambient bounce opens up. Scene 3 (22–30s): full exterior golden-hour sun, radiant amber haze, golden rim light, resolving in… ARC: Bà Nội's honey-straw woven palm-leaf fan (quạt nan) is the signature continuity prop and must be visible in every shot where she appears (1, 3, 4, 5, 6, 7, 8, 11, 12); children wear sleepwear in Scene 1 and school uniform with red neckerchief and brown leather satchel in Scenes 2–3 — the only wardrobe change permitted. CAST: Bà Nội, Tý, Na, Cha LOCATIONS: Rustic Bedroom, Veranda, Village Lane PROPS: Quạt nan (palm-leaf fan), Phở set, Vintage bicycle, School satchels SCRIPT: {{Text 1}}

  4. 04

    Bà Nội

    Image generatornano-banana-pro-test
    Prompt

    ### Character Bà Nội Character reference sheet, Ghibli-inspired hand-painted 2D watercolor animation style, soft paper-grain texture, warm honey-gold morning light, gentle filmic grain, clean off-white paper background. Subject: a Vietnamese grandmother from a Northern Delta (Bắc Bộ) village, around 75 years old. Small and slightly stooped, thin silver hair pulled into a neat low bun, deeply kind eyes with soft crow's-feet wrinkles, high cheekbones, a warm doting half-smile, a few gold-capped teeth. She wears a loose brown-maroon áo bà ba style blouse over wide black cotton trousers, a faded checkered scarf over one shoulder, bare feet or simple flat sandals. She holds a woven palm-leaf hand fan (quạt nan) in her right hand. Sheet layout: three views of the SAME character on one sheet — full-body front view (centre, largest), full-body three-quarter side view, and a head-and-shoulders close-up showing her expression. Consistent proportions and colour palette across all views. Small handwritten-style annotations are NOT needed; keep the sheet clean. IDENTITY LOCK (from the script, verbatim — this is who the character IS; keep every anchor below: face, hair, wardrobe, hero prop): round weathered tan face, high cheekbones, deep smile lines at eye corners, warm dark-brown eyes, silver hair pulled into a tight low bun with a thin black hairnet; brown small-floral cotton áo bà ba tunic, black wide-leg trousers, jade stud earrings, bare feet with worn wooden slippers; matte watercolor skin finish. **Hero prop: woven palm-leaf hand fan (quạt nan), bamboo-rib edge, honey-straw color — present in EVERY shot she appears in.** *Voice: gentle, doting, slightly hoarse, unhurried.* Sheet rules: plain neutral light-grey background, not white (white burns the face edge); ONE face — the head study and every full-body view show the same face, no alternate faces, no expression grid, no second character; costume colours identical in every view; no printed text beyond short pencil annotations naming a view or a part — no prompt labels (SUBJECT/PIGMENT/VIEWS…), no paragraphs, no captions, no watermark. LOOK LOCK (from the board, verbatim — render the character EXACTLY in this medium and palette): Hand-painted 2D watercolor cel animation with visible paper grain and soft filmic grain; warm amber golden-hour morning palette locked for all 12 shots. Tonal bands: background = mossy watercolor green in shade; subject = warm tan + cream; practical light = honey-gold door/roof sh … (shortened)

    Output
    Download image 1 from run 04
  5. 05

    Tý

    Image generatornano-banana-pro-test
    Prompt

    ### Character Tý Character model sheet for a 2D hand-painted watercolor animated short, Ghibli-inspired. Soft paper-grain texture, visible watercolor washes and bleed edges, gentle ink linework, warm honey-gold morning light palette, muted earthy greens and terracotta. "Tý" — a Vietnamese village boy, about 8 years old, the older grandchild. Round cheeks, bright mischievous almond eyes, short black bowl-cut hair with a stubborn cowlick at the crown, sun-tanned skin, a small gap-toothed grin. Wears a slightly oversized white short-sleeve school shirt tucked into navy blue shorts, red pioneer neckerchief loosely knotted, plastic sandals. Energetic, playful posture. SHEET LAYOUT on a clean off-white watercolor-paper background: full-body turnaround — front view, three-quarter view, side view, back view, all at consistent height with a light pencil height guide; plus a row of four head-and-shoulders expression studies (sleepy just-woken, laughing, pouting, waving goodbye); plus one small detail vignette of his sandals and neckerchief. Hand-lettered small labels in soft graphite. No photographic realism, no 3D render, no heavy outlines. Flat 2D animation reference art, even diffuse lighting so the design reads clearly. IDENTITY LOCK (from the script, verbatim — this is who the character IS; keep every anchor below: face, hair, wardrobe, hero prop): round face, rosy blushed cheeks, black bowl-cut hair, big dark eyes, small gap-tooth grin, tan skin. *Sleepwear (Scene 1):* cream-white sleeveless undershirt, blue checked shorts, bare feet. *Uniform (Scenes 2–3):* white short-sleeve school shirt, red neckerchief, navy shorts, brown leather satchel. *Voice: bright, giggling, loud with delight.* Sheet rules: plain neutral light-grey background, not white (white burns the face edge); ONE face — the head study and every full-body view show the same face, no alternate faces, no expression grid, no second character; costume colours identical in every view; no printed text beyond short pencil annotations naming a view or a part — no prompt labels (SUBJECT/PIGMENT/VIEWS…), no paragraphs, no captions, no watermark. LOOK LOCK (from the board, verbatim — render the character EXACTLY in this medium and palette): Hand-painted 2D watercolor cel animation with visible paper grain and soft filmic grain; warm amber golden-hour morning palette locked for all 12 shots. Tonal bands: background = mossy watercolor green in shade; subject = warm tan + cream; practical light = honey … (shortened)

    Output
    Download image 1 from run 05
  6. 06

    Na

    Image generatornano-banana-pro-test
    Prompt

    ### Character Na Character reference sheet, Ghibli-inspired hand-painted 2D watercolor animation style, soft paper-grain texture, warm honey-gold morning light, gentle filmic grain, clean off-white paper background with subtle watercolor wash. Subject: NA — a Vietnamese village girl, about 5 years old, the younger granddaughter. Round soft cheeks, big bright dark-brown eyes, short black hair cut in a simple bob with a small side clip, a few flyaway strands. Sweet, slightly shy, easily delighted expression. Wears a simple pale-pink cotton pajama top with tiny flower print and loose shorts, bare feet; a second small panel shows her school outfit: white short-sleeve shirt, navy skirt, red neckerchief, small canvas satchel. Sheet layout: full-body front view (largest), full-body 3/4 view, side view, plus a row of 3 head expression studies (sleepy just-woken, giggling, waving goodbye). Consistent proportions across views, simple line-art with soft watercolor fills, no harsh black outlines, muted earthy palette of rice-paper beige, soft pink, indigo and leaf green. No text labels, no watermark. IDENTITY LOCK (from the script, verbatim — this is who the character IS; keep every anchor below: face, hair, wardrobe, hero prop): heart-shaped face, rosy cheeks, black hair in two short pigtails tied with red ribbons, round dark eyes, tan skin. *Sleepwear (Scene 1):* butter-yellow cotton tee, blue shorts, bare feet. *Uniform (Scenes 2–3):* white school blouse, red neckerchief, navy pleated skirt, brown leather satchel. *Voice: small, sweet, affectionate.* Sheet rules: plain neutral light-grey background, not white (white burns the face edge); ONE face — the head study and every full-body view show the same face, no alternate faces, no expression grid, no second character; costume colours identical in every view; no printed text beyond short pencil annotations naming a view or a part — no prompt labels (SUBJECT/PIGMENT/VIEWS…), no paragraphs, no captions, no watermark. LOOK LOCK (from the board, verbatim — render the character EXACTLY in this medium and palette): Hand-painted 2D watercolor cel animation with visible paper grain and soft filmic grain; warm amber golden-hour morning palette locked for all 12 shots. Tonal bands: background = mossy watercolor green in shade; subject = warm tan + cream; practical light = honey-gold door/roof shaft; highlights = white-hot sun bloom with drifting dust motes. Line work soft-edged with watercolor bleed, no hard vector outli … (shortened)

    Output
    Download image 1 from run 06
  7. 07

    Cha

    Image generatornano-banana-pro-test
    Prompt

    ### Character Cha Character reference sheet, Ghibli-inspired hand-painted 2D watercolor animation style, visible paper grain and soft filmic texture, warm honey-gold morning light, gentle muted earth palette. Subject: CHA (the father) — a Northern Vietnamese rural man in his mid-thirties. Lean, wiry build from farm work, warm sun-tanned skin, short black hair slightly damp and combed back, kind tired eyes with faint smile lines, clean-shaven with a soft jaw. Quiet, dependable, affectionate demeanor. Wears a faded olive-blue short-sleeve button shirt with sleeves rolled to the elbow, dark loose cotton trousers, plain rubber sandals; a thin worn leather watch on his left wrist. Sheet layout on a single off-white watercolor paper background: full-body front view, full-body three-quarter view, and full-body back view standing in a relaxed row; plus a row of three head close-ups (neutral, warm smile, calling out to the children) and one half-body pose of him steadying a bicycle handlebar with one hand and reaching back with the other. Consistent proportions across all views, clean soft ink linework, flat watercolor washes with subtle bleed edges, no heavy shading, no text labels, no photographic realism. IDENTITY LOCK (from the script, verbatim — this is who the character IS; keep every anchor below: face, hair, wardrobe, hero prop): lean, sun-tanned, short black hair, kind tired eyes; olive-green short-sleeve shirt rolled at the elbows, dark-grey trousers, brown sandals. **Prop: black vintage commuter bicycle with rear rack and chrome bell.** *Voice: warm, brisk, practical.* Sheet rules: plain neutral light-grey background, not white (white burns the face edge); ONE face — the head study and every full-body view show the same face, no alternate faces, no expression grid, no second character; costume colours identical in every view; no printed text beyond short pencil annotations naming a view or a part — no prompt labels (SUBJECT/PIGMENT/VIEWS…), no paragraphs, no captions, no watermark. LOOK LOCK (from the board, verbatim — render the character EXACTLY in this medium and palette): Hand-painted 2D watercolor cel animation with visible paper grain and soft filmic grain; warm amber golden-hour morning palette locked for all 12 shots. Tonal bands: background = mossy watercolor green in shade; subject = warm tan + cream; practical light = honey-gold door/roof shaft; highlights = white-hot sun bloom with drifting dust motes. Line work soft-edged with watercol … (shortened)

    Output
    Download image 1 from run 07
  8. 08

    Rustic Bedroom

    Image generatornano-banana-pro-test
    Prompt

    ### Location Rustic Bedroom Master background plate of a traditional Northern Vietnamese rural bedroom in a wooden house. Warm morning sunlight streaming through open wooden slat window, casting gentle shadows across a polished dark wood bed (sập gỗ) covered with a hand-woven rush mat (chiếu cói) and thin kapok blankets. In the corner, a dark wooden chest and antique wardrobe with brass latches. Hand-painted 2D watercolor animation style, Ghibli aesthetic, soft pencil outlines, rich paper grain, nostalgic, tranquil atmosphere, cinematic lighting. Location plate — the whole set from its default angle at eye level, empty of people and animals, no text, no seal stamps, no logo, no watermark; every landmark of the description visible so later shots can be re-framed from this image. LOOK LOCK (from the board, verbatim — this overrides any style wording above): Hand-painted 2D watercolor cel animation with visible paper grain and soft filmic grain; warm amber golden-hour morning palette locked for all 12 shots. Tonal bands: background = mossy watercolor green in shade; subject = warm tan + cream; practical light = honey-gold door/roof shaft; highlights = white-hot sun bloom with drifting dust motes. Line work soft-edged with watercolor bleed, no hard vector outlines, no photoreal texture, no cold or desaturated grade, no lens flare. Vertical 9:16 framing throughout, eye-level unless specified.

    Output
    Download image 1 from run 08
  9. 09

    Veranda

    Image generatornano-banana-pro-test
    Prompt

    ### Location Veranda Location plate, empty of people — a wide establishing view of the tiled veranda (hiên nhà) of a traditional Northern Vietnamese timber house at early morning. dark ironwood post-and-beam house, carved wooden lattice doors folded partly open, low terracotta-tiled roof with moss on the ridge tiles, worn red-brick courtyard (sân gạch) spreading out from the veranda step. A wooden low table with a tray of tea, a bamboo stool, a hanging birdcage under the eaves, a stone water jar with a coconut ladle at the corner, strings of drying corn and chili hung from a beam. Banana leaves and a betel-nut palm at the edge of frame, a small altar niche glowing faintly inside the doorway. LIGHT: honey-gold 7am sun raking low across the brick yard, long soft shadows from the roof eaves, warm haze and faint morning mist, motes of dust in the light shafts. STYLE: Ghibli-inspired hand-painted 2D watercolor animation background, visible paper grain and soft pigment bleed, gentle gouache edges, muted warm palette of ochre, terracotta, moss green and cream, nostalgic and tranquil, no outlines harsh, soft filmic grain. Background plate only, no characters, no text, no watermark.

    Output
    Download image 1 from run 09
  10. 10

    Scene 1 · Rustic Bedroom

    Image generatornano-banana-pro-test
    Prompt

    ### Scene 1 · Rustic Bedroom Shot 1 — Wide (establishing) Single storyboard frame. Hand-painted watercolor illustration on textured paper, soft pencil under-drawing, warm honey-gold early morning light raking through a wooden-shuttered window, gentle grain, muted earthy palette of ochre, sage and faded indigo — same painterly style as the reference plates. Wide establishing shot of a rustic Northern Vietnamese bedroom at dawn: a low polished wooden platform bed (sập gỗ) in the middle of the room, mosquito net half-gathered above, whitewashed lime walls, a wooden wardrobe and a hanging calendar. The grandmother (Bà Nội — silver hair in a low bun, brown ba-ba blouse, warm creased face, exactly as reference) sits at the head of the wooden platform bed, gently fanning a palm-leaf fan (quạt nan) to wake her two grandchildren. The boy (Tý, exactly as reference) and the girl (Na, exactly as reference) lie curled under a thin patterned blanket, still sleepy, one rubbing an eye. Camera at eye level, full room visible, dust motes floating in the sunbeam. Faces and wardrobe must match the character references exactly. No text, no captions, no borders. Layout: ONE SINGLE FRAME of SHOT 1. This scene groups 4 shots (shot 1 = 2.5s, shot 2 = 2.5s, shot 3 = 2.5s, shot 4 = 2.5s); the others are context for continuity — draw ONLY shot 1's moment. No grid, no panels, no split screen, no contact sheet, no text or labels on the frame. SHOT LOCK (from the board, verbatim — the 4 shots this scene covers, in board order, with the seconds each one holds; you are drawing SHOT 1, the line marked [00:00-00:02] — the other lines are context for continuity, do not draw them): [00:00-00:02] [LS] Ghibli-inspired hand-painted 2D watercolor animation, vertical 9:16. Wide eye-level interior of a rustic Northern Vietnamese timber house at dawn. Same Bà Nội, 72, round weathered tan face with deep smile lines, silver hair in a tight low bun, brown small-floral áo bà ba tunic, black wide-leg trousers, jade stud earrings, holding a honey-straw woven palm-leaf fan in her right hand, seated at the head of a dark wooden platform bed. Same Tý, 8, round rosy-cheeked face, black bowl-cut hair, cream-white sleeveless undershirt and blue checked shorts, and same Na, 6, heart-shaped rosy face, two short pigtails with red ribbons, butter-yellow tee and blue shorts, both lying belly-down on a pale woven mat, bare feet lifted. Honey-gold sun shaft from an open doorway screen-left, drifting dust motes, mo … (shortened)

    Output
    Download image 1 from run 10
  11. 11

    Scene 1 · Rustic Bedroom

    Image generatornano-banana-pro-test
    Prompt

    ### Scene 1 · Rustic Bedroom Shot 3 — Close-up portrait Hand-painted watercolor illustration, warm honey-gold early morning light. Single frame: extreme close-up portrait of TÝ, a 9-year-old Vietnamese boy with a short bowl haircut and round cheeks, still half-asleep on the wooden bed platform, one eye squeezed shut, the other blinking open toward the light, a crease from the straw mat pressed on his cheek, messy hair sticking up. Soft blurred background of the rustic bedroom — pale lime-washed wall, edge of a mosquito net glowing translucent. Shallow depth, gentle bokeh of dust motes drifting in a warm shaft of sun from the wooden shutter. Style lock: loose watercolor washes with visible paper grain, soft ink outlines, muted earth palette of ochre, terracotta, sage green, honey amber. Character lock: keep Tý's exact face, haircut and striped cotton pajamas from the reference sheet. Tender nostalgic Vietnamese countryside storybook tone. SHOT LOCK (from the board, verbatim — the 4 shots this scene covers, in board order, with the seconds each one holds; you are drawing SHOT 3, the line marked [00:05-00:08] — the other lines are context for continuity, do not draw them): [00:00-00:02] [LS] Ghibli-inspired hand-painted 2D watercolor animation, vertical 9:16. Wide eye-level interior of a rustic Northern Vietnamese timber house at dawn. Same Bà Nội, 72, round weathered tan face with deep smile lines, silver hair in a tight low bun, brown small-floral áo bà ba tunic, black wide-leg trousers, jade stud earrings, holding a honey-straw woven palm-leaf fan in her right hand, seated at the head of a dark wooden platform bed. Same Tý, 8, round rosy-cheeked face, black bowl-cut hair, cream-white sleeveless undershirt and blue checked shorts, and same Na, 6, heart-shaped rosy face, two short pigtails with red ribbons, butter-yellow tee and blue shorts, both lying belly-down on a pale woven mat, bare feet lifted. Honey-gold sun shaft from an open doorway screen-left, drifting dust motes, mossy green courtyard visible outside, watercolor washes, paper grain, soft filmic grain, warm amber palette. [Static] Light: Warm amber sunbeam entering from screen-left doorway, visible dust motes, cool mossy-green courtyard beyond; diffused soft shadows Emotion: Peaceful, tender [00:02-00:05] [MS] Ghibli-inspired hand-painted 2D watercolor animation, vertical 9:16. Medium two-shot, intimate eye level. Same Tý, 8, round rosy-cheeked face, black bowl-cut hair, cream-white sleeveless … (shortened)

    Output
    Download image 1 from run 11
  12. 12

    Scene 1 · Rustic Bedroom

    Image generatornano-banana-pro-test
    Prompt

    ### Scene 1 · Rustic Bedroom Shot 2 — Medium two-shot Hand-painted watercolour illustration, warm honey-gold early morning light. Single frame: inside a rustic Vietnamese village bedroom, morning sun slanting through wooden shutters onto a polished wooden plank bed (sập gỗ). Grandmother sits at the head of the bed in her brown áo bà ba, waving a woven palm-leaf fan over her two grandchildren; the boy Tý rubs his eyes half-sitting up under a thin floral blanket, his little sister Na still curled asleep beside him. Medium two-shot, eye-level, shallow depth, soft dust motes floating in the sunbeam. Style lock: textured watercolour paper grain, loose ink linework, muted ochre-teal-cream palette, gentle nostalgic Vietnamese countryside mood. Character lock: keep faces, hairstyles and costumes exactly as in the reference sheets. No text, no captions. SHOT LOCK (from the board, verbatim — the 4 shots this scene covers, in board order, with the seconds each one holds; you are drawing SHOT 2, the line marked [00:02-00:05] — the other lines are context for continuity, do not draw them): [00:00-00:02] [LS] Ghibli-inspired hand-painted 2D watercolor animation, vertical 9:16. Wide eye-level interior of a rustic Northern Vietnamese timber house at dawn. Same Bà Nội, 72, round weathered tan face with deep smile lines, silver hair in a tight low bun, brown small-floral áo bà ba tunic, black wide-leg trousers, jade stud earrings, holding a honey-straw woven palm-leaf fan in her right hand, seated at the head of a dark wooden platform bed. Same Tý, 8, round rosy-cheeked face, black bowl-cut hair, cream-white sleeveless undershirt and blue checked shorts, and same Na, 6, heart-shaped rosy face, two short pigtails with red ribbons, butter-yellow tee and blue shorts, both lying belly-down on a pale woven mat, bare feet lifted. Honey-gold sun shaft from an open doorway screen-left, drifting dust motes, mossy green courtyard visible outside, watercolor washes, paper grain, soft filmic grain, warm amber palette. [Static] Light: Warm amber sunbeam entering from screen-left doorway, visible dust motes, cool mossy-green courtyard beyond; diffused soft shadows Emotion: Peaceful, tender [00:02-00:05] [MS] Ghibli-inspired hand-painted 2D watercolor animation, vertical 9:16. Medium two-shot, intimate eye level. Same Tý, 8, round rosy-cheeked face, black bowl-cut hair, cream-white sleeveless undershirt, propped on his elbows with his cheek on a fist, laughing; same Na, 6, two short pig … (shortened)

    Output
    Download image 1 from run 12
  13. 13

    Scene 1 · Rustic Bedroom

    Image generatornano-banana-pro-test
    Prompt

    ### Scene 1 · Rustic Bedroom Shot 4 — Medium reverse cut Medium reverse angle shot inside the rustic bedroom. Tý sits up on the wooden platform bed (sập gỗ), rubbing his sleepy eyes with both hands. Beside him, Na pulls the patterned vintage quilt higher over her shoulders. Bà sits at the foot of the bed smiling gently at them, holding her woven palm-leaf fan. Soft early-morning sunlight pours through wooden lattice slats, warming the room with golden light. Ghibli-inspired hand-painted watercolor and gouache texture, soft natural lighting, peaceful and nostalgic mood. Layout: ONE SINGLE FRAME of SHOT 4. This scene groups 4 shots (shot 1 = 2.5s, shot 2 = 2.5s, shot 3 = 2.5s, shot 4 = 2.5s); the others are context for continuity — draw ONLY shot 4's moment. No grid, no panels, no split screen, no contact sheet, no text or labels on the frame. SHOT LOCK (from the board, verbatim — the 4 shots this scene covers, in board order, with the seconds each one holds; you are drawing SHOT 4, the line marked [00:08-00:10] — the other lines are context for continuity, do not draw them): [00:00-00:02] [LS] Ghibli-inspired hand-painted 2D watercolor animation, vertical 9:16. Wide eye-level interior of a rustic Northern Vietnamese timber house at dawn. Same Bà Nội, 72, round weathered tan face with deep smile lines, silver hair in a tight low bun, brown small-floral áo bà ba tunic, black wide-leg trousers, jade stud earrings, holding a honey-straw woven palm-leaf fan in her right hand, seated at the head of a dark wooden platform bed. Same Tý, 8, round rosy-cheeked face, black bowl-cut hair, cream-white sleeveless undershirt and blue checked shorts, and same Na, 6, heart-shaped rosy face, two short pigtails with red ribbons, butter-yellow tee and blue shorts, both lying belly-down on a pale woven mat, bare feet lifted. Honey-gold sun shaft from an open doorway screen-left, drifting dust motes, mossy green courtyard visible outside, watercolor washes, paper grain, soft filmic grain, warm amber palette. [Static] Light: Warm amber sunbeam entering from screen-left doorway, visible dust motes, cool mossy-green courtyard beyond; diffused soft shadows Emotion: Peaceful, tender [00:02-00:05] [MS] Ghibli-inspired hand-painted 2D watercolor animation, vertical 9:16. Medium two-shot, intimate eye level. Same Tý, 8, round rosy-cheeked face, black bowl-cut hair, cream-white sleeveless undershirt, propped on his elbows with his cheek on a fist, laughing; same Na, 6, two short pigta … (shortened)

    Output
    Download image 1 from run 13
  14. 14

    Village Lane

    Image generatornano-banana-pro-test
    Prompt

    ### Location Village Lane Location plate, empty of people. A Northern Vietnamese village lane at early morning, seen as a wide establishing plate: a narrow dirt-and-brick path winding between low moss-stained brick walls and green bamboo hedges, a few tiled-roof wooden houses set back behind wooden gates, a banyan tree with hanging roots on the left, rice paddies opening in the far background under a soft pale-blue sky. Honey-gold 7am sunlight rakes low across the lane, long soft shadows, thin morning mist between the bamboo, a few dragonflies and floating dust motes catching the light. Style: Ghibli-inspired hand-painted 2D watercolor animation background, visible paper grain and pigment bloom, soft wet-on-wet washes, gentle ink linework, warm nostalgic palette of honey gold, moss green, terracotta and dusty blue, soft filmic grain, no text, no watermark, no characters in frame.

    Output
    Download image 1 from run 14
  15. 15

    Scene 3 · Village Lane

    Image generatornano-banana-pro-test
    Prompt

    ### Scene 3 · Village Lane Shot 9 — Wide (establishing) Hand-painted watercolor illustration, warm honey-gold early morning sunlight, soft paper grain, gentle ink outlines, nostalgic Vietnamese countryside palette of sage green, terracotta and cream. Single frame: a narrow Vietnamese village lane at 7am, low brick walls topped with bougainvillea, bamboo hedges and a whitewashed gate receding into morning haze. Wide establishing shot, camera low and static, deep perspective down the lane. The father walks his vintage bicycle out through the gate, Tý (7-year-old boy, bowl haircut, white school shirt, red neckerchief) and Na (5-year-old girl, twin pigtails with red ribbons, pale yellow dress) trotting beside him with school satchels on their backs. Long soft shadows stretch across packed earth, dust motes glowing in slanted sunbeams, a few chickens scattering at the edge of frame. Character faces, outfits and the bicycle must match the reference sheets exactly. SHOT LOCK (from the board, verbatim — the 4 shots this scene covers, in board order, with the seconds each one holds; you are drawing SHOT 9, the line marked [00:22-00:24] — the other lines are context for continuity, do not draw them): [00:22-00:24] [LS] Ghibli-inspired hand-painted 2D watercolor animation, vertical 9:16. Wide exterior of a dirt village lane leading from foreground-left to background-right, lined with blooming wildflowers and framed by lush greenery, tiled-roof timber house at screen-right. Same Cha, 35, lean sun-tanned, short black hair, olive-green short-sleeve shirt rolled at the elbows, dark-grey trousers, brown sandals, straddling a black vintage commuter bicycle with a rear rack and chrome bell. Same Tý, 8, white school shirt with red neckerchief, navy shorts, brown satchel, climbing onto the crossbar; same Na, 6, two pigtails with red ribbons, white blouse, navy skirt, satchel, settling on the rear rack. Bright golden-hour sunlight, golden dust, watercolor washes, paper grain, film grain. [Pan Right] Light: Bright golden-hour morning sun, lush watercolor greens, golden dust in the air Emotion: Brisk, cheerful [00:24-00:26] [MS] Ghibli-inspired hand-painted 2D watercolor animation, vertical 9:16. Medium shot of the moving bicycle from behind-side. Same Cha, 35, olive-green short-sleeve shirt rolled at the elbows, dark-grey trousers, pedalling a black vintage commuter bicycle; same Tý, 8, white school shirt with red neckerchief and navy shorts on the crossbar and same Na, 6, t … (shortened)

    Output
    Download image 1 from run 15
  16. 16

    Scene 3 · Village Lane

    Image generatornano-banana-pro-test
    Prompt

    ### Scene 3 · Village Lane Shot 11 — Medium Single hand-painted watercolour storyboard frame, warm honey-gold early morning light, soft washed edges, Vietnamese countryside village lane. Medium shot travelling alongside the family: the father in a faded olive-green button shirt and dark trousers pedals a vintage black bicycle slowly down a narrow dirt lane flanked by low brick walls, banana leaves and a bamboo hedge. His young son Tý, in a white short-sleeved school shirt with a red neckerchief, sits on the rear rack gripping the seat springs, worn canvas school satchel on his back. His little daughter Na, in a white shirt and navy skirt with two short pigtails, perches sideways on the crossbar in front of him, one hand on the handlebar, laughing with her head tipped back. Dust motes and pollen drift in the slanting sunbeams; long soft shadows stripe the lane behind them. Faces calm, tender, unhurried. Layout: ONE SINGLE FRAME of SHOT 11. This scene groups 4 shots (shot 9 = 2s, shot 10 = 2s, shot 11 = 2s, shot 12 = 2s); the others are context for continuity — draw ONLY shot 11's moment. No grid, no panels, no split screen, no contact sheet, no text or labels on the frame. SHOT LOCK (from the board, verbatim — the 4 shots this scene covers, in board order, with the seconds each one holds; you are drawing SHOT 11, the line marked [00:26-00:28] — the other lines are context for continuity, do not draw them): [00:22-00:24] [LS] Ghibli-inspired hand-painted 2D watercolor animation, vertical 9:16. Wide exterior of a dirt village lane leading from foreground-left to background-right, lined with blooming wildflowers and framed by lush greenery, tiled-roof timber house at screen-right. Same Cha, 35, lean sun-tanned, short black hair, olive-green short-sleeve shirt rolled at the elbows, dark-grey trousers, brown sandals, straddling a black vintage commuter bicycle with a rear rack and chrome bell. Same Tý, 8, white school shirt with red neckerchief, navy shorts, brown satchel, climbing onto the crossbar; same Na, 6, two pigtails with red ribbons, white blouse, navy skirt, satchel, settling on the rear rack. Bright golden-hour sunlight, golden dust, watercolor washes, paper grain, film grain. [Pan Right] Light: Bright golden-hour morning sun, lush watercolor greens, golden dust in the air Emotion: Brisk, cheerful [00:24-00:26] [MS] Ghibli-inspired hand-painted 2D watercolor animation, vertical 9:16. Medium shot of the moving bicycle from behind-side. Same Cha, 35 … (shortened)

    Output
    Download image 1 from run 16
  17. 17

    Scene 3 · Village Lane

    Image generatornano-banana-pro-test
    Prompt

    ### Scene 3 · Village Lane Shot 10 — Medium Single frame, hand-painted watercolour illustration, warm honey-gold early morning sunlight, soft paper grain, gentle ink outlines, muted earth-and-jade Vietnamese countryside palette. Medium shot at chest height: the FATHER (same man as the character reference — lean build, short black hair, faded olive-green shirt, rolled sleeves) walks his vintage black bicycle along the packed-earth village lane, one hand on the handlebar, head turned back with a small warm smile. Beside him TÝ (same boy as reference — cropped black hair, white short-sleeve school shirt, red neckerchief, brown leather satchel across his chest) strides forward mid-step, chin up, chattering. NA (same younger girl as reference — two small pigtails with red ribbons, white blouse, navy skirt, smaller satchel) holds the hem of her father's shirt with one hand, half-skipping to keep up. Background softly blurred: whitewashed garden walls, bamboo hedge, hibiscus blooms, a cluster of banana leaves catching the low sun. Long soft shadows stretch across the lane toward camera, dust motes glowing in the light shafts. Natural, unforced children's body language; no text, no logos, no frame borders. SHOT LOCK (from the board, verbatim — the 4 shots this scene covers, in board order, with the seconds each one holds; you are drawing SHOT 10, the line marked [00:24-00:26] — the other lines are context for continuity, do not draw them): [00:22-00:24] [LS] Ghibli-inspired hand-painted 2D watercolor animation, vertical 9:16. Wide exterior of a dirt village lane leading from foreground-left to background-right, lined with blooming wildflowers and framed by lush greenery, tiled-roof timber house at screen-right. Same Cha, 35, lean sun-tanned, short black hair, olive-green short-sleeve shirt rolled at the elbows, dark-grey trousers, brown sandals, straddling a black vintage commuter bicycle with a rear rack and chrome bell. Same Tý, 8, white school shirt with red neckerchief, navy shorts, brown satchel, climbing onto the crossbar; same Na, 6, two pigtails with red ribbons, white blouse, navy skirt, satchel, settling on the rear rack. Bright golden-hour sunlight, golden dust, watercolor washes, paper grain, film grain. [Pan Right] Light: Bright golden-hour morning sun, lush watercolor greens, golden dust in the air Emotion: Brisk, cheerful [00:24-00:26] [MS] Ghibli-inspired hand-painted 2D watercolor animation, vertical 9:16. Medium shot of the moving bicycle from … (shortened)

    Output
    Download image 1 from run 17
  18. 18

    Scene 3 · Village Lane

    Image generatornano-banana-pro-test
    Prompt

    ### Scene 3 · Village Lane Shot 12 — Wide (deep perspective) Single frame, final shot of the film: a deep-perspective wide down a narrow Vietnamese village lane at early morning. The lane recedes toward a bright vanishing point, framed on both sides by bamboo hedges, whitewashed garden walls and a low row of tiled-roof houses; long tree shadows stripe the dirt path. In the mid-ground, seen from behind, the grandmother's old dark-green vintage bicycle rolls slowly away from camera: the boy Ty pedals standing slightly, the little girl Na perched on the rear rack with both arms around his waist, their woven school satchels bouncing on their backs. Their white school shirts catch the low sun and glow. Far behind them, tiny at the edge of frame, the grandmother stands at her gate waving a palm-leaf fan, reduced to a small warm silhouette. Golden dust motes and drifting morning haze fill the light shafts. Composition centered and symmetrical, horizon low, generous sky. Character likeness must match the reference sheets exactly — same faces, hair, outfits, same bicycle and satchels. Serene, tender farewell mood, image edges softening slightly toward a gentle fade. SHOT LOCK (from the board, verbatim — the 4 shots this scene covers, in board order, with the seconds each one holds; you are drawing SHOT 12, the line marked [00:28-00:30] — the other lines are context for continuity, do not draw them): [00:22-00:24] [LS] Ghibli-inspired hand-painted 2D watercolor animation, vertical 9:16. Wide exterior of a dirt village lane leading from foreground-left to background-right, lined with blooming wildflowers and framed by lush greenery, tiled-roof timber house at screen-right. Same Cha, 35, lean sun-tanned, short black hair, olive-green short-sleeve shirt rolled at the elbows, dark-grey trousers, brown sandals, straddling a black vintage commuter bicycle with a rear rack and chrome bell. Same Tý, 8, white school shirt with red neckerchief, navy shorts, brown satchel, climbing onto the crossbar; same Na, 6, two pigtails with red ribbons, white blouse, navy skirt, satchel, settling on the rear rack. Bright golden-hour sunlight, golden dust, watercolor washes, paper grain, film grain. [Pan Right] Light: Bright golden-hour morning sun, lush watercolor greens, golden dust in the air Emotion: Brisk, cheerful [00:24-00:26] [MS] Ghibli-inspired hand-painted 2D watercolor animation, vertical 9:16. Medium shot of the moving bicycle from behind-side. Same Cha, 35, olive-green sho … (shortened)

    Output
    Download image 1 from run 18
  19. 19

    Quạt nan (palm-leaf fan)

    Image generatornano-banana-pro-test
    Prompt

    ### Prop Quạt nan (palm-leaf fan) · of Bà Nội Prop reference sheet, Ghibli-inspired hand-painted 2D watercolor animation style on textured paper with visible paper grain, soft filmic grain, warm honey-gold morning light palette of cream, straw yellow, faded indigo and tea-brown. Clean off-white paper background, flat orthographic presentation, no perspective tricks, no photographic realism. Subject: a traditional Vietnamese hand fan woven from dried palm leaf (quạt nan) — rounded heart-shaped blade of plaited pale-straw palm fronds, edges bound with thin strips of split bamboo and a line of faded red cotton thread stitching, short worn bamboo handle darkened and polished by decades of handling, one small frayed corner and a faint tea stain telling of long daily use. The fan belongs to the elderly grandmother from the character sheet and must match the exact fan she holds there. Sheet layout: three views arranged with generous breathing space — large front view of the woven blade centre, back view at upper right showing the coarser reverse weave and the bamboo rib, and a three-quarter angled view at lower left showing thickness and the curve of the handle. Add two tiny detail vignettes: close-up of the stitched rim and close-up of the worn handle grip. Hand-lettered look-development marks only, no readable text blocks. Lighting: soft warm morning sun from the upper left, gentle watercolour shadow pooling under each view, muted and nostalgic, no harsh contrast.

    Output
    Download image 1 from run 19
  20. 20

    Scene 2 · Veranda

    Image generatornano-banana-pro-test
    Prompt

    ### Scene 2 · Veranda Shot 5 — Wide (establishing) Single frame, hand-painted watercolor illustration with soft pencil underdrawing, warm honey-gold early morning sunlight raking across a Vietnamese village house veranda (hiên nhà). Wide establishing composition: the tiled veranda floor glows amber, a low wooden table sits at center with a full phở set — wide enamel bowls of steaming rice-noodle soup, a plate of herbs, chopsticks and spoons, faint curls of steam catching the light. Grandmother BÀ NỘI, silver hair in a low bun, brown áo bà ba, kneels beside the table ladling broth; young boy TÝ in a faded striped shirt crouches at the edge of the frame peering at the bowls. Morning haze, hanging laundry and a bamboo blind at the left, green banana leaves and courtyard light bleeding in from the right, a cat-sized patch of sun on the floor. Gentle palette: honey gold, terracotta, sage green, warm ivory paper texture, visible watercolor blooms and dry-brush edges. Nostalgic, tender, unhurried Vietnamese countryside morning. No text, no captions, no borders. SHOT LOCK (from the board, verbatim — the 4 shots this scene covers, in board order, with the seconds each one holds; you are drawing SHOT 5, the line marked [00:10-00:13] — the other lines are context for continuity, do not draw them): [00:10-00:13] [LS] Ghibli-inspired hand-painted 2D watercolor animation, vertical 9:16. Wide eye-level shot of a rustic Vietnamese veranda. Same Tý, 8, round rosy-cheeked face, black bowl-cut hair, white short-sleeve school shirt with red neckerchief and navy shorts, and same Na, 6, two short pigtails with red ribbons, white school blouse with red neckerchief and navy pleated skirt, sitting cross-legged on a bamboo platform bed with blue-and-white porcelain noodle bowls and wooden chopsticks. Same Bà Nội, 72, silver low bun, brown small-floral áo bà ba tunic, black wide-leg trousers, holding her honey-straw woven palm-leaf fan, standing beside them fanning. Whitewashed weathered wall with a framed poster, blue wooden shutter window, hanging potted plant, brown leather satchels on the floor. Dappled golden morning light through foliage, leaf shadows on the wall, watercolor washes, paper grain, film grain. [Static] Light: Dappled morning sun filtered through foliage, leaf shadows on the old lime-washed wall, warm golden ambient Emotion: Homely, bustling-calm [00:13-00:16] [MS] Ghibli-inspired hand-painted 2D watercolor animation, vertical 9:16. Medium group shot, triangular … (shortened)

    Output
    Download image 1 from run 20
  21. 21

    Scene 2 · Veranda

    Image generatornano-banana-pro-test
    Prompt

    ### Scene 2 · Veranda Shot 7 — Close-up insert Hand-painted watercolor storyboard frame, single frame only. Tight overhead close-up insert of a steaming bowl of Vietnamese phở on a low wooden tray set on the tiled veranda floor: clear broth, flat rice noodles, thin slices of beef, scattered scallion rings and coriander, a small plate of fresh herbs and lime wedges beside it, chopsticks resting across the rim. Soft curls of steam rising and catching warm honey-gold early morning sunlight that rakes in from the left, dappled shadows of leaves across the tray. A grandmother's weathered hand enters frame at the edge, setting down the bowl. Shallow focus, warm ochre and jade-green palette, visible watercolor paper texture, loose ink outlines, gentle color bleed at the edges, no text, no lettering, no panel borders, no split panels. SHOT LOCK (from the board, verbatim — the 4 shots this scene covers, in board order, with the seconds each one holds; you are drawing SHOT 7, the line marked [00:16-00:19] — the other lines are context for continuity, do not draw them): [00:10-00:13] [LS] Ghibli-inspired hand-painted 2D watercolor animation, vertical 9:16. Wide eye-level shot of a rustic Vietnamese veranda. Same Tý, 8, round rosy-cheeked face, black bowl-cut hair, white short-sleeve school shirt with red neckerchief and navy shorts, and same Na, 6, two short pigtails with red ribbons, white school blouse with red neckerchief and navy pleated skirt, sitting cross-legged on a bamboo platform bed with blue-and-white porcelain noodle bowls and wooden chopsticks. Same Bà Nội, 72, silver low bun, brown small-floral áo bà ba tunic, black wide-leg trousers, holding her honey-straw woven palm-leaf fan, standing beside them fanning. Whitewashed weathered wall with a framed poster, blue wooden shutter window, hanging potted plant, brown leather satchels on the floor. Dappled golden morning light through foliage, leaf shadows on the wall, watercolor washes, paper grain, film grain. [Static] Light: Dappled morning sun filtered through foliage, leaf shadows on the old lime-washed wall, warm golden ambient Emotion: Homely, bustling-calm [00:13-00:16] [MS] Ghibli-inspired hand-painted 2D watercolor animation, vertical 9:16. Medium group shot, triangular arrangement. Same Bà Nội, 72, silver low bun, brown small-floral áo bà ba tunic, honey-straw woven palm-leaf fan in hand, standing at screen-left; same Tý, 8, white school shirt with red neckerchief and navy shorts, speaking mid-bi … (shortened)

    Output
    Download image 1 from run 21
  22. 22

    Scene 2 · Veranda

    Image generatornano-banana-pro-test
    Prompt

    ### Scene 2 · Veranda of the old village house Shot 6 — Medium group shot (triangular composition) Hand-painted watercolor illustration, warm honey-gold early morning sunlight. A single frame: on the wooden veranda of a northern Vietnamese village house, Grandmother sits on a low wooden stool at the apex of a triangular composition, leaning in with a gentle smile as she ladles steaming broth; the boy Ty kneels at the left point of the triangle holding his bowl up with both hands, the little girl Na sits at the right point, cheeks puffed, chopsticks clumsily raised. Bowls of phở steam upward in soft curling wisps catching the low sun. Shafts of morning light rake across weathered wooden floorboards, a bamboo blind half-rolled above, potted herbs and an earthen water jar in the background, green courtyard foliage softly blurred beyond. Warm, tender, everyday family intimacy. No text, no captions, no watermark. SHOT LOCK (from the board, verbatim — the 4 shots this scene covers, in board order, with the seconds each one holds; you are drawing SHOT 6, the line marked [00:13-00:16] — the other lines are context for continuity, do not draw them): [00:10-00:13] [LS] Ghibli-inspired hand-painted 2D watercolor animation, vertical 9:16. Wide eye-level shot of a rustic Vietnamese veranda. Same Tý, 8, round rosy-cheeked face, black bowl-cut hair, white short-sleeve school shirt with red neckerchief and navy shorts, and same Na, 6, two short pigtails with red ribbons, white school blouse with red neckerchief and navy pleated skirt, sitting cross-legged on a bamboo platform bed with blue-and-white porcelain noodle bowls and wooden chopsticks. Same Bà Nội, 72, silver low bun, brown small-floral áo bà ba tunic, black wide-leg trousers, holding her honey-straw woven palm-leaf fan, standing beside them fanning. Whitewashed weathered wall with a framed poster, blue wooden shutter window, hanging potted plant, brown leather satchels on the floor. Dappled golden morning light through foliage, leaf shadows on the wall, watercolor washes, paper grain, film grain. [Static] Light: Dappled morning sun filtered through foliage, leaf shadows on the old lime-washed wall, warm golden ambient Emotion: Homely, bustling-calm [00:13-00:16] [MS] Ghibli-inspired hand-painted 2D watercolor animation, vertical 9:16. Medium group shot, triangular arrangement. Same Bà Nội, 72, silver low bun, brown small-floral áo bà ba tunic, honey-straw woven palm-leaf fan in hand, standing at screen-left; … (shortened)

    Output
    Download image 1 from run 22
  23. 23

    Scene 2 · Veranda

    Image generatornano-banana-pro-test
    Prompt

    ### Scene 2 · Veranda Shot 8 — Wide Wide shot of the veranda transition to yard. Cha walking his vintage bicycle to the gate, adjusting the satchels on the rear rack. In the background veranda, Bà standing and waving gently. Warm morning golden sunlight, soft watercolor illustration style, nostalgic Vietnamese countryside. Layout: ONE SINGLE FRAME of SHOT 8. This scene groups 4 shots (shot 5 = 3s, shot 6 = 3s, shot 7 = 3s, shot 8 = 3s); the others are context for continuity — draw ONLY shot 8's moment. No grid, no panels, no split screen, no contact sheet, no text or labels on the frame. SHOT LOCK (from the board, verbatim — the 4 shots this scene covers, in board order, with the seconds each one holds; you are drawing SHOT 8, the line marked [00:19-00:22] — the other lines are context for continuity, do not draw them): [00:10-00:13] [LS] Ghibli-inspired hand-painted 2D watercolor animation, vertical 9:16. Wide eye-level shot of a rustic Vietnamese veranda. Same Tý, 8, round rosy-cheeked face, black bowl-cut hair, white short-sleeve school shirt with red neckerchief and navy shorts, and same Na, 6, two short pigtails with red ribbons, white school blouse with red neckerchief and navy pleated skirt, sitting cross-legged on a bamboo platform bed with blue-and-white porcelain noodle bowls and wooden chopsticks. Same Bà Nội, 72, silver low bun, brown small-floral áo bà ba tunic, black wide-leg trousers, holding her honey-straw woven palm-leaf fan, standing beside them fanning. Whitewashed weathered wall with a framed poster, blue wooden shutter window, hanging potted plant, brown leather satchels on the floor. Dappled golden morning light through foliage, leaf shadows on the wall, watercolor washes, paper grain, film grain. [Static] Light: Dappled morning sun filtered through foliage, leaf shadows on the old lime-washed wall, warm golden ambient Emotion: Homely, bustling-calm [00:13-00:16] [MS] Ghibli-inspired hand-painted 2D watercolor animation, vertical 9:16. Medium group shot, triangular arrangement. Same Bà Nội, 72, silver low bun, brown small-floral áo bà ba tunic, honey-straw woven palm-leaf fan in hand, standing at screen-left; same Tý, 8, white school shirt with red neckerchief and navy shorts, speaking mid-bite with a full happy face; same Na, 6, two pigtails with red ribbons, white blouse and navy skirt, glancing at him and laughing. Blue-and-white porcelain bowls with rising steam on a bamboo platform bed. Warm veranda sunlight, textured shadows … (shortened)

    Output
    Download image 1 from run 23
  24. 24

    Phở set

    Image generatornano-banana-pro-test
    Prompt

    ### Prop Phở set · of Bà Nội Prop reference sheet, Ghibli-inspired hand-painted 2D watercolor animation style, paper-grain texture, soft filmic grain, warm honey-gold morning light, muted earthy palette of terracotta, straw yellow, tea-green and faded indigo. Clean off-white watercolor-paper background with subtle wash, no text labels. Subject: a traditional Northern Vietnamese pho breakfast set as carried by the grandmother — one wide shallow ceramic bowl of steaming pho with flat rice noodles, thin slices of beef, chopped scallion and coriander, clear amber broth with gentle curls of rising steam; a pair of worn bamboo chopsticks resting across the rim; a short-handled ceramic soup spoon; a small saucer with lime wedges, sliced red chili and a few sprigs of herbs; a dented aluminium serving tray with a faded floral rim; a small glass of pale green tea. Show the objects arranged in a simple orthographic layout: the full set on the tray as the main view, plus two smaller isolated studies — the pho bowl seen three-quarters from above, and the chopsticks-with-spoon detail. Every item modest and well-used, domestic rural household quality, hand-drawn line work with visible soft pencil underdrawing, watercolor bleed at the edges, no photorealism, no 3D render, no modern branding.

    Output
    Download image 1 from run 24
  25. 25

    Vintage bicycle

    Image generatornano-banana-pro-test
    Prompt

    ### Prop Vintage bicycle · of Cha Prop reference sheet, Ghibli-inspired hand-painted 2D watercolor animation style, visible paper-grain texture, soft filmic grain, warm honey-gold morning light, muted earthy palette of ochre, moss green, brick red and indigo. Subject: an old Vietnamese-style vintage bicycle from the northern countryside — black steel frame with worn chrome, curved handlebars, a wide leather saddle, a sturdy rear rack padded with a folded cloth for a child to sit on, a metal front basket, a small brass bell on the handlebar, mudguards with faint rust freckles, tires with dried clay on the treads. Everyday, lived-in, gently battered but lovingly maintained. Layout: clean off-white watercolor paper background, no scene. Large three-quarter side view of the whole bicycle as the main figure, plus three smaller inset studies around it — (1) close-up of the brass bell and handlebar grip, (2) the rear rack with the folded cloth cushion, (3) the pedal and worn chain guard. Simple hand-lettered underline strokes separating the insets, no readable text. Consistency: the bicycle belongs to the father character shown in the reference image — same era, same rural Northern Vietnamese village world, same painterly line quality and color temperature. Soft ink outlines, gentle watercolor bleed at the edges, no digital gloss, no photorealism, no 3D render.

    Output
    Download image 1 from run 25
  26. 26

    School satchels

    Image generatornano-banana-pro-test
    Prompt

    ### Prop School satchels · of Tý Prop reference sheet, Ghibli-inspired hand-painted 2D watercolor animation style, visible paper-grain texture, soft filmic grain, warm honey-gold morning light, gentle muted palette of ochre, moss green, terracotta and cream. Clean off-white paper background with light pencil construction lines, laid out as an animation production prop sheet. Subject: two vintage 1990s Vietnamese rural schoolbags (cặp sách) belonging to a young brother and sister. Bag A — a boy's worn faded-blue canvas satchel with a flap, scuffed brass buckle, frayed shoulder strap, slightly bulging with notebooks, a corner of a dog-eared exercise book poking out. Bag B — a girl's smaller rose-pink vinyl-and-cloth satchel with a simple flower motif stitched on the flap, a red plastic clip, a short white strap, neater and more cared for. Both show honest wear: soft creases, sun-faded fabric, small ink stains. Layout: large three-quarter front view of both bags standing side by side on a brick-tile floor, plus smaller studies around them — back view showing straps, side profile showing thickness, flap open revealing notebooks and a wooden pencil case, and a detail close-up of the buckle and stitching. Consistent scale and lighting across all views, soft cast shadows, no text labels, no people, no logos.

    Output
    Download image 1 from run 26
  27. 27

    Scene 1 · Rustic Bedroom

    Video generatoromni-flash
    Input
    Prompt

    ### Scene 1 - Rustic Bedroom Locked-off static wide, transitioning to a very slow, subtle push-in toward the bed. Bà Nội sits gently waving the palm-leaf fan in a rhythmic soothing arc. Tý and Na stir softly, rubbing their sleepy eyes and turning toward Grandmother with drowsy smiles. Dust motes drift gently across the morning sunbeams, and banana leaves outside the wooden window rustle in the soft breeze. Natural cinematic human motion, gentle breathing, soft realistic micro-expressions. LOOK LOCK (from the board, verbatim — this overrides any style, palette or medium wording above): Hand-painted 2D watercolor cel animation with visible paper grain and soft filmic grain; warm amber golden-hour morning palette locked for all 12 shots. Tonal bands: background = mossy watercolor green in shade; subject = warm tan + cream; practical light = honey-gold door/roof shaft; highlights = white-hot sun bloom with drifting dust motes. Line work soft-edged with watercolor bleed, no hard vector outlines, no photoreal texture, no cold or desaturated grade, no lens flare. Vertical 9:16 framing throughout, eye-level unless specified. Performance (from the board — this is what MOVES; animate it, never re-draw the frame): - Shot 1 (2.5s): Grandmother fans slowly with her right hand; the two children lie belly-down on a woven mat, bare feet kicking lazily in the air. — Peaceful, tender - Shot 2 (2.5s): Tý props his cheek on a fist and laughs; Na grins with scrunched eyes; loose hair strands lift in the fanned breeze. — Giddy, playful - Shot 3 (2.5s): She leans down with a doting smile; the fan arm passes the frame edge in rhythm. — Doting, quietly amused - Shot 4 (2.5s): Na turns her head up toward the grandmother, Tý smiles contentedly beside her; Bà Nội's fan edge enters the top of frame. — Affectionate, warm payoff Spoken lines (the board's own dialogue — the character says EXACTLY these words, in the language they are written in, and nothing else; no narrator, no invented lines, no subtitles burned into the frame): - Shot 1 (2.5s): Bà Nội (gentle, doting): "Dậy đi hai đứa, sáng rồi." - Shot 2 (2.5s): Tý (bright, giggling): "Bà quạt mát quá!" - Shot 3 (2.5s): Bà Nội (mock-scolding, fond): "Cha bố anh, nghịch ghê." - Shot 4 (2.5s): Na (small, sweet): "Bà ơi, con thương bà." Camera (from the board — ONE move per shot, verbatim; the clip performs exactly this move and no other): - Shot 1 (2.5s): static — Locked-off static wide, no camera translation. Only internal motion: … (shortened)

    Output

    1 output — open the canvas to view

  28. 28

    Scene 3 · Shots 9-12

    Video generatoromni-flash
    Input
    Prompt

    ### Scene 3 — Shots 9-12 Slow pan right following the village lane. The father steadies the bicycle handlebars while Tý swings his leg over the crossbar and Na climbs onto the rack, wildflowers gently nodding in the morning breeze as golden dust drifts. Push-in and slight follow as the bicycle rolls smoothly down the dirt path; the children twist around to wave energetically, red neckerchiefs and pigtails fluttering with bright, happy smiles. Locked-off static medium view: the grandmother gently raises and waves her dried palm-leaf fan in affectionate farewell, her eyes creased with quiet warmth. LOOK LOCK (from the board, verbatim — this overrides any style, palette or medium wording above): Hand-painted 2D watercolor cel animation with visible paper grain and soft filmic grain; warm amber golden-hour morning palette locked for all 12 shots. Tonal bands: background = mossy watercolor green in shade; subject = warm tan + cream; practical light = honey-gold door/roof shaft; highlights = white-hot sun bloom with drifting dust motes. Line work soft-edged with watercolor bleed, no hard vector outlines, no photoreal texture, no cold or desaturated grade, no lens flare. Vertical 9:16 framing throughout, eye-level unless specified. Performance (from the board — this is what MOVES; animate it, never re-draw the frame): - Shot 9 (2s): The father steadies the bicycle; Tý climbs onto the crossbar, Na hops onto the rear rack. — Brisk, cheerful - Shot 10 (2s): Both children twist around and wave over their shoulders, laughing; the bicycle starts rolling. — Joyful, bittersweet - Shot 11 (2s): She raises the palm fan high and waves it in farewell, calling after them with a soft smile. — Loving, wistful - Shot 12 (2s): HERO POSE — the grandmother stands still in the foreground, fan held high, watching the bicycle shrink down the flower-lined lane as the children wave one last time. — Deep nostalgia, quiet fullness Spoken lines (the board's own dialogue — the character says EXACTLY these words, in the language they are written in, and nothing else; no narrator, no invented lines, no subtitles burned into the frame): - Shot 9 (2s): Cha (warm, brisk): "Lên xe nào, ba chở đi học!" - Shot 10 (2s): Tý (bright, calling out): "Con đi học đây, bà ơi!" - Shot 11 (2s): Bà Nội (gentle, hoarse with love): "Đi cẩn thận nghe các con." Camera (from the board — ONE move per shot, verbatim; the clip performs exactly this move and no other): - Shot 9 (2s): pan_right — Slow pan right fol … (shortened)

    Output

    1 output — open the canvas to view

  29. 29

    Scene 2 · Shot 5

    Video generatoromni-flash
    Input
    Prompt

    ### Scene 2 — Shot 5 Locked-off static wide, no camera translation, no zoom. Internal motion only: Bà Nội fans in a slow steady rhythm, watching the children with doting, unhurried warmth; Tý and Na sit cross-legged and lift their chopsticks toward the bowls, steam curling upward, leaf shadows shimmering on the wall, a hen crossing the far courtyard. Homely, bustling-calm. LOOK LOCK (from the board, verbatim — this overrides any style, palette or medium wording above): Hand-painted 2D watercolor cel animation with visible paper grain and soft filmic grain; warm amber golden-hour morning palette locked for all 12 shots. Tonal bands: background = mossy watercolor green in shade; subject = warm tan + cream; practical light = honey-gold door/roof shaft; highlights = white-hot sun bloom with drifting dust motes. Line work soft-edged with watercolor bleed, no hard vector outlines, no photoreal texture, no cold or desaturated grade, no lens flare. Vertical 9:16 framing throughout, eye-level unless specified. Performance (from the board — this is what MOVES; animate it, never re-draw the frame): - Shot 5 (3s): The siblings sit cross-legged with chopsticks raised; the grandmother stands fanning them in slow rhythm. — Homely, bustling-calm - Shot 6 (3s): Tý exclaims mid-bite, Na glances at him and laughs; the grandmother watches fondly, fanning. — Delighted, cozy - Shot 7 (3s): Tý slurps noodles with closed eyes; Bà Nội's hands pour steaming broth from a ladle into the bowl at the top of frame. — Blissful, sensory - Shot 8 (3s): The children set their bowls on the round tray, sling their satchels over their shoulders and stand; the grandmother gives a small farewell fan wave. — Ready, gently wistful Spoken lines (the board's own dialogue — the character says EXACTLY these words, in the language they are written in, and nothing else; no narrator, no invented lines, no subtitles burned into the frame): - Shot 5 (3s): Bà Nội (gentle, doting): "Ăn hết bát rồi đi học nghe." - Shot 6 (3s): Tý (bright, delighted): "Hôm nay có phở, ngon quá bà ơi!" - Shot 7 (3s): Bà Nội (soft, urging): "Ăn thêm chút nữa cho khỏe con." - Shot 8 (3s): Na (small, sweet): "Con no rồi bà ơi, đi học nhé!" Camera (from the board — ONE move per shot, verbatim; the clip performs exactly this move and no other): - Shot 5 (3s): static — Locked-off static wide, scene anchor. Internal motion only: fan sways, steam curls from the bowls, chopsticks lift, leaf shadows shimmer on the wall, a hen crosses … (shortened)

    Output

    1 output — open the canvas to view

Open the canvas in CinAI Studio (opens in a new tab)