Untitled workflow
Untitled workflow
- By
- Chuoi Tv
- Steps
- 17
- Connections
- 30
- Updated
- 25 Sept 2026
Inside this workflow
15 runs
Each run is the workflow’s own record: the model it called, the prompt it was given, and what came out.
- 01
Backlit Dance Reel — Choreography Performance Script
TextInputPromptBacklit Dance Reel — Choreography Performance Script # BACKLIT DANCE REEL — CHOREOGRAPHY PERFORMANCE SCRIPT **Style:** live-action cinematic photorealism, high-contrast industrial realism, 35mm-equivalent deep focus · **Aspect ratio:** 9:16 vertical · **Total duration:** 15.00s · **Scenes:** 2 · **Shots:** 6 --- ## CAST — IDENTITY LOCK **MIRA (the dancer)** — female contemporary dancer, 26, slender athletic build with long defined limbs and visible shoulder/back musculature; oval face, high cheekbones, straight narrow nose, dark brown almond eyes, clean bare skin with a light sheen of sweat, no jewelry, no visible tattoos; near-black hair pulled into a tight low bun, a few loose strands at the temples; wardrobe: sleek matte-black fitted sleeveless bodice (high neck, scooped back, second-skin stretch jersey) flowing into a full-circle skirt of sheer translucent chiffon in a grey-to-white ombre gradient — lightweight, air-catching, fluid drape that transmits light; barefoot, no shoes. Skin finish: natural matte with specular highlights along shoulders, collarbone and calves. > **COSTUME LOCK STRING (paste verbatim into every shot prompt where MIRA appears):** *same MIRA, same face — 26yo female dancer, oval face, high cheekbones, dark almond eyes, near-black hair in a tight low bun; matte-black fitted sleeveless high-neck bodice with scooped back; full-circle sheer grey-to-white ombre chiffon skirt, translucent and air-catching; barefoot; no jewelry.* **VOICE STYLE:** None — instrumental piece. No spoken dialogue in any shot. --- ## LOCATION **INDUSTRIAL REHEARSAL STUDIO (single location, all 6 shots).** A converted warehouse dance room: exposed black steel ceiling trusses, linear cool-white fluorescent tube panels, dark grey ribbed metal roller shutter doors along the upstage wall, chipped grey plaster columns, and a highly polished glossy concrete floor that mirrors every light source. One hard floor-level white spotlight sits upstage centre on the ground, aimed straight down the camera axis, so any sheer fabric crossing it turns into a glowing translucent disc. Air is faintly dusty — the backlight beam is visible as a shaft. **TONAL SEPARATION BANDS:** background = near-black charcoal with cool grey fluorescent falloff · subject body = deep matte black silhouette · practical light = pure white floor spot with warm-white halation core · highlights = luminous grey-white chiffon edge glow + mirrored floor bloom. **BEAT TIMELINE / ENERGY CURVE:** … (shortened)
- 02
Backlit Dance Reel
Storyboard generatorstoryboard-opus-5- Input
PromptBOARD BRIEF (locked): TITLE: Backlit Dance Reel FORMAT: 9:16 · 15s · 6 shots THEME: A solo contemporary dancer moves from coiled stillness through an explosive backlit spin to a grounded hero pose, the translucent ombre chiffon skirt becoming a canopy of light. LOOK LOCK: Single location throughout: converted warehouse dance studio — exposed black steel ceiling trusses, linear cool-white fluorescent tube panels, dark grey ribbed metal roller shutter doors upstage, chipped grey plaster columns, mirror-polished glossy concrete floor. One hard white floor-level spotlight upstage centre on the ground, aimed down the camera axis, rendering any sheer fabric crossing it as a glowing translucent disc; faintly dusty air makes the beam a visible shaft. Tonal bands held in every shot: background near-black charcoal with cool grey fluorescent falloff; subject body deep matte black silhouette; practical pure white with warm-white halation core; highlights luminous grey-wh LIGHT ARC: 0.00–4.00 CALM: overhead fluorescents at 20% presence, backlight rims a still silhouette, long mirrored bloom toward camera. 4.00–8.00 AWAKEN: fluorescents rake the shoulders in cold grey while the floor spot fires between the legs, then flares directly into the lens as the spin ignites and the chiffon turns incandescent. 8.00–11.50 ASCEND: the spot fires straight through the flat chiffon disc… ARC: MIRA dances alone, barefoot on polished concrete, always positioned between camera and the hard floor-level backlight so the sheer ombre chiffon skirt transmits light in every frame. CAST: MIRA LOCATIONS: Industrial Rehearsal Studio PROPS: Floor-Level White Spotlight SCRIPT: {{Text 1}}
- 03
Industrial Rehearsal Studio
Image generatorcinai-nano-pro- Input
Prompt### Location Industrial Rehearsal Studio Empty industrial dance rehearsal studio, location plate, no people in frame. Cavernous raw concrete box: scuffed pale grey poured-concrete floor with faint sweep marks and rosin dust, exposed board-formed concrete walls, a bank of scratched full-height mirrors along one side wall with taped seams, a single steel ballet barre bolted at waist height, exposed steel roof trusses and conduit overhead, blacked-out warehouse windows. Cold clinical fluorescent tubes buzzing overhead in twin rows, colour temperature 5600K, pooling hard grey-white light. A hard white floor-level backlight rakes across the floor from the far end, throwing a long luminous wedge of light down the concrete and firing dust particles into visible suspension, deep crushed blacks in the corners. Live-action cinematic photorealism, high-contrast industrial rehearsal aesthetic, desaturated near-monochrome palette of concrete grey, black and clinical white, subtle cyan cast in the shadows. Shot on Arri Alexa 35 with a 24mm Zeiss Ultra Prime, deep focus, eye-level, natural lens falloff, fine 35mm grain, no text, no watermark. Location plate — the whole set from its default angle at eye level, empty of people and animals, no text, no seal stamps, no logo, no watermark; every landmark of the description visible so later shots can be re-framed from this image. LOOK LOCK (from the board, verbatim — this overrides any style wording above): Single location throughout: converted warehouse dance studio — exposed black steel ceiling trusses, linear cool-white fluorescent tube panels, dark grey ribbed metal roller shutter doors upstage, chipped grey plaster columns, mirror-polished glossy concrete floor. One hard white floor-level spotlight upstage centre on the ground, aimed down the camera axis, rendering any sheer fabric crossing it as a glowing translucent disc; faintly dusty air makes the beam a visible shaft. Tonal bands held in every shot: background near-black charcoal with cool grey fluorescent falloff; subject body deep matte black silhouette; practical pure white with warm-white halation core; highlights luminous grey-wh
- 04
MIRA
Image generatorcinai-nano-pro- Input
Prompt### Character MIRA Full-body character reference sheet, live-action cinematic photorealism, single female contemporary dancer standing in a neutral A-pose against a deep charcoal seamless backdrop. MIRA — early-to-mid twenties female dancer, lean athletic ballet-trained physique, long defined limbs, strong shoulders and visible dorsal musculature, elegant elongated neck. Warm olive-toned skin with a faint sheen of rehearsal sweat. Dark brown hair pulled into a tight low bun with a few loose strands at the temples. Clean bare face, minimal natural makeup, dark brows, calm focused expression, direct gaze to camera. fitted matte-black sleeveless bodice with a high scooped neckline and racer-cut back, sculpted to the torso like a second skin, no ornament. Attached at the waist, a full circular skirt of sheer layered chiffon in a vertical ombre gradient — smoky graphite grey at the waist dissolving into translucent bone-white at the raw-cut hem, mid-calf length, light passing straight through the fabric so the legs read as shadow inside the cloud of cloth. Bare feet, no shoes, nude ankle tape on the right foot. full body head to feet, sharp focus across the whole figure, shot on Arri Alexa 35 with a 50mm Arri Signature Prime, fine 35mm grain, no text, no watermark, no props. IDENTITY LOCK (from the script, verbatim — this is who the character IS; keep every anchor below: face, hair, wardrobe, hero prop): female contemporary dancer, 26, slender athletic build with long defined limbs and visible shoulder/back musculature; oval face, high cheekbones, straight narrow nose, dark brown almond eyes, clean bare skin with a light sheen of sweat, no jewelry, no visible tattoos; near-black hair pulled into a tight low bun, a few loose strands at the temples; wardrobe: sleek matte-black fitted sleeveless bodice (high neck, scooped back, second-skin stretch jersey) flowing into a full-circle skirt of sheer translucent chiffon in a grey-to-white ombre gradient — lightweight, air-catching, fluid drape that transmits light; barefoot, no shoes. Skin finish: natural matte with specular highlights along shoulders, collarbone and calves. Sheet rules: plain neutral light-grey background, not white (white burns the face edge); ONE face — the head study and every full-body view show the same face, no alternate faces, no expression grid, no second character; costume colours identical in every view; no printed text beyond short pencil annotations naming a view or a part — no prom … (shortened)
- 05
Floor-Level White Spotlight
Image generatorcinai-nano-proPrompt### Prop Floor-Level White Spotlight Production prop reference sheet, live-action cinematic photorealism, no people in frame. A single heavy-duty floor-level theatrical spotlight fixture standing on a scuffed grey concrete rehearsal studio floor: black powder-coated cast-metal housing with visible rivets, four hinged barn-door flaps, a chrome yoke clamp and adjustable tilt knobs, a thick braided black power cable snaking away to the left, small sandbag weight resting on the base plate. The fixture is switched on, firing a hard, blinding white beam low across the floor toward camera, carving a long luminous wedge through fine airborne dust and haze, throwing a hard-edged rim of light along the floor texture. Cold clinical colour temperature, high-contrast industrial lighting, deep crushed black background with the faint suggestion of a distant studio wall. Three-quarter front view, centered, full fixture visible head to base. Shot on Arri Alexa 35 with a 50mm Zeiss Ultra Prime, crisp fine grain, photoreal metal and glass detail, practical lens flare bloom around the lamp face.
- 06
Scene 1 · Keyframe Shot 1
Image generatorcinai-nano-proPrompt### Scene 1 · Keyframe Shot 1 — Stillness Cinematic vertical film still, backlit dance reel. SHOT 1 — wide full-body, eye-level, centered. A solo female contemporary dancer stands dead still in the exact center of a vast empty industrial rehearsal studio: black fitted sleeveless bodice, sheer grey-white ombre chiffon circular skirt hanging straight and heavy to mid-calf, hair pulled back tight, bare feet on a scuffed polished concrete floor. A single hard white spotlight sits on the floor directly behind her, throwing a blinding backlit halo that rims her shoulders, arms and the translucent skirt fabric in pure white while her body reads as a near-silhouette. Long black shadow stretching toward camera. Absolute stillness, weight settled, arms relaxed at her sides, chin slightly down. Deep shadow falloff, dusty haze in the beam, distant brick and steel truss walls barely visible. High-contrast monochromatic grey-white palette, shallow atmospheric depth, Arri Alexa 35 look, 35mm lens, fine film grain, photoreal. Layout: ONE SINGLE FRAME of SHOT 1. This scene groups 6 shots (shot 1 = 2s, shot 2 = 2s, shot 3 = 2s, shot 4 = 2s, shot 5 = 3.5s, shot 6 = 3.5s); the others are context for continuity — draw ONLY shot 1's moment. No grid, no panels, no split screen, no contact sheet, no text or labels on the frame. SHOT LOCK (from the board, verbatim — the 6 shots this scene covers, in board order, with the seconds each one holds; you are drawing SHOT 1, the line marked [00:00-00:02] — the other lines are context for continuity, do not draw them): [00:00-00:02] [LS] Vertical 9:16 wide full-body eye-level shot inside a dark industrial dance rehearsal studio — exposed black steel ceiling trusses, cool fluorescent tube panels, grey ribbed metal roller shutter doors, glossy polished concrete floor. *same MIRA, same face — 26yo female dancer, oval face, high cheekbones, dark almond eyes, near-black hair in a tight low bun; matte-black fitted sleeveless high-neck bodice with scooped back; full-circle sheer grey-to-white ombre chiffon skirt, translucent and air-catching; barefoot; no jewelry.* She stands perfectly still, centered, arms long at her sides, rendered as a near-black silhouette against a hard white floor-level spotlight placed on the ground directly behind her, halation blooming around her outline, the beam mirrored in the wet-looking concrete. Live-action cinematic photorealism, high contrast, deep focus, 35mm equivalent, cold clinical palette with one pure- … (shortened)
- 07
Scene 1 · Keyframe Shot 4
Image generatorcinai-nano-proPrompt### Scene 1 · Keyframe Shot 4 — Spin peak, low angle Cinematic dance photography keyframe, vertical 9:16. Wide full-body shot, LOW ANGLE from just above floor level looking slightly up at a female contemporary dancer at the peak of a spinning backbend. She wears a fitted matte black sleeveless bodice and a full circular skirt of sheer grey-to-white ombre chiffon, now fully flared into a wide spinning disc of translucent fabric that catches the light and glows like smoke. Her spine arches back, head dropped, one arm sweeping overhead, weight on the ball of one bare foot, the other leg extended. Strong backlight from a single floor-level white spotlight behind her throws a hard rim of white light along her arms, throat and the skirt edge, rendering her body as a near-silhouette with luminous edges. Industrial rehearsal studio: raw scuffed concrete floor with a wet sheen reflecting the light, bare grey walls, deep black falloff, faint haze in the air so the beam reads as a solid cone. High contrast, crushed blacks, monochrome grey-white palette, fine grain, 35mm anamorphic look, motion in the fabric with a touch of natural blur at the skirt hem, sharp on the body. No text, no logos. Layout: ONE SINGLE FRAME of SHOT 4. This scene groups 6 shots (shot 1 = 2s, shot 2 = 2s, shot 3 = 2s, shot 4 = 2s, shot 5 = 3.5s, shot 6 = 3.5s); the others are context for continuity — draw ONLY shot 4's moment. No grid, no panels, no split screen, no contact sheet, no text or labels on the frame. SHOT LOCK (from the board, verbatim — the 6 shots this scene covers, in board order, with the seconds each one holds; you are drawing SHOT 4, the line marked [00:06-00:08] — the other lines are context for continuity, do not draw them): [00:00-00:02] [LS] Vertical 9:16 wide full-body eye-level shot inside a dark industrial dance rehearsal studio — exposed black steel ceiling trusses, cool fluorescent tube panels, grey ribbed metal roller shutter doors, glossy polished concrete floor. *same MIRA, same face — 26yo female dancer, oval face, high cheekbones, dark almond eyes, near-black hair in a tight low bun; matte-black fitted sleeveless high-neck bodice with scooped back; full-circle sheer grey-to-white ombre chiffon skirt, translucent and air-catching; barefoot; no jewelry.* She stands perfectly still, centered, arms long at her sides, rendered as a near-black silhouette against a hard white floor-level spotlight placed on the ground directly behind her, halation blooming around her … (shortened)
- 08
Scene 1 · Keyframe Shot 2
Image generatorcinai-nano-proPrompt### Scene 1 · Keyframe Shot 2 — Skirt coil, low floor angle Cinematic dance film keyframe, vertical 9:16. Low medium-close shot framed on a female contemporary dancer's legs and the hem of her skirt, camera placed near floor level looking slightly up. She wears a black fitted sleeveless bodice and a sheer grey-white ombre chiffon circular skirt; the skirt fabric is beginning to coil and lift as her body initiates a turn, hem sweeping in a soft spiral, bare feet pivoting on a scuffed concrete studio floor. Powerful hard white spotlight on the floor behind her throws a blinding backlit rim through the translucent chiffon, making the layers glow like smoke, long dramatic shadow streaking toward camera. High-contrast chiaroscuro, deep black industrial rehearsal studio background, haze in the air catching light shafts. Shot on Arri Alexa 35, 35mm Cooke S4 lens, shallow depth of field, crisp motion detail in the fabric, monochromatic silver-grey palette, film grain, photoreal. Layout: ONE SINGLE FRAME of SHOT 2. This scene groups 6 shots (shot 1 = 2s, shot 2 = 2s, shot 3 = 2s, shot 4 = 2s, shot 5 = 3.5s, shot 6 = 3.5s); the others are context for continuity — draw ONLY shot 2's moment. No grid, no panels, no split screen, no contact sheet, no text or labels on the frame. SHOT LOCK (from the board, verbatim — the 6 shots this scene covers, in board order, with the seconds each one holds; you are drawing SHOT 2, the line marked [00:02-00:04] — the other lines are context for continuity, do not draw them): [00:00-00:02] [LS] Vertical 9:16 wide full-body eye-level shot inside a dark industrial dance rehearsal studio — exposed black steel ceiling trusses, cool fluorescent tube panels, grey ribbed metal roller shutter doors, glossy polished concrete floor. *same MIRA, same face — 26yo female dancer, oval face, high cheekbones, dark almond eyes, near-black hair in a tight low bun; matte-black fitted sleeveless high-neck bodice with scooped back; full-circle sheer grey-to-white ombre chiffon skirt, translucent and air-catching; barefoot; no jewelry.* She stands perfectly still, centered, arms long at her sides, rendered as a near-black silhouette against a hard white floor-level spotlight placed on the ground directly behind her, halation blooming around her outline, the beam mirrored in the wet-looking concrete. Live-action cinematic photorealism, high contrast, deep focus, 35mm equivalent, cold clinical palette with one pure-white practical. [Static] Light: Cool cl … (shortened)
- 09
Scene 1 · Keyframe Shot 5
Image generatorcinai-nano-proPrompt### Scene 1 · Keyframe Shot 5 — Skirt flare peak Backlit contemporary dance keyframe, SHOT 5 — the flare peak. Wide full-body shot, eye-level, centered, the entire flare radius of the skirt contained inside frame. Same young female dancer as reference (identical face, sharp cheekbones, dark hair pulled into a tight low bun), wearing a black fitted sleeveless bodice and a sheer grey-white ombre chiffon circular skirt. She is at the apex of a spinning backbend: torso arched back, chin lifted, one arm sweeping overhead, the other extended low, supporting leg strongly rooted, working leg carving outward. The circular chiffon skirt has reached maximum centrifugal flare — a perfect wide translucent disc of fabric, layered ombre grey into white, edges catching the light and glowing, individual chiffon folds separating in motion, faint motion blur only on the fabric hem while the body stays crisp. Industrial rehearsal studio interior: raw dark concrete floor with a wet sheen, distressed grey walls, exposed ceiling trusses, dust and haze in the air. Single hard white spotlight sitting on the floor behind her, firing forward and up — extreme backlight, she reads as a near-silhouette with a blazing rim light along her arms, jaw, spine and calf; the flared skirt is lit through from behind and becomes a luminous halo of translucent fabric. Long dramatic shadow thrown toward camera across the floor, volumetric light beams cutting through haze. High-contrast monochromatic palette, deep crushed blacks, blown white core, cool grey midtones. Cinematic still, shot on Arri Alexa 35 with a 35mm Cooke S4 lens, shallow depth, filmic grain, photoreal, no text. Layout: ONE SINGLE FRAME of SHOT 5. This scene groups 6 shots (shot 1 = 2s, shot 2 = 2s, shot 3 = 2s, shot 4 = 2s, shot 5 = 3.5s, shot 6 = 3.5s); the others are context for continuity — draw ONLY shot 5's moment. No grid, no panels, no split screen, no contact sheet, no text or labels on the frame. SHOT LOCK (from the board, verbatim — the 6 shots this scene covers, in board order, with the seconds each one holds; you are drawing SHOT 5, the line marked [00:08-00:12] — the other lines are context for continuity, do not draw them): [00:00-00:02] [LS] Vertical 9:16 wide full-body eye-level shot inside a dark industrial dance rehearsal studio — exposed black steel ceiling trusses, cool fluorescent tube panels, grey ribbed metal roller shutter doors, glossy polished concrete floor. *same MIRA, same face — 26yo female dancer, … (shortened)
- 10
Scene 1 · Keyframe
Image generatorcinai-nano-proPrompt### Scene 1 · Keyframe — Shot 3: Spin initiation Cinematic backlit dance still, 9:16 vertical. Medium full shot, three-quarter angle, camera at chest height. A female contemporary dancer — same face and build as the reference character sheet — mid-rotation as the spin initiates: black fitted long-sleeve bodice, sheer grey-white ombre chiffon circular skirt beginning to lift and coil outward, hem caught in a spiral of centrifugal motion with translucent layers separating into overlapping veils. Her torso twists, one arm sweeping across her chest, head turning into the turn, chin lifted, loose dark hair swinging. Set in the same industrial rehearsal studio as the location plate: raw concrete floor with a polished wet-look sheen, distressed grey wall far behind swallowed in blackness. Single hard white floor-level spotlight behind her throwing a blinding rim around her silhouette, light blasting through the chiffon so the skirt glows semi-transparent while the bodice stays near-silhouette. Heavy atmospheric haze, long dramatic shadow streaking toward camera, deep blacks, minimal fill. Shot on Arri Alexa 35, Cooke S4 50mm, high contrast monochromatic grey-white palette, fine grain, photoreal, sharp motion detail with slight natural motion blur on the skirt hem. Layout: ONE SINGLE FRAME of SHOT 3. This scene groups 6 shots (shot 1 = 2s, shot 2 = 2s, shot 3 = 2s, shot 4 = 2s, shot 5 = 3.5s, shot 6 = 3.5s); the others are context for continuity — draw ONLY shot 3's moment. No grid, no panels, no split screen, no contact sheet, no text or labels on the frame. SHOT LOCK (from the board, verbatim — the 6 shots this scene covers, in board order, with the seconds each one holds; you are drawing SHOT 3, the line marked [00:04-00:06] — the other lines are context for continuity, do not draw them): [00:00-00:02] [LS] Vertical 9:16 wide full-body eye-level shot inside a dark industrial dance rehearsal studio — exposed black steel ceiling trusses, cool fluorescent tube panels, grey ribbed metal roller shutter doors, glossy polished concrete floor. *same MIRA, same face — 26yo female dancer, oval face, high cheekbones, dark almond eyes, near-black hair in a tight low bun; matte-black fitted sleeveless high-neck bodice with scooped back; full-circle sheer grey-to-white ombre chiffon skirt, translucent and air-catching; barefoot; no jewelry.* She stands perfectly still, centered, arms long at her sides, rendered as a near-black silhouette against a hard white floor-level s … (shortened)
- 11
Scene 1 · Keyframe Shot 6
Image generatorcinai-nano-proPrompt### Scene 1 · Keyframe Shot 6 — Grounded hero pose (anchor) Vertical 9:16 cinematic keyframe, SHOT 6 — anchor hero frame. Wide full-body, eye-level, locked-off, dancer centered. The same female contemporary dancer (identity locked from reference): sleek dark hair pulled back tight, black fitted sleeveless bodice, sheer grey-white ombre chiffon circular skirt. She has settled into the final grounded floor pose: one hip on the floor, torso arched back and open in a long backbend line, chest lifted toward the ceiling, one arm extended overhead in a clean diagonal, the other hand pressed flat on the concrete supporting her weight, head tilted back, chin lifted, eyes closed, absolute stillness. The chiffon skirt has finished settling — the last of its volume collapsed around her in soft concentric folds on the floor, a few outer layers still barely trembling, hem fanned into a wide organic pool of translucent fabric. Extreme backlight: a single hard floor-level white spotlight behind her burns straight into the lens, rendering her entire body as a near-silhouette with a blazing white rim light tracing her arched spine, jaw, collarbone, extended arm and the top edge of the skirt. The chiffon glows translucent where the beam passes through it, layers reading as stacked veils of grey-to-white gradient. Heavy atmospheric haze, visible volumetric light shafts, long shadow thrown forward toward camera across the polished concrete floor. Industrial rehearsal studio: bare concrete floor with faint sheen, distant dark walls, exposed structure dissolving into black. Monochrome-leaning palette, deep crushed blacks, blown highlight core, high contrast, fine film grain. Shot on Arri Alexa 35 with a 35mm Arri Signature Prime, shallow-but-controlled depth, editorial dance photography, no text, no watermark. Layout: ONE SINGLE FRAME of SHOT 6. This scene groups 6 shots (shot 1 = 2s, shot 2 = 2s, shot 3 = 2s, shot 4 = 2s, shot 5 = 3.5s, shot 6 = 3.5s); the others are context for continuity — draw ONLY shot 6's moment. No grid, no panels, no split screen, no contact sheet, no text or labels on the frame. SHOT LOCK (from the board, verbatim — the 6 shots this scene covers, in board order, with the seconds each one holds; you are drawing SHOT 6, the line marked [00:12-00:15] — the other lines are context for continuity, do not draw them): [00:00-00:02] [LS] Vertical 9:16 wide full-body eye-level shot inside a dark industrial dance rehearsal studio — exposed black steel ceiling … (shortened)
- 12
Scene 1 · Industrial Rehearsal Studio
Video generatorseedance-2-0-fast- Input
06Go to run 06
11Go to run 11
Scene 1 sheet
Prompt### Scene 1 - Industrial Rehearsal Studio Camera locked off, absolutely static, no drift. Mira holds dead still, breath contained, gathering tension; only the chiffon hem breathes and dust drifts through the beam. Slow 8% push-in at floor level. Her heel peels up, foot pivots, hem lifts and ripples; the mirrored reflection slides with her, focus sharpening with intent. She drives into the spin, arms opening, skirt unwinding outward — controlled power, eyes leading the rotation. Low angle, camera tilts up slowly. She arcs into the backbend apex, spine releasing, throat exposed, weight suspended — total surrender at full extension. Camera static, wide. The skirt reaches full flare radius and hangs, fabric rippling at the edge; she carries the momentum through with fierce calm. Locked-off hold. She descends and settles into the grounded hero pose, chest rising once, gaze fixed forward — spent, resolved, still. LOOK LOCK (from the board, verbatim — this overrides any style, palette or medium wording above): Single location throughout: converted warehouse dance studio — exposed black steel ceiling trusses, linear cool-white fluorescent tube panels, dark grey ribbed metal roller shutter doors upstage, chipped grey plaster columns, mirror-polished glossy concrete floor. One hard white floor-level spotlight upstage centre on the ground, aimed down the camera axis, rendering any sheer fabric crossing it as a glowing translucent disc; faintly dusty air makes the beam a visible shaft. Tonal bands held in every shot: background near-black charcoal with cool grey fluorescent falloff; subject body deep matte black silhouette; practical pure white with warm-white halation core; highlights luminous grey-wh Performance (from the board — this is what MOVES; animate it, never re-draw the frame): - Shot 1 (2s): Feet in parallel first position, weight settled, arms hanging long, chin level; only the chiffon hem breathes microscopically from the room's air. No other movement. — Contained, coiled focus - Shot 2 (2s): Right heel peels off the concrete, ball of the foot pivots outward on the polished floor; the calf muscle engages; the chiffon hem lifts three inches and ripples outward in a soft wave. — Precision, ignition - Shot 3 (2s): Deep plié, weight sinking into the supporting leg, opposite arm carving a wide horizontal arc across her chest, shoulders counter-rotating against the pelvis; the circular skirt begins to swing in a widening ellipse. — Power gathering, bre … (shortened)
Output1 output — open the canvas to view
- 13
Soundtrack — high-energy pop-electronic
Audio generatorlyria-3-proPromptHigh-energy pop-electronic instrumental for a contemporary dance reel. Starts with a single sparse sub-bass pulse and airy reverse-reverb swell over 3 seconds of tension, then drops into a driving four-on-the-floor kick with tight syncopated hi-hats, gated analog synth stabs and a wide filtered saw bass. Glassy plucked arpeggio riding on top, cinematic industrial room reverb, subtle metallic percussion hits accenting the spins. Momentum builds continuously, then lands on one hard impact hit with a long decaying tail for the final grounded floor pose. No vocals, no lyrics. 120 BPM, minor key, modern club-cinematic production, punchy mastered mix.
Output1 output — open the canvas to view
- 14
Custom Video Edit
Edit video generatorcustom-video-editPromptMaster the final Backlit Dance Reel: take the single 15s scene clip as the full visual timeline in 9:16 vertical, lay the pop-electronic music track underneath as the only audio bed, and align the beat so the music hits its first strong downbeat on the heel-peel initiation and swells through the spinning backbend, settling as the dancer lands in the grounded floor pose. Keep the original high-contrast backlit grade untouched — no added filters, no text, no watermark, no captions. Hard cut in from black on frame one and a short 0.4s fade to black on the tail. Output one continuous 9:16 vertical master with the music mixed at full level.
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Rendered Video
DynamicModeleditly-render- Input