Cyber Wasteland: The Last Sword
This world no longer belongs to the old era, but there are still people who draw their swords in the wind and sand and make a promise of no return in the wasteland. This is a forgotten wasteland, and it is also the last river and lake that still recognizes swords.
- By
- Haru
- Steps
- 378
- Connections
- 142
- Updated
- 30 Sept 2026
Inside this workflow
30 of 305 runs
Each run is the workflow’s own record: the model it called, the prompt it was given, and what came out.
- 01
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Image generatorNano Banana ProPromptA long-distance shot of a Chinese male knight riding a mechanical bionic vehicle gliding in the desert. A huge sandstorm rolls and roars behind the character with a strong sense of oppression. The huge sandstorm is like a giant wave, turning up sand waves dozens of meters high. Swallowing people, medium and long shot, the mechanical board has a small tent with a cloth roof, wearing a bamboo hat and a Chinese coarse cloth robe, high angle, super wide angle, holding two katana swords, martial arts pose, mechanical arm, Shaw Brothers Kung Fu. The hand is completely made of silver metal machinery, with a slight blue fluorescence between the mechanical gaps. The manipulator is made of silver metal combined with wooden parts and rivets. Tsui Hark's martial arts aesthetics, Hu Jinquan's film and television texture tones, movie atmosphere, low saturation, warm colors, Retro Hong Kong-style martial arts movie aesthetics, Tsui Hark and Hu Jinquan's movie aesthetic lenses, a sense of desolate rivers and lakes, filled with wind, sand and smoke, with a strong 90s film movie texture, 35mm film grain, slight defocus and soft edges, slight motion blur, old lenses Glare, strong sunlight, strong backlighting and side backlighting, slight chromatic aberration, lens imperfections, faded film, smoky atmosphere, three-dimensional lighting, strong backlighting, warm amber desert sunlight, deep shadows, weathered metal textures, realistic clothing surfaces Materials, high details, movie trailer images, dramatic compositions, low saturation and warm yellow-brown tones, there are smoke, dust, heat waves and floating particles in the air. The images have rough textures, old-era textures, and a sense of hand-made real-life construction. The composition is meticulous in white space, poetic and poetic.
- 02
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Image generatorNano Banana ProPromptUnder the sandstorm, a Chinese knight is gliding in the desert on a mechanical board. The mechanical board is like a huge surfboard supported by multi-structured metal-bonded machinery and wooden mechanisms. High angle, super wide angle, holding two samurai swords in hand, martial arts posture, mechanical arm, Shaw Brothers martial arts. The hand is completely made of silver metal machinery, with slight blue fluorescence between the mechanical gaps. The manipulator is made of silver metal combined with wooden organs and rivets. Tsui Hark's martial arts aesthetics, Hu Jinquan's film and television texture tones, movie atmosphere, low saturation, warm colors , retro Hong Kong-style martial arts movie aesthetics, Tsui Hark and Hu Jinquan's movie aesthetic lenses, a sense of desolate rivers and lakes, filled with wind, sand and smoke, with a strong 90s film movie texture, 35mm film grain, slight defocus and soft edges, slight motion blur, Old lens flare, strong backlighting and side backlighting, slight chromatic aberration, lens flaws, faded film, smoky atmosphere, three-dimensional lighting, strong backlighting, warm amber desert sunlight, deep shadows, weathered metal textures, realistic clothing fabrics , high details, movie trailer images, dramatic composition, low saturation and warm yellow-brown tones, there are smoke, dust, heat waves and floating particles in the air. The image has rough texture, old-era texture, and a sense of hand-made real-life construction. The composition is exquisite in white space, poetic and poetic.
- 03
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Image generatorNano Banana ProPromptReal movie footage, sandstorms, the air filled with dust blown by strong winds, scorching sun, strong backlit shadow scenes, a grotesque giant statue made of the ruins of a traditional Chinese desert inn stands in the desert, a strange Chinese architectural behemoth, like a ghost-possessed inn transformed into a giant war idol. Its head is composed of the old inn roof, damaged tile eaves, earthen wall and wooden beam structure, wooden organs, and lattice windows. Its torso is a fusion of crumbling remains of Chinese architecture, ancient mechanical structures, earthen wall structural joints, weathered metal, steam exhaust vents, and vague blue internal forces. A young female knight with an ancient Chinese style is dressed in a white ancient-style gauze costume, carrying a sword on her back. Her long black hair is fluttering in the wind, and the white ribbons in her hair are fluttering in the wind. In the post-apocalyptic desert, the ground is littered with broken flags and debris. The low-angle lens is a dramatic upward perspective. Brutalism, strong sense of oppression and contrast of giant objects, retro-futuristic cyber martial arts movie stills, Hong Kong fantasy martial arts movie, dark Jianghu mythology, 90s film texture, 35mm film grain, soft halo, faded film, slight defocus, subtle motion blur, retro lens flare, volumetric light, strong backlighting, warm amber desert light, deep shadows, dusty tawny tones, rough handmade set texture, poetic and desolate. Tsui Hark's martial arts aesthetics, King Hu's film and television texture tones, film atmosphere, low saturation, warm colors, retro Hong Kong style martial arts film aesthetics, Tsui Hark and King Hu's film aesthetic lenses, desolate rivers and lakes, wind and sand
- 04
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Image generatorNano Banana ProPromptFrom the perspective of the camera behind the man's head, the man touches the woman's cheek with a hand made of mechanical metal. The mechanical hand is made of silver metal combined with mechanical parts. The camera closes up on the woman's face. It is a Chinese female knight with an exquisite face. She has an all-powerful appearance, fair skin and light red lips. The face is covered with a thin white veil, and a silver mechanical hairpin is worn on the head. The eyes are full of affection and reluctance, staring at the man, as if making the final farewell. There is light in the eyes, big eyes, Tsui Hark's martial arts aesthetics, Hu Jinquan's film and television texture tones, movie atmosphere, low saturation, warm colors. Post-apocalyptic desert wasteland, cyber wasteland style, fusion of ancient Chinese martial arts and cyber technology, retro Hong Kong-style martial arts movie aesthetics, Tsui Hark and King Hu Jinquan movie aesthetic shots, a sense of desolate rivers and lakes, a strong human flavor, filled with wind, sand and smoke, with Strong 90s film texture, 35mm film grain, slight defocus and soft edges, slight motion blur, old lens flare, strong backlighting and side backlighting, slight chromatic aberration, lens flaws, faded film, smoky Atmosphere, three-dimensional light, strong backlighting, warm amber desert sunlight, deep shadows, weathered metal texture, realistic clothing fabrics, high details, movie trailer footage, dramatic composition, low saturation warm russet tone, air There are smoke, dust, heat waves and floating particles in the picture. The picture has a rough texture, an old-era texture, and a sense of hand-crafted real-life construction. The characters have restrained, lonely, and fatalistic expressions. The composition pays attention to the white space. It has a poetic, chilling feeling, and a strong Jianghu atmosphere.
- 05
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Image generatorNano Banana ProPromptThe man's hand was changed into a robotic hand. The robotic hand was made of silver metal combined with technological parts. There was a mechanical hole on the back of the hand that glowed with light blue fluorescence. The man's robotic hand touched the woman's cheek.
- 06
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Image generatorNano Banana ProPromptReal movie footage, a grotesque colossus made of the ruins of a traditional Chinese desert inn stands in the desert, a strange Chinese architectural behemoth, like a ghost-possessed inn transformed into a giant war idol. Its head is made up of the roof of an old inn. The damaged tile eaves, earthen wall structure, wooden beams, wooden organs, lattice windows, broken signboards, lantern stands and mortise and tenon structures are clearly visible. Its torso is a fusion of crumbling remains of Chinese architecture, ancient mechanical structures, earthen wall structural joints, weathered metal, steam exhaust vents, and vague blue internal forces. In a sandstorm, a young Chinese female swordsman with East Asian characteristics wears a white traditional martial arts robe and carries a sword on her back. Her long black hair is fluttering in the wind, and the white ribbons in her hair are fluttering in the wind. In the post-apocalyptic desert, the ground is littered with broken flags and debris. A low-angle shot, a dramatic upward perspective. Brutalism, strong sense of oppression and contrast of giant objects, retro-futuristic cyber martial arts movie stills, Hong Kong fantasy martial arts movie, dark Jianghu mythology, 90s film texture, 35mm film grain, soft halo, faded film, slight defocus, subtle motion blur, retro lens flare, volumetric light, strong backlighting, warm amber desert light, deep shadows, dusty tawny tones, rough handmade set texture, poetic and desolate. Tsui Hark's martial arts aesthetics, King Hu's film and television textures and tones, film atmosphere, low saturation, warm colors, retro Hong Kong style martial arts film aesthetics, Tsui Hark and King Hu's film aesthetics shots, a sense of desolate rivers and lakes, filled with wind, sand and smoke
- 07
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Image generatorNano Banana ProPromptA close-up shot of a handsome young Chinese chivalrous man drinking tea, Cyber mechanical arm, full of heroic spirit, dry skin graininess, no beard, angular facial features, wearing ancient black and white coarse cloth chivalrous customer service, high angle, no face in the lens, only hand, ancient Chinese teacup, chin close-up of the character's side face, hand completely made of silver titanium alloy Cyber machinery combined with rivets and wooden organs, the structure on the surface emits slight blue fluorescence, and the mechanical gap has slight blue fluorescence. The manipulator is made of silver metal combined with mechanical parts of wooden organs and rivets. The bamboo hat covers the lens with eyes and only leaves the chin. The atmosphere of the inn is simple. The background is a Chinese-style broken inn. The architectural style of the combination of stone and wood is simple, dust, light leakage everywhere. Xu Ke's martial arts aesthetics, Hu Jinquan's film and television texture tone, low saturation, warm color, retro Hong Kong martial arts film aesthetics, Tsui Hark and Hu Jinquan film aesthetic lens, desolate Jianghu feeling, strong human flavor, wind and sand and smoke, with strong 90 s film film texture, 35mm film grain, slight out-of-focus and soft edge, slight motion blur, old lens glare, strong backlight and side backlight, slight chromatic aberration, lens defects, faded film, smoky atmosphere, three-dimensional light, strong backlighting, warm amber desert sunlight, deep shadows, weathered metallic texture, lifelike clothing fabrics, high details, movie trailer images, dramatic composition, low saturation warm yellow-brown tone, smoke, dust, heat waves and floating particles in the air, coarse texture, old-fashioned texture, handmade real scene construction, blank composition, poetic and exquisite,.
- 08
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Image generatorNano Banana ProPromptAn ancient Chinese child is in a bamboo-woven cradle. A pair of silver-colored mechanical structures and a mechanical hand with wooden organs are touching the child's close-up view. Looking down from a high angle, the mechanical hand has coarse black sleeves, the cradle is padded with clothes and floral quilts, the indoor damaged inn environment, the sun shines on half of the baby's face and the cradle through the damaged ceiling, close-up view. Hong Kong style antique scene,
- 09
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Image generatorNano Banana ProPromptAn ancient Chinese woman from the Cyber Orient, standing next to a dead tree trunk in the desert with a mechanical umbrella, sandstorm, martial arts posture, gauze white clothes and streamers fluttering in the wind and sand, mechanical arms, Shaw Brothers martial arts. The hand is completely made of silver metal machinery, with slight blue fluorescence between the mechanical gaps. The manipulator is made of silver metal combined with wooden organs and rivets. Tsui Hark's martial arts aesthetics, Hu Jinquan's film and television texture tones, movie atmosphere, low saturation, warm colors , retro Hong Kong-style martial arts movie aesthetics, Tsui Hark and Hu Jinquan's movie aesthetic lenses, a sense of desolate rivers and lakes, filled with wind, sand and smoke, with a strong 90s film movie texture, 35mm film grain, slight defocus and soft edges, slight motion blur, Old lens flare, strong backlighting and side backlighting, slight chromatic aberration, lens flaws, faded film, smoky atmosphere, three-dimensional lighting, strong backlighting, warm amber desert sunlight, deep shadows, weathered metal textures, realistic clothing fabrics , high details, movie trailer images, dramatic composition, low saturation and warm yellow-brown tones, there are smoke, dust, heat waves and floating particles in the air. The image has rough texture, old-era texture, and a sense of hand-made real-life construction. The composition is exquisite in white space, poetic and poetic.
- 10
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Image generatorNano Banana ProPromptA mechanical and bionic Chinese female knight, holding a long sword and dancing in the desert, exquisite face, charming the country, mechanical hairpin, oriental art, 70MM IMAX film Shot with a 50MM large-format movie lens, brutalist giant heritage buildings, oppressive white space, Tsui Hark's martial arts aesthetics, Hu Jinquan's film and television texture tones, movie atmosphere, low saturation, warm colors, retro Hong Kong-style martial arts movie aesthetics, Tsui Hark and Hu Jin Quan's film aesthetic lens, with a sense of desolate rivers and lakes, strong human flavor, filled with wind, sand and smoke, has a strong film texture of the 1990s, 35mm film grain, slight defocus and softened edges, slight motion blur, old lens glare, strong Backlighting and side backlighting, slight chromatic aberration, lens imperfections, faded film, smoky atmosphere, three-dimensional lighting, strong backlighting, warm amber desert sunlight, deep shadows, weathered metallic textures, realistic clothing fabrics, high details , movie trailer screen, dramatic composition, low saturation and warm yellow-brown tones, there are smoke, dust, heat waves and floating particles in the air. The picture has rough texture, old-era texture, and a sense of hand-made real-life construction. The composition pays attention to the white space, which is poetic and poetic.
- 11
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Image generatorNano Banana ProPromptA strikingly beautiful Chinese woman stands sideways by the window, her delicate features fresh and ethereal, her appearance so captivating it could topple a kingdom. With black hair and dark eyes, her nose is delicate and natural, her lips soft and tinged with a faint blush, and her facial features are restrained yet refined. A mechanical structure runs from her face to her ear. Her gaze is filled with emotion yet suppressed; she looks down at the old bamboo flute in her hands, as if holding back a farewell she cannot voice. She holds the flute with a silver mechanical prosthetic hand; the mechanical structure is remarkably restrained, as if adapted from ancient Chinese mechanical devices—fine metal joints, traces of aged silver oxidation, rivets, and mortise-and-tenon joints combined with silver metal, cloud-pattern engravings, and the roof of an inn in the desert. The foreground features an indoor pavilion, a mid-ground of a pavilion window sill, and a distant view of an endless desert. The aesthetic evokes Tsui Hark’s wuxia films, with John Woo-style Eastern composition, 1990s Hong Kong film filters, Hong Kong-style TV commercials, faded film tones, sandy yellow hues, 35mm film grain, slight defocusing and softened edges, and subtle motion blur. vintage lens flare, strong backlighting and side-backlighting, slight chromatic aberration, lens imperfections, faded film, a smoky atmosphere, three-dimensional lighting, intense backlighting, weathered metal textures, realistic fabric textures, high detail, movie trailer visuals, dramatic composition, low-saturation warm ochre tones, localized bluish-green shadows, smoke, dust, heat haze, and floating particles in the air; images with a rough texture, vintage aesthetic, and a handcrafted set-like feel; carefully composed negative space; poetic, somber, and intensely gritty atmosphere. Intense dramatic lighting and shadows, film grain, 35mm film stills, slight soft focus, blurred edges, vintage lens flare, subtle chromatic aberration, lens imperfections, a high-end cinematic feel, high-definition facial features, clear facial details, and restrained emotional close-ups,A strikingly beautiful Chinese woman stands sideways by the window, her delicate features fresh and ethereal, her appearance so captivating it could topple a kingdom. With black hair and dark eyes, her nose is delicate and natural, her lips soft and tinged with a faint blush, and her facial features are restrained yet refined. A mechanical struc … (shortened)
- 12
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Image generatorNano Banana ProPromptA strikingly beautiful Chinese woman stands sideways by the window, her delicate features fresh and ethereal, her appearance so captivating it could topple a kingdom. With black hair and dark eyes, her nose is delicate and natural, her lips soft and tinged with a faint blush, and her facial features are restrained yet refined. A mechanical structure runs from her face to her ear. Her gaze is filled with emotion yet suppressed; she looks down at the old bamboo flute in her hands, as if holding back a farewell she cannot voice. She holds the flute with a silver mechanical prosthetic hand; the mechanical structure is remarkably restrained, as if adapted from ancient Chinese mechanical devices—fine metal joints, traces of aged silver oxidation, rivets, and mortise-and-tenon joints combined with silver metal, cloud-pattern engravings, and the roof of an inn in the desert. The foreground features an indoor pavilion, a mid-ground of a pavilion window sill, and a distant view of an endless desert. The aesthetic evokes Tsui Hark’s wuxia films, with John Woo-style Eastern composition, 1990s Hong Kong film filters, Hong Kong-style TV commercials, faded film tones, sandy yellow hues, 35mm film grain, slight defocusing and softened edges, and subtle motion blur. vintage lens flare, strong backlighting and side-backlighting, slight chromatic aberration, lens imperfections, faded film, a smoky atmosphere, three-dimensional lighting, intense backlighting, weathered metal textures, realistic fabric textures, high detail, movie trailer visuals, dramatic composition, low-saturation warm ochre tones, localized bluish-green shadows, smoke, dust, heat haze, and floating particles in the air; images with a rough texture, vintage aesthetic, and a handcrafted set-like feel; carefully composed negative space; poetic, somber, and intensely gritty atmosphere. Intense dramatic lighting and shadows, film grain, 35mm film stills, slight soft focus, blurred edges, vintage lens flare, subtle chromatic aberration, lens imperfections, a high-end cinematic feel, high-definition facial features, clear facial details, and restrained emotional close-ups,A strikingly beautiful Chinese woman stands sideways by the window, her delicate features fresh and ethereal, her appearance so captivating it could topple a kingdom. With black hair and dark eyes, her nose is delicate and natural, her lips soft and tinged with a faint blush, and her facial features are restrained yet refined. A mechanical struc … (shortened)
- 13
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Image generatorNano Banana ProPromptTwo middle-aged Chinese knights in ancient costumes are performing Qinggong on the eaves. The camera follows the backs of the characters. The distant view is a vast desert. There is smoke and dust on the earthen walls and eaves under their feet. The yellow sand is flying. The air is filled with sand and smoke. A high-angle perspective, extremely With visual tension and strong perspective, Chinese martial arts knights, Hong Kong-style martial arts movie styles, retro-futuristic martial arts movie stills; post-apocalyptic world; real shots of smoke, dust explosions, motion blur, cyan outline light, anamorphic wide screen, dramatic action scenes, Tsui Hark's martial arts movie temperament, Hu Jinquan's oriental composition, realistic real photography, retro Hong Kong and Taiwan TVB movie tones and textures, 90s Hong Kong movie filters, high-angle viewing angles, super wide-angle scenes, great visual tension, strong sense of big action perspective, Hong Kong-style martial arts TVB movies, faded film tones, sandy yellow, 35mm film grain, slight defocus and softened edges, slight motion blur, old lens glare, strong backlighting and side inverses Light, slight chromatic aberration, lens imperfections, faded film, smoky atmosphere, three-dimensional lighting, strong backlighting, weathered metal texture, high detail, movie trailer footage, dramatic composition, desaturated warm russet tones , there are partial shades of green, and there are smoke, dust, heat waves and floating particles in the air. The picture has a rough texture, an old-era texture, and a sense of hand-made real-life construction. The composition is meticulous in leaving white space, and it is poetic, chilling, and has a strong Jianghu atmosphere. Strong dramatic light and shadow, film grain, 24mm focal length, shot by IMAX Film Camera, Panavisio
- 14
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Image generatorNano Banana ProPromptHu Jinquan's cyber martial arts aesthetics, Tsui Hark's film aesthetic texture, and the chilling Zen movie atmosphere. A young Chinese martial arts heroine rides a steel mechanical horse with a rusty metal structure. The horse's body is completely made of metal mechanical materials, with a weak cold blue electronic fluorescence partially leaking, galloping on the vast desert wasteland. She wears traditional Chinese martial arts costumes, layers of dark gray and faded white Hanfu-style robes, long flowing sleeves, a belt around her waist, and cloth boots. She is dignified and elegant, with melancholy eyes full of stories, and no exposed skin. He holds an energy sword in his hand, his long black hair is styled into a traditional martial arts hairstyle, and his head and neck are dotted with several exquisite bright silver mechanical futuristic technological hair accessories. He has a Chinese face, calm and handsome eyes, and strong martial arts skills. A half-body mechanical prosthetic limb, decorated with some subtle mechanical elements, bronze mechanical ear conchas, and a dusty desert in the background. The field of view is wide and the scene is grand. Warm amber sunlight shines on the metal parts, glowing with a blue luster, and the depth of field is shallow. This is a retro-futuristic still from a Chinese cyber martial arts movie, with film grain in the air, showing the post-apocalyptic world and the atmosphere of a Hong Kong fantasy martial arts movie. Fusion of Chinese martial arts and restrained cyberpunk technology, desolate martial arts atmosphere, realistic cloth textures, realistic skin textures, weathered metal textures, movie trailer footage, anamorphic widescreen, 35mm film grain, soft halo, slight chromatic aberration, faded film print, movie lens quality --ar 16:9
- 15
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Image generatorNano Banana ProPromptOn the exterior of the earthen wall of the inn, two middle-aged Chinese knights in ancient costumes are performing light martial arts on the eaves. The camera follows the backs of the characters. Character 1 is wearing a black and white robe and a masked night clothes, holding a sword. He has straps and shoulder armor with a silver mechanical metal mechanism. Character 2 is a man wearing a white robe and holding a long sword. He has a black cloth robe, a white slanted cloth belt, a mechanical girdle, and a black soft futou. , the knight's head, a wrap-around turban structure, the top is knotted into a ball, giving the feeling of a bun, with two long black technical scarf tails hanging from the back, a wide-sleeved gown, and a coarse cloth texture. The two people perform extremely stretched martial arts Qinggong movements. Flying over the wall and walking on the wall on the outer wall of the inn, from an oblique perspective, the distant view is the vast desert. The desert, with feet stepping on the earthen walls and eaves. Smoke and dust, yellow sand flying, the air is filled with sand and smoke, high-angle perspective, great visual tension and strong perspective, Chinese martial arts knights, Hong Kong-style martial arts movie styles, retro-futuristic martial arts movie stills; post-apocalyptic world; real shots of smoke, dust explosions, motion blur, cyan outline light, anamorphic wide screen, dramatic action scenes, Tsui Hark's martial arts movie temperament, Hu Jinquan's oriental composition, realistic real photography, retro Hong Kong and Taiwan TVB film tones and textures, 90s Hong Kong movie filters, high-angle perspective, super wide-angle scenes, great visual tension, strong big movements Sense of perspective, Hong Kong martial arts TVB movie, faded film tones, sandy yellow, 35mm film grain, slight defocus and softened edges, slight motion blur, old lens flare, strong backlighting and side backlighting, slight chromatic aberration, lens flaws, faded film
- 16
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Image generatorNano Banana ProPromptReal movie shots, sandstorms, the air filled with sand and dust blown by strong winds, scorching sun, strong backlit shadow shots, a grotesque colossus made of the ruins of a traditional Chinese desert inn stands in the desert, a strange Chinese architectural behemoth, like a ghost-possessed inn transformed into a giant war idol. Its head is composed of the old inn roof, damaged tile eaves, earthen wall and wooden beam structure, wooden organs, and lattice windows. Its torso is a fusion of crumbling remains of Chinese architecture, ancient mechanical structures, earthen wall structural joints, weathered metal, steam exhaust vents, and vague blue internal forces. A young female knight with ancient Chinese style is dressed in a white gauze costume with ancient style, with white ribbons and ribbons in her hair swaying in the wind. She carries a sword on her back. Her long black hair is fluttering in the wind, and the white ribbons and ribbons in her hair are fluttering in the wind. In the post-apocalyptic desert, the ground is littered with broken flags and debris. A low-angle lens, a dramatic upward perspective. Brutalism, strong sense of oppression and contrast of giant objects, retro-futuristic cyber martial arts movie stills, Hong Kong fantasy martial arts movie, dark Jianghu mythology, 90s film texture, 35mm film grain, soft halo, faded film, slight defocus, subtle motion blur, retro lens flare, volumetric light, strong backlighting, warm amber desert light, deep shadows, dusty tawny tones, rough handmade set texture, poetic and desolate. Tsui Hark's martial arts aesthetics, Hu Jinquan's film and television texture tones, film atmosphere, low saturation, warm colors, retro Hong Kong-style martial arts film aesthetics, Tsui Hark and Hu Jinquan's movies
- 17
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Image generatorNano Banana ProPromptLooking down from a high angle, with a 24mm ultra-wide-angle viewing angle, Chinese-style earthen wooden inns are spread out in the desert. Two Chinese martial arts warriors are holding swords on the roof, flying over eaves and walls, chasing each other one after another. Their movements are extremely stretched, and their bodies are arcing in the air. They are wearing white hats in front of them. The knight jumped from the ridge to another wooden eaves. The knight in black and white robes behind him had a silver mechanical shoulder armor and a metal belt around his waist. He then turned over and jumped up. His toes stepped over the edge of the eaves, raising dust and gravel. The building roofs were staggered, with wooden beams, earthen walls, courtyards, and flags. Rods and ropes are intertwined to create a complex space. The vast desert in the distance and the wind and sand create a strong sense of height, danger and speed. The picture has the sense of sharp flying and movement of Tsui Hark's martial arts movies, the sense of TVB martial arts rooftop chases, the blank space of Hu Jinquan's oriental composition, and the fragrance of the 90s. The faded film tones of Hong Kong martial arts films, the main color of warm yellow earthy brown, local green and cold edge light, backlighting, side backlighting, lens glare, slight motion blur, air particles, smog, rough textures of the old era, a strong sense of handcrafted real-life construction, a chilling and poetic apocalyptic world. Tsui Hark's martial arts movie temperament, TVB Hong Kong-style martial arts chase shots, Hu Jinquan's oriental composition, retro-futuristic martial arts movie stills, 90s Hong Kong movie filters, 35mm film grains, faded film tones, warm yellow-brown main tone, local turquoise shadows, windy sand, smoke, heat waves, floating particles, strong backlighting and side backlighting, slight motion blur, old lens glare, a sense of handmade real-life construction, and a strong atmosphere of rivers and lakes
- 18
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Image generatorNano Banana ProPromptAn oblique side view of an ancient Chinese woman from the Cyber Orient, holding a mechanical umbrella made entirely of metal machines, standing next to a dead tree trunk in the desert, sandstorm, martial arts posture, gauze white clothes and streamers fluttering in the wind, mechanical arms, Shaw Brothers martial arts. The hand is completely made of silver metal machinery, with slight blue fluorescence between the mechanical gaps. The manipulator is made of silver metal combined with wooden organs and rivets. Tsui Hark's martial arts aesthetics, Hu Jinquan's film and television texture tones, movie atmosphere, low saturation, warm colors , retro Hong Kong-style martial arts movie aesthetics, Tsui Hark and Hu Jinquan's movie aesthetic lenses, a sense of desolate rivers and lakes, filled with wind, sand and smoke, with a strong 90s film movie texture, 35mm film grain, slight defocus and soft edges, slight motion blur, Old lens flare, strong backlighting and side backlighting, slight chromatic aberration, lens flaws, faded film, smoky atmosphere, three-dimensional lighting, strong backlighting, warm amber desert sunlight, deep shadows, weathered metal textures, realistic clothing fabrics , high details, movie trailer images, dramatic composition, low saturation and warm yellow-brown tones, there are smoke, dust, heat waves and floating particles in the air. The image has rough texture, old-era texture, and a sense of hand-made real-life construction. The composition is exquisite in white space, poetic and poetic.
- 19
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Image generatorNano Banana ProPromptReal movie shots, sandstorms, the air filled with sand and dust blown by strong winds, scorching sun, strong backlit shadow shots, a grotesque colossus made of the ruins of a traditional Chinese desert inn stands in the desert, a strange Chinese architectural behemoth, like a ghost-possessed inn transformed into a giant war idol. Its head is composed of the old inn roof, damaged tile eaves, earthen wall and wooden beam structure, wooden organs, and lattice windows. Its torso is a fusion of crumbling remains of Chinese architecture, ancient mechanical structures, earthen wall structural joints, weathered metal, steam exhaust vents, and vague blue internal forces. A young female knight with ancient Chinese style is dressed in a white gauze costume with ancient style, with white ribbons and ribbons in her hair swaying in the wind. She carries a sword on her back. Her long black hair is fluttering in the wind, and the white ribbons and ribbons in her hair are fluttering in the wind. In the post-apocalyptic desert, the ground is littered with broken flags and debris. A low-angle lens, a dramatic upward perspective. Brutalism, strong sense of oppression and contrast of giant objects, retro-futuristic cyber martial arts movie stills, Hong Kong fantasy martial arts movie, dark Jianghu mythology, 90s film texture, 35mm film grain, soft halo, faded film, slight defocus, subtle motion blur, retro lens flare, volumetric light, strong backlighting, warm amber desert light, deep shadows, dusty tawny tones, rough handmade set texture, poetic and desolate. Tsui Hark's martial arts aesthetics, Hu Jinquan's film and television texture tones, film atmosphere, low saturation, warm colors, retro Hong Kong-style martial arts film aesthetics, Tsui Hark and Hu Jinquan's movies
- 20
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Image generatorNano Banana ProPromptLooking down from a high angle, with a 24mm ultra-wide-angle viewing angle, Chinese-style earthen wooden inns are spread out in the desert. Two Chinese martial arts warriors are holding swords on the roof, flying over eaves and walls, chasing each other one after another. Their movements are extremely stretched, and their bodies are arcing in the air. They are wearing white hats in front of them. The knight jumped from the ridge to another wooden eaves. The knight in black and white robes behind him had a silver mechanical shoulder armor and a metal belt around his waist. He then turned over and jumped up. His toes stepped over the edge of the eaves, raising dust and gravel. The building roofs were staggered, with wooden beams, earthen walls, courtyards, and flags. Rods and ropes are intertwined to create a complex space. The vast desert in the distance and the wind and sand create a strong sense of height, danger and speed. The picture has the sense of sharp flying and movement of Tsui Hark's martial arts movies, the sense of TVB martial arts rooftop chases, the blank space of Hu Jinquan's oriental composition, and the fragrance of the 90s. The faded film tones of Hong Kong martial arts films, the main color of warm yellow earthy brown, local green and cold edge light, backlighting, side backlighting, lens glare, slight motion blur, air particles, smog, rough textures of the old era, a strong sense of handcrafted real-life construction, a chilling and poetic apocalyptic world. Tsui Hark's martial arts movie temperament, TVB Hong Kong-style martial arts chase shots, Hu Jinquan's oriental composition, retro-futuristic martial arts movie stills, 90s Hong Kong movie filters, 35mm film grains, faded film tones, warm yellow-brown main tone, local turquoise shadows, windy sand, smoke, heat waves, floating particles, strong backlighting and side backlighting, slight motion blur, old lens glare, a sense of handmade real-life construction, and a strong atmosphere of rivers and lakes
- 21
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Image generatorNano Banana ProPromptThe man's hand on the left is changed to a mechanical hand. The hand made of metal, wood and rivets is holding a Chinese long sword. On the right is a Chinese woman with an exquisite face, wearing a silver mechanical hairpin, Tsui Hark's martial arts aesthetics, Hu Jinquan's film and television texture tones, movie atmosphere, low saturation, warm colors
- 22
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Image generatorNano Banana Pro- Input
PromptA close-up shot of a handsome Chinese knight drinking tea, high angle, side view, the face is not shown in the shot, only the hands, ancient Chinese tea cups, and a close-up of the character's chin are retained. The hands are completely made of silver metal machinery, with a slight blue fluorescence between the mechanical gaps. The manipulator is made of silver metal combined with wooden mechanisms and rivets. The mechanical parts are covered by a bamboo hat. The shot covering the eyes and leaving only the chin, a simple inn atmosphere, the background is a Chinese dilapidated inn, the architectural style of stone and wood, simple, dusty, light leakage everywhere, Tsui Hark's martial arts aesthetics, Hu Jinquan film and television texture and tone, movie atmosphere, low saturation, warm colors, retro Hong Kong style martial arts movie aesthetics, Tsui Hark and Hu Jinquan's film aesthetic shots, Cangliang River Lake feeling, strong human flavor, filled with wind and dust, with a strong film texture of the 90s, 35mm film grain, slight defocus and soft edges, slight motion blur, old lens glare, strong backlighting and side backlighting, slight chromatic aberration, lens flaws, faded film, smoky atmosphere, three-dimensional light, strong backlighting, warm Amber desert sunlight, deep shadows, weathered metal texture, realistic clothing fabrics, high details, movie trailer images, dramatic composition, low saturation and warm yellow-brown tones, there are smoke, dust, heat waves and floating particles in the air. The picture has rough texture, old-era texture, and a sense of hand-made real-life construction. The composition is meticulous in white space, poetic and poetic.
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Image generator
Image generatorNano Banana ProPromptAn ancient Chinese child is in a bamboo cradle. A pair of mechanical hands with rivet mechanisms is caressing the child. A high-angle top view. The manipulators have sleeves of coarse black clothes. The manipulators are made of silver metal combined with wood. Made of material structures and rivets, liquid metal bionic hand, the cradle is filled with clothes and floral quilts, indoor damaged inn environment, sunlight shines through the damaged ceiling on half of the baby's face and the cradle, close-up,; Hong Kong style antique scene, Tsui Hark's martial arts movie temperament, Hu Jinquan's oriental composition, realistic real photography, retro Hong Kong and Taiwan TVB movie tones and textures, 90s Hong Kong movie filters, high-angle perspective, Hong Kong style martial arts TVB movies, faded film tones, sandy yellow, 35mm film grain, slight defocus and soft edges, slight motion blur, old lens glare, strong backlighting and side backlighting, Slight chromatic aberration, lens flaws, faded film, smoky atmosphere, three-dimensional light, weathered metal texture, high details, movie trailer images, dramatic composition, low saturation and warm yellow-brown tones, smoke, dust, heat waves and floating particles in the air. The picture has rough texture, old-era texture, a sense of hand-made real-life construction, and the composition is exquisite in white space, with a poetic and Jianghu atmosphere. Strong dramatic light and shadow, film grain, 35mm focal length, shot with IMAX Film Camera, Panavision C-series, edge blur, old lens flare, high-end cinematic feel,
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Image generator
Image generatorNano Banana ProPromptA strikingly beautiful Chinese woman stands sideways by the window, her delicate features fresh and ethereal, her appearance so captivating it could topple a kingdom. With black hair and dark eyes, her nose is delicate and natural, her lips soft and tinged with a faint blush, and her facial features are restrained yet refined. A mechanical structure runs from her face to her ear. Her gaze is filled with emotion yet suppressed; she looks down at the old bamboo flute in her hands, as if holding back a farewell she cannot voice. She holds the flute with a silver mechanical prosthetic hand; the mechanical structure is remarkably restrained, as if adapted from ancient Chinese mechanical devices—fine metal joints, traces of aged silver oxidation, rivets, and mortise-and-tenon joints combined with silver metal, cloud-pattern engravings, and the roof of an inn in the desert. The foreground features an indoor pavilion, a mid-ground of a pavilion window sill, and a distant view of an endless desert. The aesthetic evokes Tsui Hark’s wuxia films, with John Woo-style Eastern composition, 1990s Hong Kong film filters, Hong Kong-style TV commercials, faded film tones, sandy yellow hues, 35mm film grain, slight defocusing and softened edges, and subtle motion blur. vintage lens flare, strong backlighting and side-backlighting, slight chromatic aberration, lens imperfections, faded film, a smoky atmosphere, three-dimensional lighting, intense backlighting, weathered metal textures, realistic fabric textures, high detail, movie trailer visuals, dramatic composition, low-saturation warm ochre tones, localized bluish-green shadows, smoke, dust, heat haze, and floating particles in the air; images with a rough texture, vintage aesthetic, and a handcrafted set-like feel; carefully composed negative space; poetic, somber, and intensely gritty atmosphere. Intense dramatic lighting and shadows, film grain, 35mm film stills, slight soft focus, blurred edges, vintage lens flare, subtle chromatic aberration, lens imperfections, a high-end cinematic feel, high-definition facial features, clear facial details, and restrained emotional close-ups,
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Image generator
Image generatorNano Banana ProPromptAn oblique side view of an ancient Chinese woman from the Cyber Orient, holding a mechanical umbrella made entirely of metal machines, standing next to a dead tree trunk in the desert, sandstorm, martial arts posture, gauze white clothes and streamers fluttering in the wind, mechanical arms, Shaw Brothers martial arts. The hand is completely made of silver metal machinery, with slight blue fluorescence between the mechanical gaps. The manipulator is made of silver metal combined with wooden organs and rivets. Tsui Hark's martial arts aesthetics, Hu Jinquan's film and television texture tones, movie atmosphere, low saturation, warm colors , retro Hong Kong-style martial arts movie aesthetics, Tsui Hark and Hu Jinquan's movie aesthetic lenses, a sense of desolate rivers and lakes, filled with wind, sand and smoke, with a strong 90s film movie texture, 35mm film grain, slight defocus and soft edges, slight motion blur, Old lens flare, strong backlighting and side backlighting, slight chromatic aberration, lens flaws, faded film, smoky atmosphere, three-dimensional lighting, strong backlighting, warm amber desert sunlight, deep shadows, weathered metal textures, realistic clothing fabrics , high details, movie trailer images, dramatic composition, low saturation and warm yellow-brown tones, there are smoke, dust, heat waves and floating particles in the air. The image has rough texture, old-era texture, and a sense of hand-made real-life construction. The composition is exquisite in white space, poetic and poetic.
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Image generator
Image generatorNano Banana ProPromptA strikingly beautiful and heroic-looking Chinese woman stands in the desert, evoking the vintage tones, textures, and aesthetic of Hong Kong and Taiwanese TVB productions, with a 1990s Hong Kong film filter and Tsui Hark’s wuxia aesthetic. Her exquisite features and skin texture exude a fresh, ethereal beauty—a face of breathtaking, nation-shattering beauty—as she wears a conical hat, dressed in black-and-white martial artist’s robes, with black hair and dark eyes. Her nose is delicate and natural, her lips soft and gently tinted with blush. Her facial features are restrained yet refined, with mechanical structures extending from her face to her ears. Her gaze is tender yet restrained as she plays a silver mechanical flute, as if holding back a farewell too painful to voice. She holds the flute with a silver mechanical prosthetic hand; the mechanical structure is remarkably restrained, as if adapted from ancient Chinese mechanical devices—fine metal joints, traces of aged silver oxidation, rivets, and mortise-and-tenon joints combined with silver metal, adorned with cloud-pattern carvings. Behind her, a tattered inn flag flutters in the wind; in the foreground, dry grass and yellow sand sweep by. In the background lies an endless desert; through the hazy sandstorm, the outline of a square inn—a structure of stone and wood—can be faintly discerned, with an inn flag flying from its mast. The atmosphere evokes the style of Tsui Hark’s wuxia films, Hsu Chin-chuan-style Eastern composition, vintage Hong Kong and Taiwan TVB film tones and textures, 1990s Hong Kong film filters, Hong Kong-style martial arts TVB films, faded film tones, sandy yellow hues, 35mm film grain, slight out-of-focus and softened edges, slight motion blur, vintage lens flare, strong backlighting and side-backlighting, slight chromatic aberration, lens imperfections, faded film, smoky atmosphere, three-dimensional lighting, intense backlighting, weathered metal textures, realistic costume fabrics, high detail, movie trailer visuals, dramatic composition, low-saturation warm ochre tones, localized bluish-green shadows, smoke, dust, heat waves, and floating particles in the air; images with a rough texture, vintage aesthetic, and a handcrafted set-like feel; carefully composed negative space; poetic, somber, and intensely gritty atmosphere. Intense dramatic lighting and shadows, film grain, 35mm film stills, blurred edges, vintage lens flare, a high-end cinematic feel, high-definition facial … (shortened)
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Image generator
Image generatorNano Banana ProPromptThe man's hand was changed into a robotic hand. The robotic hand was made of silver metal combined with technological parts. There was a mechanical hole on the back of the hand that glowed with light blue fluorescence. The man's robotic hand touched the woman's cheek.
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Image generator
Image generatorNano Banana ProPromptFrom the perspective of the camera behind the man's head, the camera closes up on the woman's face. The man's robotic hand is touching the woman's cheek. The robotic hand is made of silver metal combined with mechanical parts. There is a mechanical control on the back of the hand that turns out a light blue fluorescence. It is a Chinese female knight with an exquisite face. She has an all-powerful appearance and fair skin. She has light red lips, a thin white veil that half covers her face, and a silver mechanical hairpin on her head. Her eyes are full of affection and reluctance, staring at the man, as if she is making the final farewell. There is light in the eyes, big eyes, Tsui Hark's martial arts aesthetics, Hu Jinquan's film and television texture tones, movie atmosphere, low saturation, and warm colors. Post-apocalyptic desert wasteland, cyber wasteland style, fusion of ancient Chinese martial arts and cyber technology, retro Hong Kong-style martial arts movie aesthetics, Tsui Hark and King Hu Jinquan movie aesthetic shots, a sense of desolate rivers and lakes, a strong human flavor, filled with wind, sand and smoke, with Strong 90s film texture, 35mm film grain, slight defocus and soft edges, slight motion blur, old lens flare, strong backlighting and side backlighting, slight chromatic aberration, lens flaws, faded film, smoky Atmosphere, three-dimensional light, strong backlighting, warm amber desert sunlight, deep shadows, weathered metal texture, realistic clothing fabrics, high details, movie trailer footage, dramatic composition, low saturation warm russet tone, air There are smoke, dust, heat waves and floating particles in the picture. The picture has a rough texture, an old-era texture, and a sense of hand-crafted real-life construction. The characters have restrained, lonely, and fatalistic expressions. The composition pays attention to the white space. It has a poetic, chilling feeling, and a strong Jianghu atmosphere.
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Image generator
Image generatorNano Banana ProPromptA bird's-eye view, a close-up of the person's head, a strong sense of perspective and visual tension, a bird's-eye view of two Chinese-style cyber swordsmen wearing armor flying and fighting in the air in the lobby of a dilapidated inn. They have limbs and hoods with silver mechanical structures. The collision of the body and the weapon emits smoke and dust. There is a person wearing a bamboo hat, with yellow sand and dust splashing under his feet. The lobby of the inn, in the lobby There are old wooden tables and chairs, surrounded by earthen walls and wooden structures. The ground on the first floor of the attic is made of yellow sand. There are dust and gravel floating in the air, a simple inn atmosphere. The background is a Chinese dilapidated inn, an architectural style combining stone and wood, simple, dusty, Tsui Hark's martial arts aesthetics, Hu Jinquan's film and television texture tones, movie atmosphere, low saturation, warm colors, Retro Hong Kong-style martial arts film aesthetics, Tsui Hark and Hu Jinquan film aesthetic lenses, desolate rivers and lakes, strong human flavor, filled with wind and dust, with a strong 90s film film texture, 35mm film grain, slight defocus and softened edges, slight motion blur, old lens flare, strong backlighting and side backlighting, slight chromatic aberration, lens defects, faded film, Smoky atmosphere, three-dimensional light, strong backlighting, warm amber desert sunlight, deep shadows, weathered metal texture, realistic clothing fabrics, high details, movie trailer images, low saturation and warm yellow-brown tones. There are smoke, dust, heat waves and floating particles in the air. The picture has rough texture, old-era texture, and a sense of hand-made real-life construction, which is poetic and poetic.
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Image generator
Image generatorNano Banana ProPromptOblique angle, strong sense of perspective and visual tension, extremely high angle of view, two Chinese cyber swordsmen wearing armor are flying and fighting in the hall of a dilapidated inn. The collision of their bodies and weapons scatters smoke and dust. Super wide angle, the sky below the characters is an empty inn hall. There are old wooden tables and chairs in the hall, surrounded by earthen walls and wooden structures. Under the attic The ground on the first floor is made of yellow sand, with dust and gravel floating in the air, a simple inn atmosphere. The background is a Chinese-style dilapidated inn, an architectural style combining stone and wood, simple, dusty, light leakage everywhere, Tsui Hark's martial arts aesthetics, Hu Jinquan film and television texture tone, movie atmosphere, low saturation, warm colors, retro Hong Kong-style martial arts movie aesthetics, Tsui Hark and Hu Jinquan movies Aesthetic shots, desolate rivers and lakes, strong human flavor, filled with wind and dust, with a strong film texture of the 90s, 35mm film grain, slight defocus and softened edges, slight motion blur, old lens glare, strong backlighting and side backlighting, slight chromatic aberration, lens defects, faded film, smoky atmosphere, three-dimensional light, strong backlighting , warm amber desert sunshine, deep shadows, weathered metal texture, realistic clothing fabrics, high details, movie trailer images, dramatic composition, low saturation and warm yellow-brown tone, there are smoke, dust, heat waves and floating particles in the air, the picture has rough texture, old-era texture, and a sense of hand-made real-life construction. The composition is exquisite in white space, poetic and poetic.
The remaining 275 runs are on the canvas in CinAI Studio.