science_fiction_film

Fatal Pursuit: Sci-Fi Pilot Trailer

The pilot trailer of the original science fiction comic series "Fatal Pursuit", the first episode has been released, long-term serialization: In 2147, AI technology exploded, forgery was so rampant that it was no longer possible to distinguish between true and false, and civilization was on the verge of collapse of trust. In order to end the chaos, Tengben City joined the "Federal Agreement", signed Document No. 1, and initiated the "Great Disconnection" - cutting off all networks and intelligen

By: Haru
Steps: 124
Connections: 145
Updated: 30 Sept 2026

ImageInput79Video generator27AudioInput10Group7VideoInput1

HorrorSci-Fi

Inside this workflow

27 runs

Each run is the workflow’s own record: the model it called, the prompt it was given, and what came out.

01
Video generator
Video generatorSeedance 2.0
Input
- Science and Technology City anchor reports news
- Makeup photos of female anchors in Science and Technology City
Prompt
[World View W1｜2147 Transcript City·Plaza Big Screen News Broadcast + Mass Uproar] About 15s ACTION — The anchor warmly broadcasts the world view → tightens the reading to the end → the crowd suddenly goes from listening quietly to an uproar; it lasts for 15 seconds, a two-track performance (the anchor on the screen + a group photo of the crowd’s backs off the screen), a clear turning point in the mood, and no stance: SHOT 1 (0:00–0:05) - panoramic establishment (crowds looking from behind to the big screen): a bright square, a dense crowd of people quietly looking up and listening (all backs/silhouettes, no faces), the anchor on the big screen is giving a gentle broadcast, with clear mouth movements; the suspended aircraft slowly passes by, the picture is clean and orderly, and the surface is peaceful. SHOT 2 (0:05–0:10) - zoom in on the big screen/mid-close shot of the anchor (on-screen): the anchor is lip-syncing the script, with a professional and gentle expression. When he reads "Signature Rights/Defending Credit Mechanism" in the second half, his expression tightens slightly and his tone becomes more formal; the on-screen studio is cold and high-dimmed. [This paragraph promotes the anchor on the big screen, not the crowd in the venue] SHOT 3 (0:10–0:15)——Cut back to the square / Mid-shot and mid-panorama of the crowd (group portrait from the back, stunned commotion): The crowd is suddenly in an uproar - but all are shown in back and profile: heads are swarming, shoulders are swaying, turning around, talking to each other sideways, raising their hands to point to the silhouettes on the big screen. The crowd as a whole begins to stir, and a wave-like commotion spreads from the sea of people in the foreground; scattered robots stand quietly among them, indifferent and motionless, forming a contrast; relying on the limbs of the crowd
Output
1 output — open the canvas to view
02
Video generator
Video generatorSeedance 2.0
Input
- Female anchor voice in 2147
- Makeup photos of female anchors in Science and Technology City
- Science and Technology City anchor reports news
Prompt
[World view W1 | 2147 Transcript City·Plaza large-screen anchor broadcast (fixed lens·pure broadcast)] About 15s ACTION — A fixed camera shoots the announcement of the anchor on the large screen in the square; the anchor reads the announcement softly in lip-sync on the large screen and stops after reading; it fills up continuously for 15 seconds, the square environment is naturally lively (the crowd listens quietly, the aircraft flies by), the anchor's performance is restrained and professional, and there is no stance: SHOT 1 (0:00–0:15) - Fixed camera position (facing the large screen in the square): The dense crowd in the square (backs/silhouettes) quietly look up at the large screen; the anchor in the large screen sits upright, mouth-syncs gently and reads the news announcement, with clear mouth movements , looking directly into the camera (news anchor-style direct gaze, routine for broadcasting), with occasional slight professional nods; when the last sentence of "Identity Folding" was read, the expression tightened slightly and turned formal; the suspended aircraft slowly passed over the square, and the picture was clean and peaceful. The last frame stops at the big screen anchor finishing his words + the back view of the crowd watching quietly + the bright square.
Output
1 output — open the canvas to view
03
Video generator
Video generatorSeedance 2.0
Input
- Makeup photos of female anchors in Science and Technology City
- Female anchor voice in 2147
- Science and Technology City anchor reports news
Prompt
[World view W1 | 2147 Transcript City·Plaza large-screen anchor broadcast (fixed lens·pure broadcast)] About 15s ACTION — A fixed camera shoots the announcement of the anchor on the large screen in the square; the anchor reads the announcement softly in lip-sync on the large screen and stops after reading; it fills up continuously for 15 seconds, the square environment is naturally lively (the crowd listens quietly, the aircraft flies by), the anchor's performance is restrained and professional, and there is no stance: SHOT 1 (0:00–0:15) - Fixed camera position (facing the large screen in the square): The dense crowd in the square (backs/silhouettes) quietly look up at the large screen; the anchor in the large screen sits upright, mouth-syncs gently and reads the news announcement, with clear mouth movements , looking directly into the camera (news anchor-style direct gaze, routine for broadcasting), with occasional slight professional nods; when the last sentence of "Identity Folding" was read, the expression tightened slightly and turned formal; the suspended aircraft slowly passed over the square, and the picture was clean and peaceful. The last frame stops at the big screen anchor finishing his words + the back view of the crowd watching quietly + the bright square.
Output
1 output — open the canvas to view
04
Video generator
Video generatorSeedance 2.0
Input
- mayor
- Mayor signs agreement
Prompt
[World View W2 | 2147 Transcript City·Mayor Signs Disconnection Agreement (Fixed Camera Position·Official News Quality)] About 13s ACTION - the official ceremony of signing → closing the book → standing up → respectful handover; it lasts for 13 seconds, the movements are solemn and restrained, each step is clear, the fixed camera position relies on character movements and scene switching to advance, and there is no stance: SHOT 1 (0:00–0:04) - Fixed medium shot (signature of the mayor, commonly used camera position for news): The mayor lowered his head and held a pen, solemnly signed his name on the agreement with steady strokes; the staff nearby stood and watched, and the attending officials sat attentively; the venue was solemn and solemn. SHOT 2 (0:04–0:07) - Fixed close-up of desktop insert (closing action): The mayor finished signing, put down the pen, and solemnly closed the cover of the agreement with both hands (the word "AGREEMENT" flashed); a neat and weighty closing ceremony of closing the book. SHOT 3 (0:07–0:13) - Mid-shot fixed (stand up and hand over): The mayor and the staff beside him stand up at the same time; the mayor hands out the closed agreement with both hands, and the staff steps forward, bows slightly, and takes it with both hands respectfully; after the handover is completed, the two remain in a solemn posture. The final frame stops with the staff holding the agreement in both hands, the mayor standing majestically at the side, and the official solemnity.
Output
1 output — open the canvas to view
05
Video generator
Video generatorSeedance 2.0
Input
- Computer room to be sealed 01
- Computer room 04
- Staff blocks server 01
- 2147 seal
Prompt
[World view W3 | 2147 Transcript City·Workers put seals on multiple computer rooms·Large disconnection execution (hard cutting at three locations)] About 12 seconds ACTION - Execution of large-scale disconnection: workers put seals on the servers in three computer rooms in sequence; hard cutting at three locations, progressively one scene per segment, continuous filling for 12 seconds, clear movements, and no staking: SHOT 1 (0:00–0:04) - [Location A · Medium and long shot] (Click {{Mixed 2}} Glass curtain wall blue and purple monitoring wall computer room): Medium and long shot looking at the computer room, several workers (back/silhouette) scattered in front of rows of server cabinets affixing seals; blue and purple screen wall cold light, glass curtain wall; red and yellow seals can be seen one after another on the cabinet door, and the computer room is gradually sealed off. Hard cut → SHOT 2 (0:04–0:08) - [Location B · Medium and close shot] ({{Mixed 3}} large color collage screen + wax sealed cabinet room): Medium and close shot of a worker (silhouette/background) in front of the cabinet with the wax seal label, holding the sealing tape, tearing it off, pressing it, and sticking it across the cabinet door lever to seal it; the movement is clear, the red and yellow cross icon of the seal is in the mirror; the background color collage large screen shimmers. Hard cut→ SHOT 3 (0:08–0:12)——[Location C · Close-up] (Click {{Mixed 4}} Vault lever door machine room): Close-up of a worker’s hand placing the seal across the metal lever and door seam of the vault-style lever door, pressing it to seal, and tearing off the tail of the seal; the seal is occupied by a red tape + yellow card + a purple-blue cross forbidden icon
Output
1 output — open the canvas to view
06
Video generator
Video generatorSeedance 2.0
Input
- engine room
- 2147 seal
- Computer room to be sealed 01
- Computer room 04
Prompt
[World view W3 v2 | 2147 Transcript City·Workers in multiple computer rooms collectively put up seals·Large disconnection execution (busy group portrait with many people·hard cuts at three locations)] About 12s ACTION - Collective execution of large-scale disconnection: Groups of workers put seals on three computer rooms at the same time to seal the servers; hard cutting in three locations, with many people busy at each location, filling up continuously for 12 seconds, working at multiple points at the same time, no staking, and never deserted: SHOT 1 (0:00–0:04)——[Location A · Medium and long shot · Crowd portrait] (Press {{Mixed 2}} Glass curtain wall blue and purple surveillance wall computer room): Medium and long shot of the computer room, 7–8 Workers (back/silhouette) are scattered in the foreground, middle ground, and background of the rows of server cabinets, and at the same time they apply seals, tear tapes, press, and seal across the seams; multiple people and multiple cameras work at the same time in full swing; red and yellow seals are posted all over the cabinet doors, and the computer room is collectively sealed, giving a sense of scale and busyness. Hard cut → SHOT 2 (0:04–0:08)——[Location B·Medium and close shot·Multiple people in the same frame] (Press {{Mixed 3}} large color collage screen + wax seal cabinet room): Medium close shot, 2–3 workers in the foreground are applying seals in front of the cabinets with wax seal labels (holding the seal tape, tearing it off, pressing it, sealing it across the lever, the movement is clear, the red and yellow cross mark icon of the seal is in the mirror), and there are 4–5 others in the background Workers continue to paste seals on the cabinets deeper inside; there are people in the foreground and background, and the scene is full of busy people; the large colorful collage screen is dimly lit. Hard cut→ SHOT 3 (0:08
Output
1 output — open the canvas to view
07
Video generator
Video generatorSeedance 2.0
Input
- Staff blocks server 02
- 2147 seal
- engine room
Prompt
[World View W3 v2｜2147 Transcript City·Workers are applying sealing tape in the computer room ACTION - collective execution of large-scale disconnection: groups of workers put seals on the server in the computer room at the same time; there are many people busy, it fills up continuously for 12 seconds, multiple points work at the same time, there is no station, and it is never deserted: SHOT 1: Seven or eight people work in the environment of {{Mixed 3}}. They put seals everywhere and put seals on all the machines that can be seen by the naked eye. The final picture can be referred to {{Mixed 2}}
Output
1 output — open the canvas to view
08
Video generator
Video generatorSeedance 2.0
Input
- 2167 Transcript City announcer broadcasting news
Prompt
[World view W4 | 2167 Transcript City·Living room TV broadcasts news (camera zoomed in·noir register)] About 15s ACTION — The camera slowly zooms in from the living room to the anchor on the TV screen, and the anchor delivers a cold report; the anchor reads the press release with tight lip sync, and ends within 15 seconds; it fills in for 15 seconds continuously, the zoom-in movement is smooth, the anchor's performance is cold and restrained, and there is no stance: SHOT 1 (0:00–0:05) - Close-up shot of the living room (TV + home environment): Warm-lit living room, the TV is broadcasting news, the anchor on the screen is lip-syncing to announce in a cold voice; the crimson red and green neon lights outside the window are moving slightly in the rainy night, and the table lamp is warmly glowing; the camera begins to zoom in very slowly towards the TV. SHOT 2 (0:05–0:15) - Continuously zooming in to a close-up view of the anchor on the TV screen: the camera advances steadily, the TV frame gradually emerges, and the anchor on the screen gradually becomes the main subject of the picture; the anchor continues to lip-sync and read the script coldly, speaking at a tight and coherent speed, and when he reads "Voided" and three "no"s, he is still crisp and decisive; after finishing the reading, his face is expressionless. The last frame stops at a close-up shot of the anchor's cold face on the screen + the "LIVE NEWS" corner mark shimmers.
Output
1 output — open the canvas to view
09
Video generator
Video generatorSeedance 2.0
Input
- runner
- Portraits of citizens in 2167
- runner
Prompt
ACTION — Queuing to complain → scalpers selling → men being disgusted → women asking for price; continuous filling of 15 seconds, multiple scene progression, dialogue scenes, micro-expression portrayal, noisy and crowded at night, no stand-up: SHOT 1 (0:00–0:04) - Medium and long shot (setting up the environment): At night, at the door of the Archives Office, citizens line up in a long line, crowded, whispering and complaining, showing impatience and exhaustion; the warm yellow light of the iron fence window, notices on the wall, neon lights on the wet street, and the mist and noise. The camera slowly moves to the group of five citizens in the foreground picture 1. SHOT 2 (0:04–0:08) - Medium shot (the scalper approaches to sell): The scalper ({{Mixed 3}}) sneaks up on the group of citizens from the side of the team, glances left and right, winks at them, lifts up his coat slightly, revealing the crossed paper on the lining, lowers his voice and smiles while peddling; he mouths "Skip the line. I'll get your stamp for" you." SHOT 3 (0:08–0:11) - Medium and close shot (men are disgusted and scalpers are disappointing): The bearded man ({{Mixed 1}} ②) frowns, waves his hands impatiently, and looks away with a look of disgust; the scalper is disappointed, his face collapses with laughter, he shrugs angrily and turns to leave. SHOT 4 (0:11–0:15) - Medium to close-up shot (Lady stops and asks for price): Lady in blue coat ({{Mixed 1}} ④, second from the right
Output
1 output — open the canvas to view
10
Video generator
Video generatorSeedance 2.0
Input
- Marlowe Season 2 Costumes
- underground hideout 1
- Identity cover
- Marlowe sound sd version
Prompt
[S2 Paragraph 6 T6.1｜Dungeon·White Marlowe creates an identity for Xiaoman (environment becomes closer → two-person counterattack dialogue)] About 15s ACTION — The environment is zoomed in → Xiaoman kneels down and kisses → Marlowe looks down at the fateful monologue; continuously fills 15 seconds, first environment and then counter-attack dialogue, eye scenes, no stance: SHOT 1 (0:00–0:04) - Panoramic zoom in (establishing the underground city): Starting from the large panoramic view of the high arch space of the underground city, neon color blocks and string lights, and the wet and shiny ground of the old carriage tracks are all in sight; the camera smoothly zooms in, passes through the environment, and leads to the group of Marlowe and Xiao Man kneeling in front of him in the picture. SHOT 2 (0:04–0:07) - Close-up shot of Xiaoman from an elevated angle (gratitude): Xiaoman is kneeling, holding the folded face with both hands ( {{Mixed 2}} ), lowering his head to kiss the folded face, and then looking up at Marlowe who is standing in front of him with tears in his eyes; his lips are trembling, and he mouth-syncs and cries out "Thank you."; his eyes are filled with tears, and the neon shimmer leaves a catch-light in his wet eyes (the eyes are moist and lively, but never shiny). SHOT 3 (0:07–0:11) - Close shot of Marlowe from a downward angle (fate·counterattack): Counterattack to Marlowe, slightly downward angle (looking up at him from Xiaoman's perspective), Marlowe lowers his head and looks down at Xiaoman, his eyes are calm and firm; he mouths "I used to forge papers for the living." in a low voice; while reading, his eyes are not away from Xiaoman, with a sense of fate. SHOT
Output
1 output — open the canvas to view
11
Video generator
Video generatorSeedance 2.0
Input
- Marlowe Season 2 Costumes
- Marlowe sound sd version
- Vera
- General Administration Telex Room 3
Prompt
[Paragraph 7 T7.1｜General Administration Telex Room·The Mystery of Vera (low camera look around + double counterattack)] About 15s ACTION — Looking around the computer room is shocking → Marlowe is shocked and asks → Vera responds calmly; continuous filling of 15 seconds, environment first and then counterattack, close-up of Vera’s face, lip-syncing dialogue, no stance: SHOT 1 (0:00–0:05) - Looking around from a low camera position (the computer room is grand and mysterious): Looking up from a low camera position to look around the computer room of the General Administration - a whole wall of telex machines are automatically typing, keybars are being tapped one after another, pages of documents are automatically spitting out, red and yellow indicator lights are on and off intensively, warm orange screens are illuminated, and pipes are extending deep into the depth; the computer room is dark and majestic, and the strange mystery of the autonomous operation of the machinery is coming to your face. SHOT 2 (0:05–0:09) - Marlowe's medium close shot (shocked): Marlowe stands in front of the telex machine wall, looking up at everything, his pupils are narrowed, and his face is horrified and shocked; he is dubious, mouthing "They said the network's dead." in a low voice; his eyes turn from the machine to Vera beside him. SHOT 3 (0:09–0:15) - Close-up of Vera's face (calm response·counter-hit): The counter-beat resulted in a close-up of Vera's face - her expression was calm and restrained, calm and composed, with a slight hint of presence at the corners of her mouth; she mouthed and said "It didn't die. It just changed its name." calmly; "changed its name" was spoken softly and firmly
Output
1 output — open the canvas to view
12
Video generator
Video generatorSeedance 2.0
Input
- Future City Close View 02
- A close-up view of the future city
- Remove the characters in the picture, color tone, and consistent painting style_…
Prompt
[Paragraph 8-3｜Zhuohai Street Scene·Slowly look around from high altitude to the street (charming display of Science and Technology City)] About 8 seconds ACTION - From high altitude to the street, it sinks in one go, showing the charm of the turbid sea; continuous for 8 seconds, slow motion texture, non-stop movement of the camera, and no standing subject: SHOT 1 (0:00–0:04) - High-altitude sceneries → sinking through the layers: The camera slowly sweeps over the skyline of the Turbid Sea (lined with towers, criss-crossing overpasses, and flocks of suspended aircraft, press {{Mixed 1}} ), and then slowly sinks, passing between the elevated magnetic rails and giant neon/holographic advertisements, with magenta/cyan neon flowing (press {{Mixed 3}} ). SHOT 2 (0:04–0:08) - Arrive at the street (end): The camera sinks to the street, neon is reflected on the wet and shiny ground, there are many signs, and pedestrians/traffic are silhouetted in the distance (press {{Mixed 2}}); the last frame ends in the depth of a bright and turbid sea street.
Output
1 output — open the canvas to view
13
Video generator
Video generatorSeedance 2.0
Input
- Marlowe Season 2 Costume - Replica
- underground hideout 1
- Vera - Copy
- 7139837cb22b071f77f009d87c198313 - copy
Prompt
[Paragraph 8-1｜At the entrance of the dungeon·The messenger appears·"I come from the turbid sea" (front and back fight/micro-reaction)] About 14 seconds ACTION — Pulling the door → The messenger appears → The messenger opens his mouth → Malovella micro-reaction; continuously filled for 14 seconds, no stance, micro-expression; [Dialogue = Messenger, mouth shape generated by Seedance]: SHOT 1 (0:00–0:03) - Over the shoulder/back (appearing through the door): From behind Marlowe and Vera, the door is opened, and the soaked messenger emerges from the rain curtain; the warm light inside the door meets the cold rain outside, raindrops splash, and the messenger's red goggles turn red in the rain. SHOT 2 (0:03–0:07) - The camera pushes past the two people and turns to favor the messenger (frontal): the camera passes over Marovella's shoulder and pushes towards the messenger outside the door; the messenger calmly speaks (lip synchronization): [VOICE: Messenger's voice] "I came from the Murk."; the rain slides down the cloak and the red light of the goggles is steady. SHOT 3 (0:07–0:10) - The camera arc returns to the room (Marlowe's micro-reaction): The camera arc pans back to the door, showing Marlowe and Vera - Marlowe's eyes shrink slightly, with restraint in disbelief; Vera's eyes are slightly sharp, and her mind is spinning; both of them are "unobviously shocked", and they are silent for a moment. SHOT 4 (0:10–0:14) - Favor the messenger again → Contain two people (continuation of lines + unresolved): The messenger continues (lip synchronization): [VOICE:
Output
1 output — open the canvas to view
14
Video generator
Video generatorSeedance 2.0
Input
- 7139837cb22b071f77f009d87c198313 - copy
- Marlowe sound sd version - copy
- Vera - Copy
- Marlowe Season 2 Costume - Replica
Prompt
[Paragraph 8-2 | Overlooking the turbid sea from the top of the mountain, Marlowe's "Hell himself is knocking on the door" (overview of the same frame + front and back)] About 15 seconds ACTION — Establish a bird's-eye view of the same frame → Move the mirror to OTS/side face → Marlowe opens his mouth; 15 seconds in a row, the micro-expressions and the city view are in the same frame, no stance; [Dialogue = Marlowe, mouth shape generated by Seedance]: SHOT 1 (0:00–0:05) - Large scene/mid-high altitude behind the characters (overview in the same frame): The camera is in the mid-high altitude behind the three people, with their silhouettes standing on the ridge, and Zhuohai Science and Technology City in the distance spreads out brightly in the night (aircraft streamers, overpasses, neon lights); slowly advances/sinks, bringing the "characters + overlooking view" into the same frame. SHOT 2 (0:05–0:09) - The camera arcs to the over-the-shoulder/side face (micro-expression): The camera arcs around to Marlowe's over-the-shoulder/side face - Marlowe is suddenly enlightened in his disbelief; the same frame brings to Vera's thoughtful side face and the messenger's calm outline. Marlowe speaks (lip sync): [VOICE: Marlowe Voice] "This city tells you the outside is hell." [VOICE: Marlowe Voice {{Mixed 5}} ] [VOICE: Vera Voice ] (only the imitated voice, tone pauses are automatically processed by the model). SHOT 3 (0:09–0:15) – Tighten Marlowe (continues lines + closes in the far city): Marlowe continues (lip sync): [VOICE
Output
1 output — open the canvas to view
15
Video generator
Video generatorSeedance 2.0
Input
- Rainy Night 3 - Copy
- Marlowe - no pistol
- Marlowe sound sd version
Prompt
[Paragraph 5 T5.2｜A quiet street on a rainy night·Marlowe’s lip-syncing monologue] About 9 seconds SHOT 1 (0:00–0:03) - Medium and close shot: Marlowe stands still, Yuluo's shoulders and chest rise and fall with his breathing; his eyes look forward with gloomy hatred, he opens his mouth and whispers "From tonight, no one can kill me." - "no one" bites hard with hatred, "kill me" slows down and cools down; the mouth shape is clearly aligned and not exaggerated. SHOT 2 (0:03–0:05) - Close-up of the face (very light push): After finishing the previous sentence, **really take a breath, close the mouth and pause for half a beat** (a silent pause of about 1.5 seconds, slightly retracting the jaw, a slow blink, and a movement of the throat) - this is the mouth shape/performance anchor of "(beat)", the mouth does not move, and the emotion is suppressed; the rain slides down the side of the face, and the neon cold light remains in the moist eyes. catch-light (eyes are moist and lively, never shiny). SHOT 3 (0:05–0:09) - Close-up view of the face: Marlowe slowly raises his eyes, his gaze becomes cold, and he mouths "On paper, I'm already dead." - "on paper" is almost self-deprecating, "already" is firm, and the ending of "dead" is colder and longer, firm and not trembling; after speaking, the lip line is tightened. The final frame stops at his firm cold face, the shimmer of rain and neon, and the moist eyes.
Output
1 output — open the canvas to view
16
Video generator
Video generatorSeedance 2.0
Input
- Waiter at the window of the Archives Office
- Marlowe's identity folded and unfolded
- Archives Office Interior 02
- Marlowe's identity was abolished
Prompt
[Paragraph 5 T5.1｜Inside the Archives Bureau·Marlowe’s identity card is canceled (VOID stamp falls)] About 7 seconds SHOT 1 (0:00–0:03) - Establishing at a high angle (approximately 45°, slowly descending): Marlowe's identity fold is spread out in the warm aperture of the desk lamp ({{Mixed 4}} appearance), and the ID photo is clear; the staff enters the picture with both hands, holds the fold with the left hand, reaches for the VOID seal on the side of the table with the right hand, picks it up, and dips it in the red ink pad. There is only the silence of paper pages and desk lamp in the air. SHOT 2 (0:03–0:05) - The mirror continues to descend and turns to face forward. The hand holding the seal is slowly raised and raised to the top - here it hovers for half a beat (a fatal pause); its expressionless and cold face can be glimpsed; the red seal hangs directly above the fold. SHOT 3 (0:05–0:07)——Looking down from above (overhead): the seal suddenly falls down with a "snap", the red VOID stamp is stamped on Marlowe's ID photo and folding page ({{Mixed 5}} appearance), the edge of the red ink pad is slightly stained; the seal is slightly lifted away. The last frame stops at the fold of the VOID, which is leaning forward and covered, with the warm light of the desk lamp and the slight reflection of the tabletop reflecting the wet light.
Output
1 output — open the canvas to view
17
Video generator
Video generatorSeedance 2.0
Input
- Underground Hideout 4
- Inventory Section Enforcement Team (2)
- Underground Hideout 3
- Marlowe Season 2 Costume - Replica
Prompt
[S2 Paragraph 6 T6.2a｜Dungeon bloodbath·Inventory department kills the white body (quick cut·not bloody)] About 8 seconds
Output
1 output — open the canvas to view
18
Video generator
Video generatorSeedance 2.0
Input
- Marlowe Season 2 Costume - Replica
- Inventory Section Enforcement Team (2)
- Underground Hideout 4
- Xiaoman - copy
Prompt
[S2 Paragraph 6 T6.2b｜Dungeon Zombie Field: Marlowe raised his head and roared] About 6 seconds ACTION — Get straight to the point: Marlowe stands in the field of corpses, raising his head and roaring; it lasts for 6 seconds, full of emotions, no stance; no dialogue (pure roaring, no lines): SHOT 1 (0:00–0:03) - Medium shot to mid-close shot (roaring): Marlowe stands in the middle of the corpse field, his fists clenched, his chest heaving violently, he suddenly raises his head towards the sky and lets out a wordless roar/roar, veins pop out, his face is distorted with anger and grief; neon cold light hits his face. SHOT 2 (0:03–0:06) - Low-angle upward shot/or environmental mirror: low-angle upward shot of Marlowe's roaring silhouette and distorted face (pathos and tension), silhouettes of white bodies scattered around him, and neon shimmer of string lights; the final frame stops at Marlowe's roaring face/or his lonely panorama standing in a field of corpses.
Output
1 output — open the canvas to view
19
Video generator
Video generatorSeedance 2.0
Input
- Underground Hideout 4
- Xiaoman - copy
- Portraits of citizens in 2167
- Inventory Section Police Officer
Prompt
[S2 Paragraph 6 T6.2c｜Dungeon·Marlow smashing the wall and roaring lines·Xiao Man covering his face and crying] About 12 seconds ACTION — Get straight to the point·Marlow smashes the wall and roars his lines·Xiao Man covers his face and cries bitterly; it fills 12 seconds continuously, full of emotions, lip-synced lines, and no stance: SHOT 1 (0:00–0:04) - Medium shot (smashing the wall): Marlowe strode towards Xiao Man, who was huddled in the corner, and punched the tile wall she was leaning on (brick dust flew out). His body was shaking with anger, and he lowered his head to stare at her. SHOT 2 (0:04–0:10) - Close-up shot of Marlowe's face (roaring lines): Marlowe suppressed trembling anger and lip-synched to shout "They don't kill people who don't exist—they kill the ones who want back in!"; when he said "want back in", his emotions reached the peak, his voice trembled, and there were tears and anger in his eyes. SHOT 3 (0:10–0:12) - Close-up of Xiaoman's reaction (hiding her face and crying): Beating Xiaoman back - she huddled in the corner, covering her face with her hands, crying violently, her shoulders twitching, and she blamed herself and collapsed; the neon light reflected the tears. The last frame stops at Xiaoman covering her face and crying + Marlowe’s trembling fists / the two of them are in the same frame of grief.
Output
1 output — open the canvas to view
20
Video generator
Video generatorSeedance 2.0
Input
- Rainy Night 2 - Copy
- Marlowe - No Pistol - Copy
- Marlowe at the crossroads on a rainy night
Prompt
[Paragraph 5 T5.3｜Traffic on a rainy night·Marlow deliberately walked into traffic·narrow collision·dismissive] About 12 seconds ACTION — Randomly walking into traffic, bumping into traffic, disdainful; continuously filled for 12 seconds, with ups and downs in rhythm (careless → sudden danger → cold ending), no stance; the play is based on Marlowe's "dead pig is not afraid of boiling water" micro-expression and steady pace. This scene has no lines: SHOT 1 (0:00–0:04) - Medium shot (following): Marlowe walks straight from the roadside into the driveway in the center of the street without an umbrella, letting the rain pour on him with his hands hanging by his sides, walking casually and without an umbrella; his face is expressionless, his eyes are indifferent, and he does not look at the road at all; the neon lights reflected on the wet road sway as he walks. SHOT 2 (0:04–0:06) - Low-angle car front close-up/mid-close shot (sense of danger): The headlights of a dark car are approaching in cold white, the front of the car zooms in quickly in the rain, and the car lights sweep across the side of Marlowe's face; danger is approaching suddenly. SHOT 3 (0:06–0:08) - Side mid-shot (feeling of the weight of sudden braking): The car brakes suddenly, the front of the car slumps, the tires drag water marks on the wet road, rain splashes from the front of the car, the brake lights are red; the car stops only an arm's length away from Marlowe; Marlowe's steps are not disordered, he does not dodge, he only stops for a moment. SHOT 4 (0:08–0:12) - Facial close-up (ending with disdain): The horn honked (off-screen); Marlowe slowly turned his head, glanced at the car coldly, his eyes were indifferent with a hint of contempt, and the corners of his mouth moved almost imperceptibly (dead pigs are not afraid of boiling water); then he withdrew his gaze and continued to raise his feet as if nothing had happened.
Output
1 output — open the canvas to view
21
Video generator
Video generatorSeedance 2.0
Input
- Marlowe at the crossroads on a rainy night
- Marlowe - No Pistol - Copy
- Rainy Night 2 - Copy
Prompt
[Paragraph 5 T5.3 v2｜Traffic on a rainy night·Marlowe was depressed → Angry and rushed into the traffic → Narrow collision → Disdain (documentary observation)] About 12 seconds ACTION — Walking out in despair → Rushing into traffic angrily → Collision → Disdain after the robbery; continuously filled for 12 seconds, three stages of emotional progression, documentary and natural, no stance, no interaction with the camera. This scene has no lines: SHOT 1 (0:00–0:04) - Medium shot (moving from side to side, with a sense of spectatorship): Marlowe faces away/side from the camera, with his head lowered, shoulders slumped, his steps heavy and sloppy, without an umbrella and letting the rain pour on him, walking dejectedly from the side of the road to the middle of the street; a flash of his side face shows a depressed and sad expression, and his eyes are empty. The wet and shiny road reflected dense neon lights and car lights. SHOT 2 (0:04–0:07) - Medium shot to close shot (side): Marlowe suddenly raises his head, his face turns from frustration to anger, grits his teeth, accelerates a few steps, and rushes straight into the multi-lane traffic in the middle of the street with self-destructive anger; facing the road ahead, never looking at the camera. SHOT 3 (0:07–0:09) - low-angle front-end close-up + mid-shot of sudden braking from the side (sudden danger): A dark car rushes towards you in the middle of the street with cold white headlights, rapidly zooming in under the rain; it brakes suddenly, the front of the car slumps, the tires drag water marks on the wet road, rain splashes, and the brake lights are red; the car is parked in the middle of the street, only an arm's length away from Marlowe; Marlowe does not dodge, but his footsteps are stuck in the middle of the road. SHOT 4 (0:09–0:12) - Close-up of face (side view, looking at the car, not looking at the camera): horn blaring (off-screen); Marlowe slowly turns his head*
Output
1 output — open the canvas to view
22
Video generator
Video generatorSeedance 2.0
Input
- Vera - Copy
- Vera's injured arm
- Inventory Section Enforcement Team (2) - Copy
- Seal Machine-007 (1)
Prompt
[Paragraph 7 T7.2a | The Relics Department sneaks in, opens the seal weapon box, and the Inventory Department arrives (low camera position + sudden stop)] About 12 seconds ACTION — Looking around the vast relics department → sneaking close to open the seal weapon box → Marlow reached out to retrieve the note → the battle in the inventory department came to an abrupt end; continuous filling for 12 seconds, first environment and then sneaking in, no stance: SHOT 1 (0:00–0:05) - Looking around from a low plane (the Relics Department is grand): Looking up from a low plane and looking around the Relics Department - the towering science and technology hall, rows of glass storage cabins, pink, orange and green neon vertical light pillars, suspended equipment, and machinery extending in depth; Marlow looked up and looked around, shocked by this grand science and technology palace; Vera was focused on moving forward. SHOT 2 (0:05–0:09) - medium shot to close shot (open seal box): Vera has found the seal ({{Mixed 4}}), reaches out to operate it, and the chest and abdomen box of the seal slowly opens, revealing a built-in fax machine and a "KILL ORDER" list note ({{Mixed 5}}); the cyan narrow slit light strip turns on and off. SHOT 3 (0:09–0:12) - Close-up of Marlowe's hand + the Inventory Section's pressure (stops abruptly): Marlow reaches out to take the note - his fingers barely touch it; suddenly, the screen cuts to the cold figure of the Inventory Section ({{Mixed 6}}) holding a gun against the situation/cold light from the muzzle; the crisis comes, and the scene ends abruptly at the moment when Marlowe's hand is hanging in the air, the note is at his side, and the Inventory Section is approaching. The final frame stops at a tense and suspenseful moment of crisis.
Output
1 output — open the canvas to view
23
Video generator
Video generatorSeedance 2.0
Input
- Relic space
- Marlowe Season 2 Costume - Replica
- Inventory Section Enforcement Team (2) - Copy
- Underground Hideout 4
Prompt
[Paragraph 7 T7.2a | The Relics Department sneaks in, opens the seal weapon box, and the Inventory Department arrives (low camera position + sudden stop)] About 12 seconds ACTION — Looking around the vast relics department → sneaking close to open the seal weapon box → Marlow reached out to retrieve the note → the battle in the inventory department came to an abrupt end; continuous filling for 12 seconds, first environment and then sneaking in, no stance: SHOT 1 (0:00–0:05) - Looking around from a low plane (the Relics Department is grand): Looking up from a low plane and looking around the Relics Department - the towering science and technology hall, rows of glass storage cabins, pink, orange and green neon vertical light pillars, suspended equipment, and machinery extending in depth; Marlow looked up and looked around, shocked by this grand science and technology palace; Vera was focused on moving forward. SHOT 2 (0:05–0:09) - Medium shot to a clear close-up of the note (opening the seal box): Vera has found the seal ({{Mixed 4}}), reaches out to operate, the chest and abdomen box of the seal slowly opens, and spits out a "KILL ORDER" list note ({{Mixed 9}}); the note remains basically still, giving a clear and stable close-up, the text is clear and readable and consistent with the reference picture verbatim (KILL ORDER: Malo/Dogan/Chris/Frank/Austin/Dovenna/Lenice/Davick/Suvick); The cyan narrow slit light strip turns on and off. SHOT 3 (0:09–0:12) - Close-up of Marlowe's hand + inventory scene (stops abruptly): Marlowe reaches out to
Output
1 output — open the canvas to view
24
Video generator
Video generatorSeedance 2.0
Input
- Marlowe Season 2 Costume - Replica
- Underground Hideout 4
- Seal Machine-007 (1)
- Relic space
Prompt
[Paragraph 7 T7.2b｜Marlowe is surrounded and nearly dies. Vera raises her right arm to block the bullet. Escapes like light (inhuman appearance)] About 10 seconds ACTION — Marlowe was surrounded and nearly died → Vera raised her right arm in a flash to block the bullet → led Marlowe to escape like light; continuous filling of 10 seconds, high-speed action, inhuman appearance, no blood, no stance: SHOT 1 (0:00–0:03) - Medium shot (under siege): The Inventory Section ({{Mixed 6}}) surrounded Marlowe in the center with guns pointed at him, pressing and closing in; Marlowe was trapped in the center, in a tense and desperate situation, and almost died. SHOT 2 (0:03–0:06) - High-speed action (Vera flashes to block the bullet, emphasizing the right arm): Vera cuts in like an afterimage at an inhuman speed, blocks between Marlowe and the gun, and suddenly **raises her right arm** - her right arm meets the bullet, and the bullet hits her right arm (sparks/bounce, implying its inhuman mechanical nature, no blood); [Key emphasis: Vera raised her right arm and blocked the bullet with her right arm]. SHOT 3 (0:06–0:10) - Escape like light (smear): Vera grabbed Marlowe's arms and took him away from the siege at an inhuman speed like a streak of light/afterimage. The neon light beam turned into a trail of light behind her; Marlowe was taken away in shock. The last frame stops at the afterimage of the two people fleeing into a stream of light/or the moment of escape.
Output
1 output — open the canvas to view
25
Video generator
Video generatorSeedance 2.0
Input
- Inventory Section Enforcement Team (2) - Copy
- Vera - Copy
- Seal Machine-007 (1)
- Relic space
Prompt
[Paragraph 7 T7.2b｜Vera pulls Marlowe away at the speed of light, shoots at the Inventory Section, drifts away and blocks bullets with her right arm (inhuman appearance)] About 10 seconds ACTION — Marlowe is surrounded → Vera is pulled away at the speed of light → Inventory Section shoots → Drifting to dodge and block bullets with his right arm; continuously filled for 10 seconds, high-speed action, inhuman speed, no blood, no stance; no dialogue: SHOT 1 (0:00–0:02) - Medium shot (under siege): The Inventory Section ({{Mixed 6}}) surrounded Marlowe in the center with guns pointed at him, pressing and closing in; Marlowe was trapped in a desperate situation. SHOT 2 (0:02–0:04) - High-speed action (Vera is pulled away at the speed of light): Vera cuts in from the side like an afterimage at the speed of light, grabs Marlowe's arm, and pulls him away from the encirclement; Marlowe is suddenly taken away by this inhuman force and is stunned; the neon is pulled into a flowing afterimage, and the sense of speed explodes. SHOT 3 (0:04–0:07) - Inventory Section Shooting and Pursuit (Dynamic): The Inventory Section's gun fired wildly at the two fleeing people, the gun muzzle spit out fire continuously, the bullets grazed the storage compartment and the neon light beam burst out sparks; the two people were galloping ahead, surrounded by dangers. SHOT 4 (0:07–0:10) - Close-up drifting and dodging + right arm blocking bullets (inhuman nature): Close-up/follow-up shot of Vera drifting left and right in the hall with Marlowe, deftly dodging the hail of bullets (she quickly changes direction like a ghost); while running, Vera **extended her right arm** to block the bullets fired at Marlowe - the bullets hit her right arm and sparked sparks/repelled
Output
1 output — open the canvas to view
26
Video generator
Video generatorSeedance 2.0
Input
- Vera Voice - Copy
- Marlowe sound sd version - copy
- Vera - Copy
- Seal Machine-007 (1)
Prompt
[Page 7 T7.2c｜Dungeon·Vera’s Right Arm·Vera’s Mystery Dialogue·Knock Hook] About 13 seconds ACTION — Vera repairs her right arm → Question appears behind Marlowe → Dialogue "who/what" → Three knocks on the door; continuous filling of 13 seconds, dialogue counterattack, close-up of Vera's face, no stance: SHOT 1 (0:00–0:04) - Medium and close shot (repairing her right arm, implying inhumanity): Vera is in a secret corner, rolling up her right sleeve, holding a small bottle of fusion agent, and dripping it on her cracked right arm to repair the bionic skin (a clear close-up of the cracked internal machinery). The bionic skin is slowly being repaired; her expression is focused and lonely. SHOT 2 (0:04–0:07) - Marlowe appears to question (reverse): Marlowe appears from the shadow behind Vera, speaks alertly and doubtfully, lip-syncing and asks "Who the hell are you?"; Vera pauses slightly with her hands and puts down her right sleeve calmly. SHOT 3 (0:07–0:11) - Close-up of Vera's face (mysterious response): Counter-shot of Vera's face - she turns her head, with a calm and mysterious expression, a hint of something at the corner of her mouth, and calmly mouths "Ask it right. Am I a 'who'—or a 'what'?"; "a 'what'" is spoken softly but meaningfully; neon shimmer flickers on her face. SHOT 4 (0:11–0:13) - Knock on the door hook: As soon as the voice finished, there were several clear knocks on the door "Tuk, Tuk, Tuk"
Output
1 output — open the canvas to view
27
Video generator
Video generatorSeedance 2.0
Input
- Marlowe Season 2 Costume - Replica
- Vera's injured arm
- Marlowe sound sd version - copy
- Underground Hideout 4
Prompt
[Page 7 T7.2c｜Dungeon·Vera Drops Fusion Agent to Repair Right Arm·Vera’s Mystery Dialogue·Knock Hook] About 13 seconds ACTION — Vera drips fusion agent and bionic skin slowly heals → Questions appear behind Marlowe → Conversation with "who/what" → Three knocks on the door; continuously filled for 13 seconds, dialogue reversed, close-up of Vera's face, clear repair process, no stance: SHOT 1 (0:00–0:05) - Close-up of right arm repair (core wonder·press {{Mixed 4}}): Vera rolls up her right sleeve, raises her right forearm, giving a clear close-up - press {{Mixed 4}} on the inside In the shape of a crack, the bionic skin cracks and turns up, and the subcutaneous precision mechanical tendons and electronic harnesses are clearly exposed in the crack (mechanical tendons/electronic structures, non-flesh internal organs, no blood); Vera holds a small bottle of fusion agent in her other hand and drops a drop of transparent fusion liquid on the crack; fusion After the liquid comes into contact with the crack, the upturned edges of the bionic skin begin to slowly squirm and converge toward the center, and the crack closes and heals little by little (a mechanical repair process that is slow, precise, and clearly visible). At the end of this mirror, the bionic skin has not completely recovered to its original state, and there are still very faint signs of unhealing. Looks focused and lonely. SHOT 2 (0:05–0:08) - Marlowe appears and questions (counterattack): Marlowe appears from the shadow behind Vera, speaks alertly and doubtfully, lip-syncing and asks "Who the hell are you?"; Vera pauses slightly with her hands, and calmly puts down her right sleeve to cover her right arm. SHOT 3 (0:0
Output
1 output — open the canvas to view

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