Shang Jie Z7: Walking in the Light

Each run is the workflow’s own record: the model it called, the prompt it was given, and what came out.

1. 01

   text node 2

   TextInput
   PromptCopy prompt

   --- Shangjie Z7 30-second TVC advertising storyboard plan ## Tentative title: ## Model: Shangjie Z7 ## Car color: electric pink purple ## Video duration: about 30 seconds ## Tonality of the film: Real TVC photography / High-end car advertising texture / Restrained science fiction imagery / Visual expression of speed and light --- # 1. Overall creative concept The film uses "red light track" as the core visual motif, connecting the Shangjie Z7's taillights, headlights, paint, sense of speed and sense of the future. The film opens with a red light track in low-Earth orbit. It is not an ordinary comet, but a red energy stream similar to a car taillight. As the camera progresses, the red light track is revealed to be composed of countless red microcrystals and luminous particles. The light track then descended into the road on the black rocky Gobi desert and traveled at high speed along the Z-shaped road, forming the visual symbol of "Z" and paving the way for the Z7 model. In the middle section, through lenses such as red crystals, diamond cluster penetrating taillights, snow drifting, and studio shooting of meteor light and shadow, the selling points of the taillights, sense of speed, and body texture are gradually unfolded. The rear section enters the cockpit and the panoramic canopy, using the light and shadow of the meteors in the canopy to seamlessly transition to the galaxy headlights, forming a visual logic of "the stars enter the lights". Finally, the product image was completed through a one-shot shot at high speed in the tunnel and a front-facing studio shot of the hero. The entire film is not a traditional configuration explanation, but a visual car TV with light, speed, crystal and real photography texture as the core.

2. 02

   Video generator

   Video generatorSeedance 2.0

   Input

   • WeChat picture_20260509174302_8411_41
   • Still frame 2026-05-14 015421_4.6.1

   PromptCopy prompt

   Generate videos using universal reference mode. {{Mixed 1}} is used as a reference for the first frame composition, drift state, desert terrain, sand and dust atmosphere, and speed impact. {{Mixed 2}} As a reference for the appearance of the Shangjie Z7, it is strictly implemented in accordance with the multi-view, and accurately restores the Shangjie Z7's true body proportions, front shape, front and rear light groups, side profile, black roof, black window frames, wheel hub style and high-end electro-optical pink purple metallic paint. Do not mix in the characteristics of other models. Generate a real movie-level car TVC footage. The main part of the picture is a Shangjie Z7 drifting at high speed in the desert. The car body raises a large area of ​​heavy sand and dust. There are clear tire tracks and thrown sand waves on the ground. It has a strong sense of speed and strong impact. It has the texture of a real high-speed capture, not a CG sense or a game sense. The camera movement is a high-speed follow-up shot by an FPV travel machine, not a robotic arm or ordinary smooth surround. The camera starts from the diagonal position above and behind the drifting vehicle body, follows the vehicle closely at high speed, and follows the drifting trajectory of the vehicle body as it presses forward. The movement of the camera should have the sense of speed, ground contact, sprint and slight lens inertia of a real FPV ride. The movements should be bold, flexible and sharp. The angle of view should be quickly corrected in the direction of the car's tail, and the main body of the vehicle should always be locked. During the shot, you can cut slightly from the rear side of the car to the front of the car, passing through part of the dust edge, creating a strong sense of presence and pressure. In terms of the rhythm of the shot, the first half focuses on the high-speed tracking and sand impact during the drifting process. In the second half, the shot quickly moves towards the front of the car and finally falls.

   Output

   2 outputs — open the canvas to view

3. 03

   Video generator

   Video generatorSeedance 2.0

   Input

   • Gemini_Generated_Image_u326nyu326nyu326

   PromptCopy prompt

   {{Mixed 1}} Reference images serve as reference for vehicle, atmosphere, light and road scale. Real movie-level car TVC video, 16:9, a narrow road scene in a rainy night, Shangjie Z7 electric pink and purple body, black roof, black window frames, real and accurate body proportions and headlight structure. The entire video is a single shot. The camera is always located directly in front of the vehicle. It moves backwards along the central axis of the road at high speed. It always keeps the camera facing forward and does not shoot around, move laterally or cut at an angle. The starting picture must be an ultra-low-angle camera position with the camera close to the ground. The lens moves backward almost against the slippery road. The low-angle camera position is facing the road ahead. The foreground of the picture emphasizes the reflection of the wet road surface, water stains, and the texture of raindrops hitting the road. As the lens continues to be pulled back, the camera position can be kept mainly at an ultra-low angle, and is only allowed to be raised very slightly. However, the overall position is always a low camera position for shooting. Do not raise the camera position to a high position, and do not shoot from above. At the beginning of the video, the Shangjie Z7 appears far away on the road. Its body proportions is very small, accounting for only about 10% to 15% of the width of the screen. It emerges from the rain and fog in the distance, and its headlights penetrate the rain and wet fog. Then the vehicle accelerates along the central axis of the road at a high speed and approaches the camera. The proportion of the vehicle body gradually increases, and finally enters a medium-close shot, accounting for about 45% to 55% of the width of the screen. However, the complete frontal vehicle body is still retained. Do not turn it into a close-up, and do not crop the front of the car. Lens movement logic: The camera always pulls back and speeds up gradually, creating a strong sense of pressure as the vehicle continues to approach the camera. The lens has a real camera physics, with slight inertia and breathing, but is overall stable.

   Output

   1 output — open the canvas to view

4. 04

   Video generator

   Video generatorSeedance 2.0

   Input

   • Gemini_Generated_Image_u326nyu326nyu326

   PromptCopy prompt

   Single lens, shooting from the front. The lens must start from a very low angle close to the ground: the camera height is 5 cm, almost touching the wet road, and 70% of the foreground is wet road, water stains, car light reflections and raindrops. The Shangjie Z7 is very small in the distant rain and fog, occupying 10% to 15% of the screen width. The camera movement is not at a fixed height: while the camera is moving backwards at high speed along the central axis of the road, it is clearly and slowly rising, from a height of 10 centimeters to the ground to about 1 meter above the headlights. The entire clip must be able to see the change in camera movement of "starting shooting from a low position → gradually raising the camera". Shangjie Z7 accelerates in a straight line along the center line of the road and approaches the camera. It eventually occupies 45% to 55% of the width of the screen, and the complete front body is visible. Narrow road in the forest on a rainy night, blue night scene, drizzle, wet fog, headlight beams, wet road reflections. The tree walls and raindrops on both sides swept back quickly. Real movie-level car TVC texture. Prohibited: Do not start shooting at eye level, do not fix the height of the camera, do not lift the camera, do not shoot at a high position, do not shoot from above, do not shoot around, do not move laterally, do not zoom instead of moving the camera, and do not cut the lens. Just sound effects, no background music.

   Output

   1 output — open the canvas to view

5. 05

   Video generator

   Video generatorSeedance 2.0

   Input

   • Gemini_Generated_Image_u326nyu326nyu326

   PromptCopy prompt

   {{Mixed 1}} Reference images serve as reference for vehicle, atmosphere, light and road scale. Real movie-level car TVC video, 16:9, a narrow road scene in a rainy night, Shangjie Z7 electric pink and purple body, black roof, black window frames, real and accurate body proportions and headlight structure. The entire video is a single shot. The camera is always located directly in front of the vehicle. It moves backwards along the central axis of the road at high speed. It always keeps the camera facing forward and does not shoot around, move laterally or cut at an angle. The starting picture must be an ultra-low-angle camera position with the camera close to the ground. The lens moves backward almost against the slippery road. The low-angle camera position is facing the road ahead. The foreground of the picture emphasizes the reflection of the wet road surface, water stains, and the texture of raindrops hitting the road. As the lens continues to be pulled back, the camera position can be kept mainly at an ultra-low angle, and is only allowed to be raised very slightly. However, the overall position is always a low camera position for shooting. Do not raise the camera position to a high position, and do not shoot from above. At the beginning of the video, the Shangjie Z7 appears far away on the road. Its body proportions is very small, accounting for only about 10% to 15% of the width of the screen. It emerges from the rain and fog in the distance, and its headlights penetrate the rain and wet fog. Then the vehicle accelerates along the central axis of the road at a high speed and approaches the camera. The proportion of the vehicle body gradually increases, and finally enters a medium-close shot, accounting for about 45% to 55% of the width of the screen. However, the complete frontal vehicle body is still retained. Do not turn it into a close-up, and do not crop the front of the car. Lens movement logic: The camera always pulls back and speeds up gradually, creating a strong sense of pressure as the vehicle continues to approach the camera. The lens has a real camera physics, with slight inertia and breathing, but is overall stable.

   Output

   1 output — open the canvas to view

6. 06

   Video generator

   Video generatorSeedance 2.0

   Input

   • Gemini_Generated_Image_u326nyu326nyu326

   PromptCopy prompt

   Single lens, shooting from the front. The lens must start from a very low angle close to the ground: the camera height is 5 cm, almost touching the wet road, and 70% of the foreground is wet road, water stains, car light reflections and raindrops. The Shangjie Z7 is very small in the distant rain and fog, occupying 10% to 15% of the screen width. The camera movement is not at a fixed height: while the camera is moving backwards at high speed along the central axis of the road, it is clearly and slowly rising, from a height of 10 centimeters to the ground to about 1 meter above the headlights. The entire clip must be able to see the change in camera movement of "starting shooting from a low position → gradually raising the camera". Shangjie Z7 accelerates in a straight line along the center line of the road and approaches the camera. It eventually occupies 45% to 55% of the width of the screen, and the complete front body is visible. Narrow road in the forest on a rainy night, blue night scene, drizzle, wet fog, headlight beams, wet road reflections. The tree walls and raindrops on both sides swept back quickly. Real movie-level car TVC texture. Prohibited: Do not start shooting at eye level, do not fix the height of the camera, do not lift the camera, do not shoot at a high position, do not shoot from above, do not shoot around, do not move laterally, do not zoom instead of moving the camera, and do not cut the lens. Just sound effects, no background music.

   Output

   1 output — open the canvas to view

7. 07

   Video generator

   Video generatorSeedance 2.0

   Input

   • WeChat picture_20260509174302_8411_41
   • Still frame 2026-05-14 015421_4.6.1

   PromptCopy prompt

   {{Mixed 1}} Refer to the drifting composition, desert terrain, and sand impact of the first frame. {{Mixed 2}} Refer to the multi-view of Shangjie Z7 to strictly restore the body proportions, front, headlights, sides, black roof, wheels and electric pink purple paint. Generate a video of Shangjie Z7 desert high-speed drifting. The lens is shot by an FPV traversing machine, not a robotic arm. Starting from the diagonal side of the rear and upper part of the car body, follow the drift at high speed close to the car, quickly correct the angle of view as the car body drifts, and pass through the edge of sand and dust, giving you a strong sense of speed and pressure. The camera approaches all the way forward, and finally focuses on the front of the car, stopping at a low camera position directly in front of the car or a low camera position four-thirds of the front of the car for a hero shot. Highlighting the front face, headlights and high-end electro-optical pink purple metallic paint of Shangjie Z7. Real movie-level car TVC texture, real high-speed motion blur, real sand and dust physical effects, the picture is clean and high-end, no CG feeling, no body deformation, no brand confusion. Just sound effects, no background music.

   Output

   2 outputs — open the canvas to view

8. 08

   Video generator

   Video generatorSeedance 2.0

   Input

   • Still frame 2026-05-14 015421_4.6.1
   • WeChat picture_20260509174302_8411_41

   PromptCopy prompt

   {{Mixed 1}} Refer to the drifting composition, desert terrain, and sand impact of the first frame. {{Mixed 2}} Refer to the multi-view of Shangjie Z7 to strictly restore the body proportions, front, headlights, sides, black roof, wheels and electric pink purple paint. Generate a video of Shangjie Z7 desert high-speed drifting. The lens is shot by an FPV traversing machine, not a robotic arm. Starting from the diagonal side of the rear and upper part of the car body, follow the drift at high speed close to the car, quickly correct the angle of view as the car body drifts, and pass through the edge of sand and dust, giving you a strong sense of speed and pressure. The camera approaches all the way forward, and finally focuses on the front of the car, stopping at a low camera position directly in front of the car or a low camera position four-thirds of the front of the car for a hero shot. Highlighting the front face, headlights and high-end electro-optical pink purple metallic paint of Shangjie Z7. Real movie-level car TVC texture, real high-speed motion blur, real sand and dust physical effects, the picture is clean and high-end, no CG feeling, no body deformation, no brand confusion. Just sound effects, no background music.

   Output

   2 outputs — open the canvas to view

9. 09

   Video generator

   Video generatorSeedance 2.0

   Input

   • Still frame 2026-05-14 015421_4.6.1
   • WeChat picture_20260509174302_8411_41
   • IMG_0053

   PromptCopy prompt

   {{Mixed 1}} Refer to the first frame of desert drift, sand and dust occlusion, drift posture and speed impact feeling. {{Mixed 2}} Refer to the multi-view of the Shangjie Z7 car to lock in the real body proportions, sides, black roof, wheels and electric pink and purple paint. {{Mixed 3}} Refer to the details of the front of the Shangjie Z7, and lock in the final proportions of the front face, the right headlight, the curved surface of the hood, the front apron, the position of the license plate and the four-thirds angle of the front of the car. Generate a video of Shangjie Z7 desert high-speed drifting. The lens is a high-speed follow-up shot by an FPV traversing machine. Don't get out of the car at the beginning. The camera is first blocked by the large area of ​​sand and dust raised by the drift. The foreground is thick and flying sand grains. The camera rushes forward as if it is rushing into the sand and dust. Then the dust swept away, and Shangjie Z7 suddenly appeared from behind the curtain. The camera is closely following the vehicle at high speed, cutting from the side and rear of the vehicle body to the front of the vehicle. It is fast, has a strong sense of closeness to the ground, a strong sense of oppression, and has the texture of a real FPV ride-through machine. The second half quickly closed at the front of the car, and finally stopped at the front of the car. The front end of the car must strictly refer to {{Mixed 3}}. The positions of the front face, headlights, hood, front apron and license plate must be accurate and must not be transformed into other models. Real movie-level car TVC texture, real motion blur, real sand and dust physical effects, the picture is clean and advanced. Just sound effects, no background music.

   Output

   2 outputs — open the canvas to view

10. 10

    Video generator

    Video generatorSeedance 2.0

    Input

    • WeChat picture_20260509174302_8411_41
    • IMG_0053
    • Still frame 2026-05-14 015421_4.6.1

    PromptCopy prompt

    {{Mixed 1}} serves as a reference for the first frame of desert drift, sand and dust occlusion, drift posture, desert terrain and speed impact. {{Mixed 2}} As a multi-view reference of the Shangjie Z7, it strictly restores the Shangjie Z7's true body proportions, side profile, black roof, black window frames, wheel hub style, taillight structure and electric pink purple metallic paint. {{Mixed 3}} As a reference for the details of the front of Shangjie Z7, we focused on the final proportions of the front face, the curved surface of the hood, the structure of the right headlight, the shape of the front surround, the position of the license plate, the four-thirds angle of the front and the texture of the electric pink and purple paint. Generate a real movie-level car TVC footage. The main subject is a Shangjie Z7 drifting at high speed in the desert. The car body raises a large area of ​​heavy sand and dust. There are clear tire tracks and thrown sand waves on the ground. It gives a strong sense of speed and pressure. The lens is a high-speed follow-up shot by an FPV traversing machine. Don't look directly at the car at the beginning. The camera is initially blocked by a large area of ​​drifting sand and dust. The foreground is a thick wall of rolled sand and flying sand grains. The camera rushes forward as if rushing into the sand and dust. Then the sand and dust were swept away at high speed, and Shangjie Z7 suddenly appeared from behind the curtain, creating a strong sense of revelation and impact. After that, the camera follows the vehicle closely at high speed, following the drifting trajectory of the car body as it presses forward. The movement of the camera should have the sense of speed, ground contact, sprint and slight lens inertia of a real FPV traversing machine, and the movements should be sharp, coherent and decisive. The camera cuts from the side and rear of the car body to the front of the car, with the car body flicking rapidly in the direction of the car.

    Output

    2 outputs — open the canvas to view

11. 11

    Video generator

    Video generatorSeedance 2.0

    Input

    • ChatGPT Image May 8, 2026 03_31_11

    PromptCopy prompt

    Real movie-level TVC photography, high-end car commercial film quality, 16:9. The picture is a dark high-end space background. The overall environment is clean, restrained, and deep. It is dominated by dark gradients from deep black to dark blue, and there can be a very small amount of distant faint particles as spatial layers. The main body is a high-speed flying crystal flow composed of several to dozens of red translucent crystals and a large number of red microcrystal fragments. The crystal shape is irregular, with sharp edges, clear cutting surfaces, refractive highlights and internal luminescence effects. The main crystal is larger in size, located in the close-up to mid-ground area of ​​the picture, and is surrounded by a large number of finer red microcrystalline particles. All crystals must be transparent, luminous, have light inside, and have bright highlights on the edges. They must not be thick or black, look like stone, not look like plastic, and must not be dirty or muddy. The lens language is to fly horizontally and at high speed, but do not fix the crystal in the center of the frame. The camera and the red crystal group remain at the same level and perform sideways parallel tracking. The lens and the crystal as a whole move in the same direction at high speed, but there is a slight relative movement between the crystal and the lens. The main body crystal should not be completely static and locked. It should float slightly up and down, drift left and right, and change slightly back and forth in the picture, as if it was being carried by high-speed airflow. The crystal itself must rotate slightly: the main crystal rotates slowly and slightly, and the cutting surface produces high-light flickering and refraction changes with the rotation; the surrounding small crystals move faster, some crystals pass by the foreground at high speed, and some crystals are drawn from the edge of the picture, forming a real sense of space travel. The main crystal can be relatively clear, but it cannot be displayed as a static display. It must be slightly

    Output

    1 output — open the canvas to view

12. 12

    Video generator

    Video generatorSeedance 2.0

    Input

    • ChatGPT Image May 8, 2026 03_31_11

    PromptCopy prompt

    The lens and crystal move in opposite directions at high speed. The crystal keeps flying past the lens. There is strong motion blur.

    Output

    1 output — open the canvas to view

13. 13

    Video generator

    Video generatorSeedance 2.0

    Input

    • ChatGPT Image May 8, 2026 00_22_14

    PromptCopy prompt

    High-speed Hedge Crossing Shot. Composed of countless red translucent crystals, microcrystal fragments and luminous particles, they form a huge torrent of red crystals in space. The camera is aimed head-on at the center of the red crystal torrent, rushing forward into the crystal flow at an extremely fast speed, creating a strong sense of head-on collision and speed pressure.

    Output

    1 output — open the canvas to view

14. 14

    Video generator

    Video generatorSeedance 2.0

    Input

    • ChatGPT Image May 8, 2026 00_22_14
    • ChatGPT Image May 8, 2026 00_21_18

    PromptCopy prompt

    [Shot 2｜Red crystal torrent hedging shot｜Duration 4 seconds] Use {{Portrait 1}} first frame and {{Portrait 2}} last frame reference images. Real movie-level TVC photography, high-end car commercial film quality, 16:9. In the low-Earth orbit space environment, you can vaguely see the arc of the Earth and the edge of the blue atmosphere at the bottom of the screen. The background is a dark black natural starry sky with sparse stars. There are only very slight and restrained pink and purple nebulae in the distance. Don't let the nebulae steal the screen. This is not a static crystal floating shot, but a high-speed hedge-travel shot. The red taillight-like light trail in the previous shot has been revealed to be composed of countless red translucent crystals, microcrystalline fragments and luminous particles, which form a huge torrent of red crystals in space. The camera is aimed head-on at the center of the red crystal torrent, rushing forward into the crystal flow at an extremely fast speed, creating a strong sense of head-on collision and speed pressure. The movement of the picture must be very clear: the red crystals in the distance rush toward the camera at high speed from deep in the center of the picture, and the closer they get to the lens, the bigger, faster, and blurr they become; a large number of close-up crystals pass by the lens at high speed, creating a strong radial motion blur, a sense of passing through the lens, and a sense of space travel. There should be an obvious speed convergence point in the center of the picture. All the red crystals and particles are rushing toward the camera in the perspective direction, as if the camera is passing through a crystal tunnel composed of red diamonds at high speed. The close-up crystals must have a strong impact. Some crystals can be so huge that they are cut off by the edge of the screen, with obvious tailing and speed afterimages; the mid-range crystals should remain the same.

    Output

    1 output — open the canvas to view

15. 15

    Video generator

    Video generatorSeedance 2.0

    Input

    • ChatGPT Image May 8, 2026 00_21_18

    PromptCopy prompt

    Real movie-level TVC photography, high-end car commercial film quality, 16:9. In the low-Earth orbit space environment, you can vaguely see the arc of the Earth and the edge of the blue atmosphere at the bottom of the screen. The background is a dark black natural starry sky with sparse stars. There are only very slight and restrained pink and purple nebulae in the distance. Don't let the nebulae steal the screen. This is not a static crystal floating shot, but a high-speed hedge-travel shot. The red taillight-like light trail in the previous shot has been revealed to be composed of countless red translucent crystals, microcrystalline fragments and luminous particles, which form a huge torrent of red crystals in space. The camera is aimed head-on at the center of the red crystal torrent, rushing forward into the crystal flow at an extremely fast speed, creating a strong sense of head-on collision and speed pressure. The movement of the picture must be very clear: the red crystals in the distance rush toward the camera at high speed from deep in the center of the picture, and the closer they get to the lens, the bigger, faster, and blurr they become; a large number of close-up crystals pass by the lens at high speed, creating a strong radial motion blur, a sense of passing through the lens, and a sense of space travel. There should be an obvious speed convergence point in the center of the picture. All the red crystals and particles are rushing toward the camera in the perspective direction, as if the camera is passing through a crystal tunnel composed of red diamonds at high speed. The close-up crystals must have a strong impact. Some crystals can be so huge that they are cut off by the edge of the screen, with obvious tailing and speed afterimages; the mid-ground crystals maintain a certain degree of clarity, and you can see the red translucent material, cut surfaces, refractive highlights and internal luminescence; the far-range crystals are densely packed into a torrent of red particles. The whole is not slowly floating, not starry dust, not static fragments

    Output

    1 output — open the canvas to view

16. 16

    Video generator

    Video generatorSeedance 2.0

    Input

    • ChatGPT Image May 8, 2026 00_21_18

    PromptCopy prompt

    High-speed Hedge Crossing Shot. Composed of countless red translucent crystals, microcrystal fragments and luminous particles, they form a huge torrent of red crystals in space. The camera is aimed head-on at the center of the red crystal torrent, rushing forward into the crystal flow at an extremely fast speed, creating a strong sense of head-on collision and speed pressure.

    Output

    1 output — open the canvas to view

17. 17

    Video generator

    Video generatorSeedance 2.0

    Input

    • Gemini_Gen454erated_Image_xzq4ptxzq4ptxzq4

    PromptCopy prompt

    Take the first frame of Figure 1 as the starting picture. Real movie-level car advertisement, FPV travel machine perspective, 16:9, Shangjie Z7 electric pink and purple body, black roof, snow drift scene, cold natural daylight, distant woods and snow-capped mountains in the background. Keep the drifting posture, driving direction, composition relationship and environmental atmosphere of the vehicle in the first frame unchanged. The camera starts from a low-altitude close-up to the right rear of the vehicle, with the traversing machine flying forward at high speed close to the snow. The first 0.8 seconds: The vehicle accelerates rapidly and drives forward away from the camera. The rear wheels continue to throw up snow fog and snow chunks. The shuttle immediately accelerates to chase the car. The picture has a strong sense of wind shear, low shutter motion blur and a real sense of high-speed pressure. 0.8 seconds to 1.6 seconds: The traversing machine continues to follow the car at high speed, the camera remains very close, the car body continues to accelerate, the tires clearly cut the snow, and the rear wheels raise larger waves of snow. 1.6 seconds to 3.3 seconds: Entering 1000 frames of super slow motion. When the vehicle drifts and deviates, large chunks of snow and a large number of snowflakes kicked up by the rear wheels fly towards the camera. Several thick chunks of snow hit the camera, causing a strong impact. The camera appears to be briefly blocked, wiped by the mirror, and hit by snow. 3.3 seconds to 5 seconds: The traversing machine suddenly rushes out of the snowflakes and snow blocks, and the vehicle is clearly seen again. The camera continues to move forward to follow the shot, but the vehicle has speeded up again and quickly pulled away. It is driving further and further away, and the snow and fog are rolling in at the rear, creating a strong sense of speed release and space depth. Overall requirements: Real photography, movie-level TVC texture, strong sense of movement, strong sense of speed, snow blocks have thick volume and real projectile trajectory, not like smoke. The lens must look like a professional

    Output

    1 output — open the canvas to view

18. 18

    Video generator

    Video generatorSeedance 2.0

    Input

    • Gemini_Gen454erated_Image_xzq4ptxzq4ptxzq4

    PromptCopy prompt

    Take the first reference frame as the starting picture. Real movie-level car advertisement, FPV travel machine perspective, 16:9, Shangjie Z7 electric pink and purple body, black roof, snow drift scene, cold natural daylight, distant woods and snow-capped mountains in the background. Keep the drifting posture, driving direction, composition relationship and environmental atmosphere of the vehicle in the first frame unchanged. The camera starts from a low-altitude close-up to the right rear of the vehicle, with the traversing machine flying forward at high speed close to the snow. The first 0.8 seconds: The vehicle accelerates rapidly and drives forward away from the camera. The rear wheels continue to throw up snow fog and snow chunks. The shuttle immediately accelerates to chase the car. The picture has a strong sense of wind shear, low shutter motion blur and a real sense of high-speed pressure. 0.8 seconds to 1.6 seconds: The traversing machine continues to follow the car at high speed, the camera remains very close, the car body continues to accelerate, the tires clearly cut the snow, and the rear wheels raise larger waves of snow. 1.6 seconds to 3.3 seconds: Entering 1000 frames of super slow motion. When the vehicle drifts and deviates, large chunks of snow and a large number of snowflakes kicked up by the rear wheels fly towards the camera. Several thick chunks of snow hit the camera, causing a strong impact. The camera appears to be briefly blocked, wiped by the mirror, and hit by snow. 3.3 seconds to 5 seconds: The traversing machine suddenly rushes out of the snowflakes and snow blocks, and the vehicle is clearly seen again. The camera continues to move forward to follow the shot, but the vehicle has speeded up again and quickly pulled away. It is driving further and further away, and the snow and fog are rolling in at the rear, creating a strong sense of speed release and space depth. Overall requirements: Real photography, movie-level TVC texture, strong sense of movement, strong sense of speed, snow blocks have thick volume and real projectile trajectory, not like smoke. The lens must look like a professional

    Output

    1 output — open the canvas to view

19. 19

    Video generator

    Video generatorSeedance 2.0

    Input

    • Gemini_Gen454erated_Image_xzq4ptxzq4ptxzq4

    PromptCopy prompt

    Take the first frame of Figure 1 as the starting picture. Real movie-level car advertisement, FPV travel machine perspective, 16:9, Shangjie Z7 electric pink and purple body, black roof, snow drift scene, cold natural daylight, distant woods and snow-capped mountains in the background. Keep the drifting posture, driving direction, composition relationship and environmental atmosphere of the vehicle in the first frame unchanged. The camera starts from a low-altitude close-up to the right rear of the vehicle, with the traversing machine flying forward at high speed close to the snow. The first 0.8 seconds: The vehicle accelerates rapidly and drives forward away from the camera. The rear wheels continue to throw up snow fog and snow chunks. The shuttle immediately accelerates to chase the car. The picture has a strong sense of wind shear, low shutter motion blur and a real sense of high-speed pressure. 0.8 seconds to 1.6 seconds: The traversing machine continues to follow the car at high speed, the camera remains very close, the car body continues to accelerate, the tires clearly cut the snow, and the rear wheels raise larger waves of snow. 1.6 seconds to 3.3 seconds: Entering 1000 frames of super slow motion. When the vehicle drifts and deviates, large chunks of snow and a large number of snowflakes kicked up by the rear wheels fly towards the camera. Several thick chunks of snow hit the camera, causing a strong impact. The camera appears to be briefly blocked, wiped by the mirror, and hit by snow. 3.3 seconds to 5 seconds: The traversing machine suddenly rushes out of the snowflakes and snow blocks, and the vehicle is clearly seen again. The camera continues to move forward to follow the shot, but the vehicle has speeded up again and quickly pulled away. It is driving further and further away, and the snow and fog are rolling in at the rear, creating a strong sense of speed release and space depth. Overall requirements: Real photography, movie-level TVC texture, strong sense of movement, strong sense of speed, snow blocks have thick volume and real projectile trajectory, not like smoke. The lens must look like a professional

    Output

    1 output — open the canvas to view

20. 20

    Image generator

    Image generatorNano Banana Pro

    Input

    • Screenshot 2026-05-08 06.39.59

    PromptCopy prompt

    Extreme macro and ultra-wide-angle lens, the lens is almost attached to the surface of the diamond cluster penetrating taillight of Shangjie Z7, 16:9, movie-level car TVC studio shooting quality. The main body of the picture is the red crystal structure inside the through-type taillight of Shangjie Z7. The surface of the taillight is covered with countless small, sharp, translucent red crystal facets, densely arranged like broken diamonds. However, it is not ordinary glass or heavy gems, but a red light-conducting crystal material that is light, transparent, highly refractive, and absorbs light inside. The red light shines softly from the inside of the crystal, and there are clear highlights on the edge of the crystal. The whole is bright, precise and high-end. The lens is shot at a very low angle against the surface of the taillight, creating a strong sense of space pressure and depth. The foreground crystal is very close, with some parts slightly blurred; the mid-ground crystal is clear and sharp, and dense and orderly crystal sections can be seen; in the distance, a slender red LED light strip can be vaguely seen extending along the arc of the car's rear, suggesting that this is a car taillight structure rather than an abstract crystal scene. A large number of red crystal fragments fly in at high speed from outside the screen, with a slender red tail and slight motion blur, accurately hit the surface of the taillight and are embedded in the crystal layer. There is a slight pulse of red light at the embedded position of the crystal, which is like a diamond streamer being generated. The overall scene presents a momentary picture of "red crystal being embedded into the surface of the taillight". Dark high-end studio background, a small amount of blue and dark gradients, red tail light source as the main light, clear crystal in the center of the picture, moderate motion blur at the edges, real photography, ultra-high details, commercial car advertising-level lighting, IMAX-level visual impact, the picture is clean, restrained, high-end, and avoids the feeling of cheap plastic

    Output

    4 outputs — open the canvas to view

21. 21

    Video generator

    Video generatorSeedance 2.0

    Input

    • ChatGPT Image May 6, 2026 20_49_15

    PromptCopy prompt

    Real movie-level TVC photography, high-end car commercial film quality, 16:9. The picture is a dark high-end space background. The overall environment is clean, restrained, and profound. It is dominated by dark gradients from deep black to deep blue. There can be a very small amount of distant faint particles as spatial layers, but there should be no obvious starry sky, no future cities, no spaceships, no vehicles, and no complex science fiction scenes. Important lens movement requirements: This lens is not a static crystal display, nor is it a completely locked and stable tracking shot. In the first 0.4 seconds of the shot, the camera quickly threw a stream of red crystals horizontally from the dark space, as if it suddenly captured a torrent of red diamonds flying at high speed. The picture produced strong lateral motion blur, red smear, and a sense of pressure from scratching the mirror. After 0.4 seconds, the lens briefly locks on the main crystal group and enters horizontal high-speed parallel tracking. In the last 0.3 seconds, a large red crystal or red tail passed by the foreground of the lens at high speed, forming a red blocking transition to connect the taillight macro in the next shot. The main body is a high-speed flying crystal flow composed of several to dozens of red translucent crystals and a large number of red microcrystal fragments. The crystal shape is irregular, with sharp edges, clear cutting surfaces, refractive highlights and internal luminescence effects. The main crystal is larger in size, located in the close-up to mid-ground area of ​​the picture, and is surrounded by a large number of finer red microcrystalline particles. All crystals must be transparent, luminous, have light inside, and have bright highlights on the edges. They must not be thick or black, look like stone, not look like plastic, and must not be dirty or muddy. Keep the lens at the same level as the red crystal group for sideways high-speed tracking, but do not let it

    Output

    1 output — open the canvas to view

22. 22

    Image generator

    Image generatorNano Banana Pro

    Input

    • ChatGPT Image May 6, 2026 05_59_16

    PromptCopy prompt

    Real movie-level TVC photography, high-end car commercial film quality, 16:9. The picture is an extreme macro wide-angle close-up of the Shangjie Z7 diamond cluster through-type taillight. The lens is still very close to the surface of the taillight, almost touching the surface of the taillight crystal. It has a strong perspective impact and a real sense of macro pressure. The main body of the picture is the surface of the red taillight crystal cluster that has been inlaid. A large number of red translucent crystals have been accurately embedded into the internal structure of the taillights, forming a dense, orderly and precise diamond cluster effect. The crystal facets are arranged layer by layer, like the diamond-shaped streamer structure inside the taillight of a high-end car, which emits light transparently and eats light inside, with delicate red highlights and refraction at the edges. The overall red light is high-end, restrained, and clean, without heavy shadows, turbidity, plastic feel, or cheap CG feel. The surface of the taillight looks like it has just been "generated" by red crystals. The crystals are tightly arranged but not messy, giving it a clear sense of product design. Some crystals still have slight energy flickering and tiny highlight beats, as if they have just been adsorbed and aligned. The foreground of the picture can have a very shallow depth of field where the edges of the red crystals are blurred, the crystal cluster structure in the center is clearly discernible, and the distant crystals are gradually blurred, forming a true macro depth of field. A small amount of afterimages of the red microcrystal fragments that have just flown in and been embedded can be retained at the edge of the picture, with a slight red smear and directional motion blur, but not too much, and not like explosive fragments. The main body must be a fully formed taillight crystal cluster surface, not a scattered cloud of flying crystals. The overall picture requires authenticity, natural exposure, real lens physics, and real macro.

    Output

    1 output — open the canvas to view

23. 23

    Video generator

    Video generatorSeedance 2.0

    Input

    • ChatGPT Image May 6, 2026 05_59_16

    PromptCopy prompt

    Use the first frame reference picture. Real movie-level TVC photography, high-end car commercial film quality, 16:9. The picture is an extreme macro wide-angle close-up of the Shangjie Z7 diamond cluster through-type taillight. The lens is very close to the surface of the taillight, almost touching the crystal surface of the taillight. It has a strong perspective impact and sense of oppression. The main body of the picture is the dense diamond cluster structure inside the red taillight. The crystals are rich in cross-sections, arranged in layers, and emit light transparently. The interior is light-eating, and there are delicate red highlights and refraction at the edges. The whole thing looks like the diamond streamer structure inside the taillight of a high-end car, not an ordinary red light strip. The crystal must be transparent, clean, and luminous. It must not be thick or black, overshadowed, turbid, or plastic. The lens movement is a robotic arm-type precision macro lens movement: the camera is close to the arc surface of the taillight, sliding smoothly back along the surface of the taillight from a very close distance, and pulling back slightly at the same time, as if flying against the red crystal landform. The lens is not a static display, but continues to move along the curved surface of the taillight. The foreground crystal has real macro blur, the crystal structure in the center area remains relatively clear, and there is slight motion blur and highlight blooming at the edges. When the movement started, a small amount of red translucent crystals and microcrystal fragments flew in at high speed from outside the screen and were approaching the surface of the taillight, which was not completely embedded. Then more and more red crystals flew in from the front of the lens, the sides and the edge of the screen, hitting, adsorbing, and embedding into the surface of the taillight crystal cluster. When each piece of crystal contacts the surface of the taillight, there is a slight bounce, a short flash, a glass-like vibration and a sense of energy alignment, and it is precisely embedded into the taillight structure as if it is magnetically attracted. red

    Output

    1 output — open the canvas to view

24. 24

    Image generator

    Image generatorNano Banana Pro

    Input

    • ChatGPT Image May 6, 2026 05_59_16

    PromptCopy prompt

    The first frame of extreme macro car taillights, 16:9, with the texture of a real car TVC advertisement. The lens is almost attached to the surface of the Shangjie Z7 diamond cluster penetrating taillight, shooting along the arc of the taillight from a very low angle, creating a strong sense of depth and pressure. At the top of the screen is a real through-type red LED taillight strip that extends horizontally along the arc of the rear of the car. The light strip is bright but not overexposed. There are dark transparent lamp shells, black structural borders and dark outlines of the car body above the light strip. It can be clearly seen that this is a part of the car taillight, not an abstract crystal scene. At the bottom of the picture is the surface of the red diamond cluster inside the taillight, which is composed of a large number of small, irregular, and flaky red crystal sections. The crystal is transparent, light and thin, with red light inside, like the reflective layer of diamonds inside high-end car lights, dense but layered. The foreground crystal is very close and slightly blurred; the mid-ground crystal is clear and sharp; the light strip and the arc of the car body in the distance are gradually blurred. In the dark blue and black background on the upper right and right sides of the screen, an obvious group of red crystals are falling into the surface of the taillight at high speed like a group of meteorites. The movement directions of all flying crystals must be highly unified, maintain parallel trajectories, swoop diagonally from the upper right to the lower left of the screen, and accurately fall into the surface of the taillight crystal cluster towards the same landing point area. The crystals are not floating randomly or scattered in all directions, but rushing towards the taillights neatly and parallelly like red meteorite showers and red meteor swarms. The number of flying crystals is moderately large. A wave of crystal groups can be clearly seen in the picture, but they cannot cover the entire screen, nor can they block the main structure of the taillights. In the foreground, there are several larger red crystals passing by at high speed.

    Output

    2 outputs — open the canvas to view

25. 25

    Image generator

    Image generatorNano Banana Pro

    Input

    • Screenshot 2026-05-06 21.27.21

    PromptCopy prompt

    Extreme macro and ultra-wide-angle car taillight lens, the lens is almost close to the surface of the Shangjie Z7 diamond cluster penetrating taillight, 16:9, with the texture of a real car TVC studio shot. The picture is not an abstract crystal pile, but the optical crystal cluster structure inside the real car taillight. The foreground is an array of fine, orderly, and flaky red light-guiding crystals. The crystals are small in size and tightly arranged but not chaotic. They look like the micro-prism facets and optical light guides inside the taillights. They are not large gems or crystal ores. The crystal material is translucent, thin and light, has high refraction, and is light-emitting from the inside. The red light shines softly from the inside of the crystal. The surface highlights are restrained, and the dark parts are still transparent. The real car taillight structure must appear at the top of the picture: a slender, continuous, arc-shaped red LED light strip extending laterally along the rear of the car. There is a dark transparent light shell and a black structural border above the light strip. It can be seen that this is part of the through-type taillight of Shangjie Z7, not an abstract red crystal scene. The taillight strip is slightly blurred but has a clear outline, forming a high-end red light source. The viewing angle of the lens is extremely low, looking forward against the crystal surface of the taillight, creating a strong sense of depth. The crystals in the foreground are slightly blurred, the crystals in the middle ground are the clearest, and the light strips and car body structures in the distance gradually blur. The background on the right retains the blue-black dark gradient, forming a contrast between the red crystal area and the dark space. The picture has a sense of breathing, and the entire picture should not be filled with red. A small amount of red crystal flakes fly in at high speed from outside the screen, with a slight red tail and directional motion blur, and are being accurately embedded into the surface of the taillight crystal cluster. The number of crystals flying in should not be too many, the focus is on "precise inlay" and "

    Output

    2 outputs — open the canvas to view

26. 26

    Image generator

    Image generatorNano Banana Pro

    Input

    • Screenshot 2026-05-06 21.27.21

    PromptCopy prompt

    The first frame of extreme macro car taillights, 16:9, with the texture of a real car TVC advertisement. The lens is almost attached to the surface of the Shangjie Z7 diamond cluster penetrating taillight, shooting along the arc of the taillight from a very low angle, creating a strong sense of depth and pressure. At the top of the screen is a real through-type red LED taillight strip that extends horizontally along the arc of the rear of the car. The light strip is bright but not overexposed. There are dark transparent lamp shells, black structural borders and dark outlines of the car body above the light strip. It can be clearly seen that this is a part of the car taillight, not an abstract crystal scene. At the bottom of the picture is the surface of the red diamond cluster inside the taillight, which is composed of a large number of small, irregular, and flaky red crystal sections. The crystal is transparent, light and thin, with red light inside, like the reflective layer of diamonds inside high-end car lights, dense but layered. The foreground crystal is very close and slightly blurred; the mid-ground crystal is clear and sharp; the light strip and the arc of the car body in the distance are gradually blurred. In the dark blue and black background on the upper right and right sides of the screen, an obvious group of red crystals are falling into the surface of the taillight at high speed like a group of meteorites. The movement directions of all flying crystals must be highly unified, maintain parallel trajectories, swoop diagonally from the upper right to the lower left of the screen, and accurately fall into the surface of the taillight crystal cluster towards the same landing point area. The crystals are not floating randomly or scattered in all directions, but rushing towards the taillights neatly and parallelly like red meteorite showers and red meteor swarms. The number of flying crystals is moderately large. A wave of crystal groups can be clearly seen in the picture, but they cannot cover the entire screen, nor can they block the main structure of the taillights. In the foreground, there are several larger red crystals passing by at high speed.

    Output

    1 output — open the canvas to view

27. 27

    Image generator

    Image generatorNano Banana Pro

    Input

    • Screenshot 2026-05-08 06.39.59

    PromptCopy prompt

    Extreme macro car taillight photography, 16:9, real car TVC studio shooting texture. The lens is almost attached to the surface of the Shangjie Z7 diamond cluster penetrating taillight, shooting along the arc of the taillight from a very low angle. At the top of the screen is a slender, continuous, arc-shaped red LED tail light strip. Above the light strip, there is a black transparent lamp housing and a dark structure of the car body, forming the boundary of the real car tail lights. At the bottom of the picture is the surface of a red diamond cluster, covered with small, irregular, flaky red crystal sections. The crystals are like the reflective layer of diamonds inside a high-end taillight. They are transparent, thin, and transmit red light inside. They are dense but layered. They are not large gems, crystal ores, circuit boards, or optical fibers. The foreground crystal is very close and slightly blurred, the mid-ground crystal is clear and sharp, and the light strip and car body arc in the distance are gradually blurred. The blue-black dark space is retained on the right side, forming a clear hierarchy of red crystal area, upper light strip area, and dark background area. The red light effect is transparent but restrained, not overexposed or blurred, the black level is clean but not too black, and the reflection is low but high-level. The overall picture is like the taillight super macro lens in a car commercial, with a real sense of photography and commercial TVC lighting. It is high-end, precise, clean, has depth, and has product recognition. The center is clear and the edges are slightly blurred with a shallow depth of field.

    Output

    1 output — open the canvas to view

28. 28

    Image generator

    Image generatorNano Banana Pro

    Input

    • Screenshot 2026-05-08 06.39.59

    PromptCopy prompt

    The first frame of extreme macro car taillights, 16:9, with the texture of a real car TVC advertisement. The lens is almost attached to the surface of the Shangjie Z7 diamond cluster penetrating taillight, shooting along the arc of the taillight from a very low angle, creating a strong sense of depth and pressure. At the top of the screen is a real through-type red LED taillight strip that extends horizontally along the arc of the rear of the car. The light strip is bright but not overexposed. There are dark transparent lamp shells, black structural borders and dark outlines of the car body above the light strip. It can be clearly seen that this is a part of the car taillight, not an abstract crystal scene. At the bottom of the picture is the surface of the red diamond cluster inside the taillight, which is composed of a large number of small, irregular, and flaky red crystal sections. The crystal is transparent, light and thin, with red light inside, like the reflective layer of diamonds inside high-end car lights, dense but layered. The foreground crystal is very close and slightly blurred; the mid-ground crystal is clear and sharp; the light strip and the arc of the car body in the distance are gradually blurred. In the dark blue and black background on the upper right and right sides of the screen, an obvious group of red crystals are falling into the surface of the taillight at high speed like a group of meteorites. The movement directions of all flying crystals must be highly unified, maintain parallel trajectories, swoop diagonally from the upper right to the lower left of the screen, and accurately fall into the surface of the taillight crystal cluster towards the same landing point area. The crystals are not floating randomly or scattered in all directions, but rushing towards the taillights neatly and parallelly like red meteorite showers and red meteor swarms. The number of flying crystals is moderately large. A wave of crystal groups can be clearly seen in the picture, but they cannot cover the entire screen, nor can they block the main structure of the taillights. In the foreground, there are several larger red crystals passing by at high speed.

    Output

    1 output — open the canvas to view

29. 29

    Video generator

    Video generatorSeedance 2.0

    Input

    • Gemini_Generated_Image_b7dxuyb7dxuyb7dx

    PromptCopy prompt

    {{Mixed 1}} as the first frame reference. The first frame refers to picture 1 for composition, camera position, side tracking relationship, and the atmosphere of the forest on a rainy day. Shangjie Z7 electric pink purple car paint, black roof, black window frames, real wheels, real light sets, real proportions. Do not change car models or deform the body. The shot is a high-speed follow-up shot from the side of a forest road on a rainy day. The camera and the car move at high speed in the same direction, but not at exactly the same speed. Don't let the car image stay motionless in the frame. During the movement of the camera, it gradually zooms out and gradually distances itself from the car. The car must be in real driving condition. The tires spin at high speed. The tires bring up a fine mist of water. The car body has slight up and down bumps. The suspension has slight compression feedback. The car body has slight pitch, slight roll, and slight vibration. The camera also has slight inertial shaking. Road in the mountains and woods on a rainy day. Cool pewter gray tone. There is rain and fog in the air. The road surface is wet and shiny, with real reflections and water marks. As the camera gradually zooms out, there are more and more tree trunks, branches, leaves, and shrubs in the foreground, becoming denser and denser, constantly passing in front of the camera at high speed. Strong foreground motion blur. Allowing the foreground to completely obscure the vehicle for some moments before the vehicle flashes back out. At the last second, the camera continues to move in the same direction, while quickly panning upward to the dense leaves above. Leaves retain strong motion blur. Take one shot to the end, don’t cut hard, don’t get stuck. Real movie-level car TVC. Low shutter speed. Real photography. Advanced, cool, restrained, and with a strong sense of speed. Just sound effects, no background music.

    Output

    1 output — open the canvas to view

30. 30

    Video generator

    Video generatorSeedance 2.0

    Input

    • Still frame 2026-05-12 230539_1.13.1
    • ChatGPT Image May 12, 2026 23_02_41 (2)

    PromptCopy prompt

    Zoom out from headlight {{Portrait 1}} to {{Portrait 2}}

    Output

    1 output — open the canvas to view

The remaining 149 runs are on the canvas in CinAI Studio.